Sentences with phrase «throughout documenta»

While ostentatious as it is to present two huge, nearly empty rooms at the center of an exhibition in the spotlight of global attention, the poetry of Gander's projects echoes throughout dOCUMENTA (13).

The Greek works of the 1970s, in particular, many of which represent a more politically and socially pointed variant on an idiom of found - object assemblage similar in sensibility to Italian Arte Povera, share an aesthetic as well as a range of references common to much of the more recent work seen throughout the Documenta proper — though expressed in a far more rigorous and authentic manner.

Like John McCracken, Kerry James Marshall, and Charlotte Posenenske, she is an artist whose work appeared at multiple locations throughout Documenta 12 this past summer — an ennoblement closely followed by her first solo exhibition in an American museum, currently on view at the Museum of Contemporary Art, Los Angeles.

Not exact matches

Jonas has exhibited, screened and performed her work at museums, galleries and large scale group exhibitions throughout the world, such as: Taipei Biennal; Documenta 5, 6, 7, 8, 11, and 13; the 2008 Sydney Biennial; the 2008 Yokohama Triennial; and the 28th Sao Paolo Biennial.

At this time, his work was also being recognized in Europe and Mexico; he was included in Documenta IX in 1992 and his solo show Original Re-Runs (aka, A Certain Lack of Coherence) traveled in Europe throughout 1993 and 1994.

The title of the show references Joseph Beuys» 1977 Honigpumpe am Arbeitzplatz installation at Documenta 6, which pumped honey into tubes throughout several rooms of the main building, amongst the festival's attendees.

She has held numerous solo exhibitions throughout Europe and the United States, and her work has been included in several group shows at the Museum of Modern Art in New York, Documenta XI in Kassel, and the Museum Ludwig in Cologne.

Her dances have been seen throughout the U.S. and elsewhere, including the Whitney Museum, the Museum of Modern Art, Performa, Dia Beacon, Getty Research Institute, the Louvre, Documenta 12, and Sao Paulo.

He has exhibited extensively at museums throughout Europe, Asia and the United States, including such venues as the Venice Biennale, Documenta, and the Whitney Biennial.

He was included in large survey exhibitions throughout the decade of the 1980s, including the Sao Paolo Biennale (1985), Whitney Biennial (1987), Documenta 8 (1987), Australian Biennale (1988), Carnegie International (1988), and numerous single - venue and travelling museum exhibitions across the United States and Europe.

Exhibiting in Europe and Asia as well as throughout the United States, he became the youngest artist ever to be included in the documenta exhibit in Kassel, Germany in 1982.

He has had major museum exhibitions throughout the world and has participated in Documenta and numerous biennales, such as São Paulo and the 2013 Venice Biennale, where he represented Chile.

Her first solo exhibition was in 1975 at Konrad Fischer Gallery, Dusseldorf; since then, Höfer has received critical acclaim in shows throughout Europe and the United States and participated at the documenta 11 in 2002.

His nearly forty year inquiry into the relation of art and language has taken the form of installations, museum exhibitions, public commissions and publications throughout Europe, the Americas and Asia, including Documenta V, VI, VII and IX (1972, 1978, 1982, 1992) and four Venice Biennials (1976, 1993, 1999 and 2007).

He has exhibited extensively throughout Europe and the USA and his work has been screened in many exhibitions and film festivals including: Paris Biennale No. 8 (Paris, 1973), Arte Inglese Oggi (Milan, 1976), Une Histoire du Cinema (Paris, 1976); Documenta 6 (Kassel, 1977); X-Screen at the MUMOK, (Vienna, 2004); Behind the Facts.

19 June - 28 September: He exhibits five new large - format Abstract Paintings at documenta VII, including Yellow - Green [CR: 492], which are distributed throughout the exhibition in dialogue with work by other artists such as Claes Oldenburg and Robert Mangold.

His works have been exhibited throughout the world, including the Venice Biennial, Documenta Vl and X in Kassel, the Sao Paulo Biennial, the Whitney Biennial, the Lyon Biennial, the Havana Biennial, The Museum of Modern Art in New York, the Berkeley Art Museum in California, the Wexner Arts Center in Columbus, Ohio, le Musee d'Art Contemporain de Montreal, le Capc de Bordeaux, France, the Museu de Arte Moderna de Rio de Janeiro in Brazil, the Ludwig Museum in Budapest, Hungary and the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.

But happen upon one of the 15 - minute performances scheduled throughout the day, and you'll discover a restaging of the Greek artist's historic work, Da inventare sul posto (To Invent on the Spot), first debuted at Documenta 5 in 1972.

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

Over a period of five years, the artist progressively installed twelve interactive «rooms» of this nomadic museum at institutions throughout Europe — S.M.A.K., Ghent (1999); W139, Amsterdam (1999); Le Pavé Dans La Mare, Besançon (1999); Witte de With Centre for Contemporary Art, Rotterdam (2001); Palais de Tokyo, Paris (2002); and Stedelijk Museum, Amsterdam (2000)-- culminating with his presentation of the final room, The Humanist Space, at dOCUMENTA 11 in 2002.

Throughout the 1990s, his work has been included in many important shows, for example Metropolis, at the Martin - Gropius Haus, Berlin in 1991; Documenta 9, Kassel and The Boundary Rider, Ninth Sydney Biennale in 1992; Viaggio Verso Citera, XLV Venice Biennale in 1993; Passions privée at the Musée d'Art Moderne de la Ville de Paris in 1995; NowHere, at the Louisiana Museum of Art Humblebeak in 1996; Città Natura, at the Botanical Gardens and the Palazzo delle Esposizioni in Rome, and Passato, Presente, Futuro XLVI Venice Biennale, in 1997; Pop / Abstraction at the Museum of American Art, at the Pennsylvania Academy of the Fine Arts, Philadelphia in 1998; Dinge in der Kunst des XX.

Over a period of five years, the artist progressively installed twelve interactive «rooms» of this nomadic museum at institutions throughout Europe, culminating with his presentation of the final room, the Humanist Space, at dOCUMENTA 11 in 2002.

She has exhibited, screened and performed her work at museums and galleries in large - scale group exhibitions throughout the world, such as: the Taipei Biennial; Documenta 5, 6, 7, 8, 11, and 13; the 2008 Sydney Biennial; the 2008 Yokohama Triennial; and the 28th Sao Paolo Biennial.

Having exhibitions throughout the United States, Latin America, and Europe — including dOCUMENTA (13) and, most recently, a two - part exhibition at the Museum of Contemporary Art in Tokyo — Alÿs's extraordinary practice has been lauded by many.

In the late 1960s and early 1970s, Ernest Trova was among the most widely acknowledged sculptors working in the United States, resulting in invitations to exhibit in three Whitney Annuals, three Venice Biennales, and Documenta 4 in Kassel, Germany.i In 1969 his work was heralded by the New York Times as «among the best of contemporary American sculpture,» and throughout those decades examples of his art were prominently displayed in dozens of major museums including the Museum of Modern Art, the Whitney Museum of American Art, and the Walker Art Center in Minneapolis.

He traveled throughout Spain, Italy, and France in 1977, when his work was included in Documenta in Kassel.

Mekas's films and archive material have been exhibited extensively throughout the world, including at Documenta 11; the Venice Biennale 2005; the Whitney Museum of American Art and MoMA PS1, New York; Museum Ludwig, Cologne; Baltic Art Center, Sweden; and the Metropolitan Museum of Photography, Tokyo.

De Keyser was born in 1930 in the Flemish town of Deinze, Belgium, where he still lives, and his reputation was almost entirely confined to his home country and the Netherlands until 1990, when he began exhibiting regularly abroad, first in Germany and then throughout Europe and further afield, not only in one - person shows but in big international exhibitions like Documenta 9 (Kassel, 1992) and «The Broken Mirror,» an important painting survey in Vienna in 1993.