Sentences with phrase «timbres more»

Not exact matches

Through a complex algorithm, researchers determined that pop music has gotten steadily louder over the years, but also more boring — with less diversity between chords, tones and timbres.
She occasionally responded with a half - hearted attempt at cooperation or humorously declined to cooperate, but more often than not just dug in her heels and determinedly upset the normally peaceful and happy timbre of our home.
Rather the timbre, or quality, of the sound changes in helium: listen closely next time and you will notice that a voice does nt become squeaky but instead sounds more like Donald Duck.
He heard success stories from... There are dating sites that have thousands of members... body posture and timbre of the voice Read More...
While the school - wreck scenario invites self - aware satire echoing scenes from Titanic to The Poseidon Adventure, the emotional trauma of adolescence receives more thoughtful treatment thanks in large part to the distinct timbre of vocal talents, including Jason Schwartzman, Lena Dunham, Reggie Watts and, as sage Lunch Lady Lorraine, Susan Sarandon.
As his first foray into stop motion animation, the film plays in an even more creatively stimulating sandbox than the writer - director's previous projects; the kind that allows for Tom Noonan's half - soothing - half - creepy vocal timbre to represent the collective banality that surrounds us.
The argue that it is the timbre of the sound attributes, Loureiro Bastos (2006), which presents more complex because it is not linked solely to a physical dimension, therefore, it can not be specified quantitatively in musical notation system.
Abstract: the timbre is the more complex attribute of the sound and it is characterized by the harmonics components of a sound.
Exiting the parking lot to public roads, the CLA45 doesn't sound any more exciting than the CLA250 Sport, emitting a raspy timbre.
During the 1950s he produced still lifes indebted to William Scott (also no relation) and then at the start of the following decade, when he represented Ireland at the Venice Biennale, more landscapes, often of bogs, which at last found him beginning to discover his own distinct timbre through the use of unprimed canvas into which tempera paint sank.
The work is restaged to Lucier's specifications, but is taken one step beyond by using Ampeg amplifiers and a Rat pedal in order to attain timbres and tonalities more pleasing to «the old ones.»
While soundstage got better and dialogue sounded more crisp, the signal processing sounded artificial with boosted highs and lows, altering the timbre of instruments during orchestral scores.
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