Sentences with phrase «through young voices»

America's history through young voices: Using primary sources in the K - 12 social studies classroom.

Not exact matches

Being unhindered and unburdened by self - awareness, there is a sincere expression that comes through when their young voices ring out with the melodies and lyrics reflecting the deepest mysteries of grace — mysteries they may not fully understand as they sing.

We hope this safe network will provide young carers with a space where they can feel comfortable sharing their views and stories with others in similar situations, but also a public platform through which they can get their voices heard by those who can make a difference to their lives.

Child birth is one of the most transformational experience that a mother will go through and a couple will go through, and we get to witness this young lady becoming a woman, finding her voice, finding her power; that is one of the most beautiful things to witness.

When younger, your baby understood your meaning through the tone of your voice: soothing tones made your baby stop crying, agitated tones meant something was wrong.

* Day 1 Monday, February 22, 2016 4:00 PM -5:00 PM Registration & Networking 5:00 PM — 6:00 PM Welcome Reception & Opening Remarks Kevin de Leon, President pro Tem, California State Senate Debra McMannis, Director of Early Education & Support Division, California Department of Education (invited) Karen Stapf Walters, Executive Director, California State Board of Education (invited) 6:00 PM — 7:00 PM Keynote Address & Dinner Dr. Patricia K. Kuhl, Co-Director, Institute for Learning & Brain Sciences * Day 2 Tuesday February 23, 2016 8:00 AM — 9:00 AM Registration, Continental Breakfast, & Networking 9:00 AM — 9:15 AM Opening Remarks John Kim, Executive Director, Advancement Project Camille Maben, Executive Director, First 5 California Tom Torlakson, State Superintendent of Public Instruction, California Department of Education 9:15 AM — 10:00 AM Morning Keynote David B. Grusky, Executive Director, Stanford's Center on Poverty & Inequality 10:00 AM — 11:00 AM Educating California's Young Children: The Recent Developments in Transitional Kindergarten & Expanded Transitional Kindergarten (Panel Discussion) Deborah Kong, Executive Director, Early Edge California Heather Quick, Principal Research Scientist, American Institutes for Research Dean Tagawa, Administrator for Early Education, Los Angeles Unified School District Moderator: Erin Gabel, Deputy Director, First 5 California (Invited) 11:00 AM — 12:00 PM «Political Will & Prioritizing ECE» (Panel Discussion) Eric Heins, President, California Teachers Association Senator Hannah - Beth Jackson, Chair of the Women's Legislative Committee, California State Senate David Kirp, James D. Marver Professor of Public Policy, University of California, Berkeley Assemblyman Kevin McCarty, Chairman of Subcommittee No. 2 of Education Finance, California State Assembly Moderator: Kim Pattillo Brownson, Managing Director, Policy & Advocacy, Advancement Project 12:00 PM — 12:45 PM Lunch 12:45 PM — 1:45 PM Lunch Keynote - «How Children Succeed: Grit, Curiosity, and the Hidden Power of Character» Paul Tough, New York Times Magazine Writer, Author 1:45 PM — 1:55 PM Break 2:00 PM — 3:05 PM Elevating ECE Through Meaningful Community Partnerships (Panel Discussion) Sandra Guiterrez, National Director, Abriendo Purtas / Opening Doors Mary Ignatius, Statewide Organize of Parent Voices, California Child Care Resource & Referral Network Jacquelyn McCroskey, John Mile Professor of Child Welfare, University of Southern California School of Social Work Jolene Smith, Chief Executive Officer, First 5 Santa Clara County Moderator: Rafael González, Director of Best Start, First 5 LA 3:05 PM — 3:20 PM Closing Remarks Camille Maben, Executive Director, First 5 California * Agenda Subject to Change

I am passionate about supporting teens and young adults through this time, assisting each person in finding their voice and developing a strong and healthy sense of self.

Through the poignant juxtaposition of citizenship and slavery, young people's protest against attacks on their economic activity and more broadly against the employment crisis, reflects their efforts to force their way to political recognition, rather than existing a political space that seems to exclude their voices and needs.

Thanks to a team of Dutch researchers, never again will self - hatred overcome a young man as he wanders the aisles at Staples, that nasty, sneering voice in his head demanding to be told why he has spent an afternoon considering various shades of Post-it Notes rather than figuring out how to save the world through love.

In the 1995 - set Landline, the scratchy - voiced Slate plays Dana, part of a frank New York family that includes a mother and father (Edie Falco and John Turturro) who lived through the disco era robustly enough to be pretty chill when it comes to their parental relationship with young adult Dana and her sparky kid sister, Ali (Abby Quinn).

An eager young cartographer voiced by Michael J. Fox is part of an expedition that makes it way through hidden ocean passages in search of Atlantis: The Lost Empire.

From a screenplay by Josh Campbell, Michael Stuecken and Whiplash's Damien Chazelle, the film revolves around the character of Michelle (Mary Elizabeth Winstead), a young woman who, from the opening few frames, seems to be going through a messy break - up with her boyfriend, Ben (voiced by none other than Bradley Cooper).

Co-created by Notaro and Oscar - winning screenwriter Diablo Cody («Juno,» «Young Adult»), «One Mississippi» literally can not wholly belong to Notaro, but her perspective, voice and humor shines through in every facet.

A young boy named Miguel (voiced by Anthony Gonzalez) makes the trip in reverse, which is not to say that he dies, but rather that his living self, through one of several metaphysical loopholes that the movie explains as it goes along, is transported into a fantastical world of specters and skeletons, who hold fabulous parties and raucous outdoor concerts.

The France - born Benhaim's 40 - minute film — an evocative mood piece in which a young girl wanders through present - day Morocco surrounded by ghostly voices — was one of three works given the shorts competition's top prize at this year's edition of the Rotterdam International Film Festival (IFFR).

It is through a song that the film takes us through these «Million Dreams» and unto his and Charity's adulthood, with Jackman's baritone taking over from a young child with an angelic voice midway through the number, and Michelle Williams joining in.

There are no half measures in a film that takes as its hero an eloquent monologist in a Guy Fawkes mask (Hugo Weaving), his erstwhile, reluctant sidekick a young woman, Evey (Natalie Portman), transformed through the government - sanctioned abduction of her parents and a period of torture and imprisonment into not an avenging angel, but a voice of reason.

The most creative and innovative and daring proposals of South America usually come from Brazil, such as Lúcia Murat's Praça Paris (Lúcia Murat, 2017), which really grants a voice to Afro - Brazilians through a young black woman from the favela (Rio's slums), trapped between the endless violence of her environment and the progressive flirting with disaster of her middle class white psychotherapist.

Against this backdrop, the voice of a young woman is heard expressing through spoken word poetry her outrage at this new threat in a place filled with violence and injustice.

Through this work, it has led to a truly memorable moment for me, with my brother and I representing Great Britain on the Special Olympics European Youth Committee; being the voice of young people across Europe and influencing international policy.

Whether it's through journaling, spoken stories, or rap songs, discovering one's own voice is the KEY TO SELF - ESTEEM in young people.

Responding to the tragedies that have spanned Columbine and Sandyhook and Marjory Stoneman Douglas requires not to simply run children through preparedness drills, but also requires that we add our voices to the young activists demanding why our political system can offer them nothing more than drills layered with thoughts and prayers.

From her earliest days in Jamaica, as a young girl who was driven to teach others to read, to her rapid rise through all levels of the school system to become Ontario's first Chief Student Achievement Officer, Glaze has been a persistent voice in the belief that there should be no «throw - away kids.»

Hunger Games is written through the voice of Katniss, a strong young women who, unlike other first person heroines, has a head on her shoulders and a no - nonsense attitude.

Novels - and memoirs - in - verse are always welcome additions to the young adult canon, especially those that show world history through diverse voices.

Most were impressed by how realistically the book's young narrator was voiced: The concept of writing this book through the eyes of a 6 year old was brilliant.

In this voice - driven memoir, Dawn Davies tells her story in a fragmented way, moving through time in great leaps — childhood, young adulthood, single parenthood, post-divorce love, baffled - but - game mother of the bride.

Through twenty - four sonnets, two Connecticut poets imagine the voices of selected «Little Misses of Color» to tell the courageous story of Prudence Crandall, who opened her nineteenth century academy to young African American women.

Cranston's hypnotic voice guides listeners through the harsh realities of war and the emotional land mines of surviving in these very personal yet universal stories of a young man's service in Vietnam.

He often invites the public to participate in physical reenactments locating current, tragic events (deaths of young men of color at the hands of the police) within their bodies through gesture and voice.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

A ghostly young girl travels through a third abstract landscape: a computer - generated visualization of the astronaut's voice.

«The exhibition is therefore an opportunity to see the early paintings of a major figure through the eyes of a young artist who himself has recently emerged as a leading voice of his generation.»

The program, which culminates in the EPIC Youth Exhibition, amplifies students» voices by offering an opportunity for young people to express their unique perspectives and ideas about today's world through art.

I could let the banners and the trumpets and the knights and soldiers pass me and leave me behind as they leave the other women, if only I could still hear the wind in the trees, the larks in the sunshine, the young lambs crying through the healthy frost, and the blessed blessed church bells that send my angel voices floating to me on the wind.

The mission of the Young Voices for the Planet film series is to limit the magnitude of climate change and its impacts by empowering children and youth, through uplifting and inspiring success stories, to take an essential role in informing their communities — and society at large, challenging decision - makers, and catalyzing change.

The Young Voices for the Planet films will reach an estimated 11 million viewers nationwide through distribution by American Public Television.

Jeanne sits up quickly at the sound of the voice and almost head - butts a young OPP officer leaning in through her driver's window.

The quality of community engagement and the creation of a culturally secure environment have meant that the voices of Yamatji children, young people, parents and AIEOs are reflected in the programs created through this process.

The quality of community engagement and the creation of a culturally secure environment has meant that the voices of Yamatji children, young people, parents and Aboriginal and Islander Education Officers are reflected in the programs created through this process.

This will be through online surveys aimed at care leavers, direct and indirect consultations with children in care and using media platforms to capture the voices of care experienced children and young people across the country.