Not exact matches
Through a complex algorithm, researchers determined that pop music has gotten steadily louder over the years, but also
more boring — with less diversity between chords, tones and
timbres.
She occasionally responded with a half - hearted attempt at cooperation or humorously declined to cooperate, but
more often than not just dug in her heels and determinedly upset the normally peaceful and happy
timbre of our home.
Rather the
timbre, or quality, of the sound changes in helium: listen closely next time and you will notice that a voice does nt become squeaky but instead sounds
more like Donald Duck.
He heard success stories from... There are dating sites that have thousands of members... body posture and
timbre of the voice Read
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While the school - wreck scenario invites self - aware satire echoing scenes from Titanic to The Poseidon Adventure, the emotional trauma of adolescence receives
more thoughtful treatment thanks in large part to the distinct
timbre of vocal talents, including Jason Schwartzman, Lena Dunham, Reggie Watts and, as sage Lunch Lady Lorraine, Susan Sarandon.
As his first foray into stop motion animation, the film plays in an even
more creatively stimulating sandbox than the writer - director's previous projects; the kind that allows for Tom Noonan's half - soothing - half - creepy vocal
timbre to represent the collective banality that surrounds us.
The argue that it is the
timbre of the sound attributes, Loureiro Bastos (2006), which presents
more complex because it is not linked solely to a physical dimension, therefore, it can not be specified quantitatively in musical notation system.
Abstract: the
timbre is the
more complex attribute of the sound and it is characterized by the harmonics components of a sound.
Exiting the parking lot to public roads, the CLA45 doesn't sound any
more exciting than the CLA250 Sport, emitting a raspy
timbre.
During the 1950s he produced still lifes indebted to William Scott (also no relation) and then at the start of the following decade, when he represented Ireland at the Venice Biennale,
more landscapes, often of bogs, which at last found him beginning to discover his own distinct
timbre through the use of unprimed canvas into which tempera paint sank.
The work is restaged to Lucier's specifications, but is taken one step beyond by using Ampeg amplifiers and a Rat pedal in order to attain
timbres and tonalities
more pleasing to «the old ones.»
While soundstage got better and dialogue sounded
more crisp, the signal processing sounded artificial with boosted highs and lows, altering the
timbre of instruments during orchestral scores.