Sentences with phrase «through such exhibitions»

The organization has developed a place in art history for artists» books, temporary installation art, and performance art, and researched the history of the contemporary artists» book through such exhibitions as Cubist Prints / Cubist Books, The Avant - Garde Book: 1900 - 1945, Fluxus: A Conceptual Country, as well as thematic shows such as Artists» Books: Japan, Multiples by Latin American Artists, Contemporary Russian Samizdat, and Eastern European Artists» Books.

Through such exhibitions, the Museum continues its policy of focusing on issues prompted by different and often opposing points of view.»

Not exact matches

The Touchstone charges the tablet through magnetic induction and activates exhibition mode, which can display a clock, calendar, photos or any other app that has such a function built in to it.

The theme of this year's exhibition and technical program — resource efficiency — will be showcased through topics such as optimizing production processes, reducing energy and water consumption, and minimizing food loss through ingredient, process and package technology.

Celebrating students» Design & Technology work through exhibitions should be a vital part of communicating to parents and the local community what Design & Technology is and why it is such an important subject.

With your TICKET THROUGH TIME, you can explore the rich collections, contemporary exhibitions and displays at our museums, stroll through glorious gardens, enjoy stunning views and join a free guided tour and discover why our museums and their past occupants are such an important part of Australia's hTHROUGH TIME, you can explore the rich collections, contemporary exhibitions and displays at our museums, stroll through glorious gardens, enjoy stunning views and join a free guided tour and discover why our museums and their past occupants are such an important part of Australia's hthrough glorious gardens, enjoy stunning views and join a free guided tour and discover why our museums and their past occupants are such an important part of Australia's history.

It doesn't end there, the exhibition also walks through the world of consoles from the first console to ever be released, «The Brown Box» (1968) to hand held consoles such as the original Nintendo Gameboy (1989).

Through his early friendship with Allan Kaprow, Claes Oldenburg, George Segal, Robert Whitman, and Lucas Samaras, among others, Dine became involved with the events and exhibitions being held at such anti-establishment galleries as the Judson and Reuben, in lower Manhattan.

The exhibition will illuminate this story through items such as her medicines and orthopaedic aids.

Thus the exhibition, organised in partnership with the Art Gallery of Ontario, Toronto, explores the genre of landscape principally through the works of Paul Gauguin, Maurice Denis, Ferdinand Hodler and Vincent Van Gogh, but also presents North American painters such as Giorgia O'Keeffe and Emily Carr, who are less well known in France.

«Over the last twenty years London has been an incredible place to discover emerging art, from art fairs such as Zoo, through to seminal exhibitions such as «Sensation» and to ground - breaking galleries and project spaces.

On the third floor, Tacita Dean's (b. 1965, England) exhibition entitled Five Americans explores the theme of preservation and memoriam through filmmaking as it intersects with various artistic mediums such as painting, writing and dance.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

According to FWM, his «theological concepts, at times rendered through text, diagrams, and architectural elements — such as altars, church pews, and in this exhibition, a pulpit — create unexpected encounters through his use of unique materials.»

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

An exhibition walk - through or video interview may be included as content provided by the artist as part of the program, but it must be negotiated as such with the contracting institution and acknowledged as labor.

The forward progression of these dueling interests provided Martinez with a foundation from which to expand such concepts further through exhibition form.

This exhibition should broaden our understanding of what the late 16th - and early 17th - century artists who encountered Caravaggio or his works in Rome and Naples were then able to achieve, from Neapolitan masters such as Mattia Preti and Jusepe de Ribera through to French and Dutch «Caravaggisti», including Georges de la Tour and Gerrit van Honthurst.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

Featured in ArtNet News as the top 25 must see exhibitions this Spring, Chaos and Awe: Painting for the 21st Century includes paintings by an international array of artists, including Franz Ackermann, Ahmed Alsoudani, James Perrin, Eddy Kamuanga, Wangechi Mutu, Sue Williams, and many more, that induce feelings of disturbance, mystery, and expansiveness through the portrayal of forces shaping and hastening social transformation in ways that are increasingly difficult to predict, such as globalism, ideological conflict, technology, science, and philosophy.

Through its work, Iniva has continued to encourage the study and interrogation of cultural identity and difference, most recently in its 2011 exhibition Entanglement: the ambivalence of identity, but also previously in exhibitions such as Alien Nation (2007), which explored science - fiction, race and contemporary art and Veil (2003), which addressed the veneration and vilification of the veil in contemporary culture.

Through works critiquing the theatricality and spectacle of their day, the exhibition also explores how some artists of the 1960s and 1970s, such as Gilbert & George, Elaine Sturtevant, and Martin Kippenberger, have treated the studio as both a stage and creator of persona.

In addition, the gallery has exposed emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero and the Japanese artist Mr., through exhibitions at the gallery and participations in select art fairs.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

The exhibition has been conceived as an eccentric, unconventional exploration of such topics through empirical inquiry.

In the exhibition, this project is featured through the reconstruction of several nested cubicles, filled with straw, books and cubes of foam, in such a way that a visitor has to «test» each cubicle by stepping into it with bare feet to experience the different tactile sensations of each substance.

Through a pioneering partnership with MOCA LA, upcoming exhibitions will draw upon such diverse works from the MOCA collection by artists such as James Turrell, Elsworth Kelly, Nancy Spero, Jean - Michel Basquiat, Marlene Dumas, Martin Kippenberger, Luc Tuymans, and more.

«I Am,» a traveling exhibition that has already stopped in Amman, Jordan and London, UK, aims to challenge such stereotypes and shatter misconceptions of Middle Eastern women through photographs, paintings, and mixed - media works that reflect their varied life experiences.

The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

Through key examples of paintings, drawings, large - scale sculpture, graffiti, and products such as toys and apparel, this exhibition aims to reveal critical aspects of his formal, conceptual, and collaborative developments.

The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such as the turn to language, symbolic attributes, and the metaphorical significance of color and form.

Picasso and Britain will include key Cubist works such as Head of a Man with Moustache 1912 (Musée d'Art Moderne de la Ville de Paris) which was seen in Britain before the First World War, when Cubism was first introduced to a British public through Roger Fry's two Post-Impressionist exhibitions.

When you stroll through the exhibition hall you see latest works by artists such as Olafur Eliasson, Inigo Manglano - Ovalle, Nick Cave, Anish Kapoor, Olaf Nicolai, KRIWET, Kris Martin, Takashi Murakami, Haroon Mirza, Rob Pruitt, and Paul McCarthy.

The 2017 Frieze Teens learn about the inner workings of the contemporary art world through visits with leaders in the field including artists Nicole Eisenman, Caroline Larsen and Jean Shin; trips to major exhibitions at city museums including The MET Breuer and the New Museum; and participation in events such as Pioneer Works» Alternative Art School Fair.

What May Come had been commissioned by the Art Institute's Print and Drawings Club in 1945, and the exhibition illuminated the TGP's cultural connections to Chicago, both through the museum and via artists such as Eleanor Coen and Max Kahn, the husband - wife team who were the first Chicago - based artists to collaborate with the TGP.

The conference will expand upon the ideas addressed in the exhibition through comparisons with practices at the other contemporary art museums, such as the Van Abbemuseum in Eindhoven, the Tate Modern in London, and the The Pontus Hultén Study Gallery at the Moderna Museet, Stockholm.

This exhibition also will look at younger artists such as video artists Michael Joo and Regina José Galindo, who carry on many of these practices and themes decades later, reconfiguring the work of their predecessors into performative displays of ritual through film and gallery installations.

A visual lineage including artists such as Durer, Titian, Giorgione, Hans Baldung Grien, among others will be suggested through reproductions, while quotations from Diogenes, Diderot, Rousseau, Kant, Freud, Irigaray, Foucault, Derrida, and others will offer an intellectual and historical context for the exhibition.

Through the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through relationships to the human figure, scientific study, and moments when the floral form becomes ornamenThrough the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through relationships to the human figure, scientific study, and moments when the floral form becomes ornamenthrough relationships to the human figure, scientific study, and moments when the floral form becomes ornamentation.

Practical experience, public presentation, and reflection are integrated into the educational process in many ways, such as through Internships and Cooperative learning assignments, play production, musical performance and recording, visual arts production and exhibition, and the production and viewing of video, film, and design.

She continues to pursue her personal interests through various independent endeavors, such as her recent group exhibition Objects Food Rooms at Tanya Bonakdar Gallery in New York.

Exhibitions such as Paint Things (January 27 — April 21, 2013) at deCordova Sculpture Park and Museum and Phantom Limb: Approaches to Painting Today (May 5 — October 21, 2012) at Museum of Contemporary Art Chicago have brought together artists working through resuscitated painting traditions to rebrand process, materiality, and form in ways that are not easily labeled.

Upcoming at Virginia Museum of Fine Arts Posing Beauty in African American Culture April 27 — July 26 This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.

This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.

Each artist in the exhibition has developed a language through media and technique to show the varied expressions within impressionistic styles known to engage sensations of changing light and movement in overlapping everyday subjects such as cityscapes, landscapes, and portraits.

This exhibition will showcase Peltier through the visual arts (oil paintings) as well as educational components such as talks and a symposium sponsored by the Humanities Center at Syracuse University.

2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.

The exhibition then turns to other works from 1960 onwards, including pieces from movements such as Fluxus and the socalled Pictures Generation, as well as an introspective look at the history of America through work by artists such as Romare Bearden, Jeff Wall, and Cady Noland.