Sentences with phrase «through viewer interaction»

This digital animation presents a slowly shifting beam of «solid light» whose physical properties become outlined within the haze - filled space of the gallery and are further enhanced through viewer interaction.

Not exact matches

Through the way he holds himself or his subtle but pained grimace during social interactions, the viewer is immersed in his struggle.

The film spends a lot of time acclimating viewers to his dissociative identity disorder, a lot of which we learn about through interactions with his therapist Dr. Fletcher, played by Betty Buckley.

Links here installments from a TV show that guides viewers through each of their 15 student - teacher interactions.

Now they've developed a TV show that guides viewers through each of their 15 student - teacher interactions.

However, the gestural brushstroke, the evidence of fingers being dragged through the paint, or a drip of contrasting color, breaks the viewers interaction and draws them in to examine the intricate evidence of the artist's hand at play.

His pictures are structured in a way that their candidness is snapshot like — intimate moments captured through a fleeting glance — the focus of the scene is the interaction, between subject, artist and viewer — described by Freud himself when he said «You can't be aware enough.

This obvious impossibility instigates other modes of interaction selected on the touchscreen directly beneath the monitor: for instance, following the woman along a path through the trees or encountering a demon that in turn gives the viewer a sense of what it's like to be pursued.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

The work comes most tangibly into being through its interaction with the body of the viewer.

There is a lot more that can be conveyed through the study of a sitter than their appearance, a more human interaction to be had by the viewer.

Due to the temporal nature of each creation, Harlow relies on the sharing of information through documentation such as photography, video, and viewer communication from interactions with spaces.

Inspired by Giorgio de Chirico, Andre Breton and other 20th century surrealist painters, Weldon's dream - like and fantastical narratives playfully coax the viewer to consider the role of social media in our everyday lives - the absurdity of time spent scrolling through photographs and feeds, as well as the the withdrawn insularity of choosing social media over genuine social interactions.

«Pepe's work is an invasion of the exhibition space: it is a seemingly chaotic assemblage of insultingly «low» materials that disorients the viewer and forces bodily interaction, including, at the very least, stepping around, stooping under, looking up, looking through, and exercising faculties of mind and imagination....

A surprising rendition of a familiar pot strikes the viewer with a feeling of discovery, enticing a closer investigation through sight, touch and interaction.

This focused exhibition, on view through January 2, 2011, provides a unique opportunity for the visitor to experience how these dynamic works of art play against one another, along with showcasing the distinct interaction between sculpture and viewer.

The topography and reflective property of the material play with color and light according to the work's surroundings and the viewer's perspective; nuances of texture, color, and tone emerge and shift through that interaction.

Through his characteristic visual language, Ernesto Neto starts from the idea of interaction and sensory experience, including the audience in his large experimental environments that engage all the senses and questioning the viewer's perception.

The crucial question will be how MoMA treats the legendary «Bichos» (Critters), 1960 — 66, and «Trepantes» (Climbers), 1965, series of sculptures that the artist understood as living things, activated only through direct physical interaction with the viewer.

He does so through the use of colour, texture and scent, creating alluring collections that encourage viewer interaction.

In responding to Donald Judd who made «specific objects,» Le Va provides the viewer with «non-specific situations,» inviting us to complete the work of art through bodily interaction with materials and our sense of perception: «What I want [viewers] to do is place themselves in the work, and search out some kind of meaning that fits the object, as opposed to immediately seeing something and applying some readymade explanation... I want the work to set up a dialogue.

The exhibition will bring together recent work in which the Icelandic - Danish artist explores the human perception of temporality and movement through the spatial interaction between the viewer and the artworks.

Establishing an interaction and interdependency between himself, the work and the viewer, the art of Gonzalez - Torres conveys intense poignancy through sheer simplicity — never forcing itself on the viewer, only inviting contemplation.