Sentences with phrase «through woodcut»

As an artist for over sixty five years, he employed various media from drawing and watercolor, through woodcut and etching, to painting and collage.

Through woodcuts, reverse glass painting, sculpture, video, and performance, she draws art historical, social, and ethical connections.

Not exact matches

Each game of Terraria is different — working your way through a procedurally - generated world, the player is given a pickaxe to mine resources, a sword for combat, and an axe for woodcutting.

Through posters, woodcuts, lithographs, screenprints, and etchings, they depicted the plight of the indigenous people violated by unlawful landowners, land water appropriations, and human rights violations facilitated by «elected» officials.

Through imagery that combines painting with woodcut, drawing, silkscreen and intaglio methods, she builds series of works in which different symbolic elements encounter and interact with one another in altered, fictionalized landscapes.

Paint lines left on transparent plastic film through a process of scratching away (as might be the case when creating the block for a woodcut print) reveal an abstract form and an obsession with materiality and process that eludes a clear concept — which is also a weakness of this body of work.

He emigrated to the United States in 1930, documenting that move to New York through series of woodcuts.

Through her Tecelares, Pape proposes an alternative function for woodcuts, then considered a craft tradition; medium becomes a protagonist in these spatial investigations, as the texture of the woodblock becomes a compositional element.

This is also true of the titles of Frankenthaler's final woodcuts, which refer to different types of trees found and observed through the seasons on her property in Darien, Connecticut.

This woodcut depicts a river flowing through green hills beneath a blood - red sky.

This woodcut depicts a river flowing through an earthy...

Seven of Mangold's original woodcuts, Untitled A through G (2000) and Curved Plane Figure III (1995), are presented in dialogue with works by his contemporaries: Immovable Iconography (1990) by Nancy Graves (1939 — 1995) and Roses and Roofs (1987) by Janet Fish (1938 ---RRB-.

The Clark renews its association with the artist this summer through two exhibitions: in addition to As in Nature, the Institute presents No Rules: Helen Frankenthaler Woodcuts (July 1 — September 24), which explores the artist's inventive and groundbreaking approach to the woodcut over four decades of her career.

In Landscape Through Planting Time No. 3 (2013 — 16), woodcuts cover a composition of trees by a riverside, with a cityscape in the background.

The scroll will be on display through March 30, alongside additional woodcut prints by Shapiro in editions of 30.

This volume accompanies a major retrospective of Kiefer's works at the Royal Academy of Arts which includes a number of new works especially made for the exhibition and explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp - pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries.

April 4 through June 6, 1988 Ten Week Woodcut Workshop Lower East Side Printshop, Supervisor — Susan Crowe

The exhibition will explore their collaborative process through sketches, notes and «key block» prints and will display some of their most successful works, such as The Devil's Bridge (1924) and the ambitious Bruges series, where Brangwyn was able to translate the designs of the city where he had spent his childhood into colour woodcuts produced and finished by Urushibara.

As in Nature: Helen Frankenthaler Paintingsand No Rules: Helen Frankenthaler Woodcuts open Saturday, July 1, continuing through September 24.

Learning traditional craftsmanship from local carpenters, Puryear began documenting his experience through drawings and woodcut.

No Rules: Helen Frankenthaler Woodcuts Through Sept. 24 As in Nature: Helen Frankenthaler Paintings Through Oct. 9; both at the Clark Art Institute, Williamstown, Mass.; 413-458-2303, clarkart.edu.

Sarah Kirk Hanley looks at the woodcuts of Katsutoshi Yuasa, whose first solo exhibition in the US is at the ISE Cultural Foundation in New York, through January 4th.

HELEN FRANKENTHALER (B. 1928) East and Beyond (Harrison 41) woodcut in colors, 1973, on Nepalese handmade, signed and dated in pencil, numbered 4/18 (there were also 6 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, a few soft creases in the upper margin, hinged to the support in two places at the reverse of the upper margin edge (slightly showing through), otherwise in very good condition, framed B. 23 5/8 x 17 7/8 in.

Büttner, to the extent that she could be said to explore identity at all, has done so through her work with Carmelite nuns and displays of native plant life, although the judges singled out her use of anachronistic techniques such as woodcutting as amongst the reasons for her nomination.

This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Through billboard poems, light - pieces, fire - poems, woodcuts and watercolours, Montgomery's work has become instantly recognisable.

Jennie C. Jones: «Editions,» prints, through Feb. 27, and «Woodcuts» group show, through Saturday; Hiram Butler Gallery, 4520 Blossom; 713-863-7097, hirambutler.com.

Corrine Colarusso's Shaggy Land exhibition will be showing at Sandler Hudson Gallery through April 2; Emily Amy Gallery will be presenting Meta Gary's Animal Instinct through April 30; Jill Storthz's Woodcuts will be up at Get This!

Presented on separate floors of Tew Gallery through June 1, Minton's multivalent and playfully complex woodcut paintings, together with Ludwig's fecund layering of diaphanous veils of color and lush natural imagery, create a conceptual playground and a sensory feast.

Yokono's latest body of work is a continuation of the artist's signature brand of traditional woodcutting expressed through his unique contemporary, visual language.

To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

Also showing downtown is Jack Vickridge / Lizzie Wright at Nicelle Beauchene (through August 3), which contrasts the woodcuts of Vickridge with the wooden relief sculptures of Wright, both of whom explore spare geometric abstraction in their work.

A related exhibition, «No Rules: Helen Frankenthaler Woodcuts,» curated by Jay A. Clark, is also on view at the institution through September 24, 2017.

On the west coast, the Fine Arts Museums of San Francisco recently closed Chuck Close and Crown Point Press: Prints and Processes, which included Leslie, 1986, an ukiyo - e style woodcut that was produced through Crown Point's exchange program with Japan.

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».

One of the finest examples of her work, available at VFA, is Geisha, a 23 color Ukiyo - e woodcut on Torino paper, done in the ukiyo - e genre of art that was popular in Japan from the 17th through 19th centuries.

Each adopting the age - old craft of woodcutting through a distinctive contemporary technique, Fish and Yokono employ bold and enchanting cartoon - like narratives to illustrate quotidian and pop cultural excerpts.

There are other works (interestingly, many of which spring from the word «train») that retain their ambiguity through abstraction, such as the intensely blue, self - explanatory «AS THE CROW FLIES (the distance between my studio and the Drawing Center (3666 miles) drawn on scale 1/1, 5900000 lines of 39.37 inch» (2014) by Kris Van Dessel; the colorful, hard - edge monoprint silkscreen from the artist known as HENSE, «Shape» (2014); and Carl Fudge's black - and - white woodcut «Bricklayer 1» (2014).

The collection of Baltimore industrialist and banker T. Harrison Garrett features works by Albrecht Dürer, Francisco Goya, and Rembrandt van Rijn among more than 20,000 engravings, etchings, and woodcuts ranging from the late 15th century through the late 19th century.

Fine and decorative arts objects have been high on the Cleveland Museum of Art's wish list, and through purchases from endowment funds the institution has acquired the 15th - century Byzantine icon The Mother of God and Infant Christ, which has been attributed to icon painter Angelos Akotantos; a 1977 abstract painting, Rho I, by Jack Whitten; contemporary Chinese artist Xu Bing's 1985 woodcut Five Series of Repetition: Moving Cloud (Yi - yun); and William Turner's ca. 1850 watercolor A View from Moel Cynwch: Looking Over the Vale of Afon Mawddach and Toward Cader Idris.

Dorothy Sturm: From Line to Color Through April 14, 2013 Brooks Introduces: Caleb Sparks Through March 17, 2013 Mid-South Scholastic Art Awards Through February 17, 2013 Howard Simon: Modern American Woodcuts July 28, 2012 - January 27, 2013 Early Quilts from Southern Collections Through January 6, 2013

As in Nature: Helen Frankenthaler Paintings continues at the Clark Institute (225 South Street, Williamstown, Massachusetts) through October 9, and No Rules: Helen Frankenthaler Woodcuts continues through September 24.