Sentences with phrase «time a film covered»

I can't remember the last time a film covered this topic so well.

Not exact matches

1) Put flour, salt, sugar and melted butter in a mixing bowl 2) Pour in warm water bit by bit, and knead dough until it achieves a homogenous, smooth and soft texture 3) Roll the dough into a small ball and place it in a bowl, covering it with transparent film, and allow the dough to rise for 30 minutes 4) Chop onions and garlic finely, and saute onions in a pan until onions are caramelized, then add chopped garlic 5) After 30 minutes is up, press the dough to get rid of the gas created by the yeast 6) Add the sauteed onions and garlic to the dough, and knead well so that ingredients are dispersed homogeneously in dough 7) Shape the dough in any way you like and then leave it on a greased baking tray for 30 minutes (during which the dough should double in size) 8) After the 30 minutes of waiting time, bake in pre-heated oven at 180 — 200 deg cel for around 20 to 25 minutes (or until the crust is golden brown)

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

Part of the performance leap required for a commercial version could be covered by new generations of more efficient lasers already hitting the market, but the film still needs to be several times more sensitive.

She embedded time - lapse video cameras in the scree - covered ice peaks, which filmed interior glacial lakes every hour for two weeks.

Cover with cling film and pierce 3 times.

Also... would it be ok to prepare the drink the night before - cover with cling film & drink 1st thing - by this time the water would be room temperature & I often wake quite early so this would giv more time between drinking & eating anything else to improve results?

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The pressure off, they're free to make out like teenagers and fall in love, a happy interlude the film covers with smart economy, so as to spend more time on getting to know this «hot grandma» (she's struggling to keep her middle daughter pregnancy - free through high school), as well as the couple's first big fight, occasioned when she wonders why he still doesn't want to sleep with her after nearly 20 dates.

Despite being the shortest film in the series, at 138 minutes, the film still feels drawn out in places, with Yates taking a long time to cover aspects which could just as adequately be explained in half the time.

We've gone through several editorial changes since we started covering films in 1992 and older reviews are not as complete & accurate as recent ones; we plan to revisit and correct older reviews as resources and time permits.

Most of his big films are also covered in the bio and show just how much swing he had during his reign, the issue he had with controversial ideas and how his close friendships with top stars of the time like Doug Fairbanks helped him.

Because I interviewed him earlier this year, this time talking about the film in - depth, I wanted to go all out, and cover the spoilers, cover all the pressing questions you might've had after seeing Looper.

Steven Zeitchik at the LA Times steers clear of reviewing the film but does cover the Q&A afterwards.

Comedy, sci - fi, horror, romance, adventure, action, drama, and thriller, it covers quite a lot of territory in a short amount of time, and does so with its own sense of style that makes it different from any other film, even if it is an homage film at its core.

At times, Perry courts those comparisons, especially to Anderson: Schwartzman plays Philip like a version of «Rushmore's» Max Fischer who never gained perspective, while the film employs the same use of fake book covers and an omniscient, literary narrator (Eric Bogosian instead of Alec Baldwin) as «The Royal Tenenbaums.»

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I myself am delighted for Johnson, who's long been supportive of FILM FREAK CENTRAL, but I also remember that the last time I saw a director's face on a DVD was when M. Night Shyamalan graced the cover of Signs.

The striking new cover art by Devon Whitehead depicts all your favorite characters from the film in a retro - tastic bloody homage to one of my all time favorite genre movies.

The Goodfellas comparison is more common as both films cover a long stretch of time (the same stretch IIRC) and track their subjects from childhood through a rise to criminal power and eventual disastrous fall.

Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.

The film nevertheless finds time for a mother - son chat on mortality, ruminations on life choices and a resurrection of the «Dollhouse» character Dawn Wiener as it covers four stories in which a lovable dachshund lives with a new owner.

Now, these guys never disappoint... if memory serves... one movie that made me laugh EACH TIME as if it were the first I watched it, is BIG LEBOWSKI... that is what you call a GEM of a character... The scene where he incidentally looks at himself in a mirror designed to look like a TIME MAGAZINE cover made me have to pause the film and laugh for a couple of minutes at him in that thing.

But sadly, the film itself is quite ordinary, falling victim to the usual biopic conventions by trying to cover too much material in too little time.

This is the first time that the film is being released on Blu - ray, thanks to Echo Bridge and they did a very impressive job (if you can look past the terrible cover art).

The film is a comedy / dramedy centered on Kim Baker (Fey), a journalist recounting her time covering the war in Afghanistan.

It marked the first time that a studio has revealed a principal cast of film characters on sequential national magazine covers.

Despite a fine central performance from Idris Elba, that film tried to cover way too much ground with the result that it came across as a series of snapshots, fine enough in themselves but not enough to give us a true sense of the man which, say, concentrating on a specific time in his life may well have done.

For what it's worth, MGM once again shortchanges the film's runtime on the cover, this time by six minutes.

It's a film that knows you know why Allison Williams's parents are so unsettling, even before the covers are pulled back and you see what's been going on beneath the surface this whole time.

You can also save some time by just watching the trailer for the film, as there's nothing within the film itself that it doesn't cover that's worth wasting 98 minutes of your life to see.

The audio commentary is well worth spending time listening to and features the writer - director John De Bello covering various aspects about the film and the other Tomato's pictures and cartoon series.

First time feature film director Tim Miller also deserves credit for his handling of the films action scenes and with a budget that would barely cover costs of catering on an Avengers film, Miller gives Deadpool a unique feel when it comes to dispatching of the cookie cutter bad guys.

The L.A. Times disputed this account, stating that Disney had never asked for a correction, and said its critics would continue to cover the studio's films after viewing them at a public screening.

January 2017 is just getting started, and that means it's time to cover all the new DVD and Blu - Ray horror films of this week in the United Kingdom.

After Trent covers his padded cell, face, and clothing with black crosses (an image featured in the trailer and which hooked me, proving that while a picture may be worth a thousand words, it may not be worth 95 minutes of one's time), he recounts the events leading to his current state, and the film proceeds in flashback.

Worst - case scenario: You concur with people who saw the film on the festival circuit last fall and complain that it's too eager to play its transgender character for cheap laughs, as if Laverne Cox appearing on the cover of Time had never happened.

Each segment covers the minutes leading up to release events so that the film becomes an extended backstage melodrama that allows Sorkin his favourite device of secondary / tertiary characters yelling out time reminders.

Those names cover almost every genre and period of Hollywood history, and by the time this film — Seymour Hoffman's last — was released, there was a pall of expectation (or something like that) over it.

Rowling first mentioned that the film does discuss events going on in Europe at the time of Fantastic Beasts, delving into the relationship between Albus Dumbledore and Gellert Grindelwald first covered in Harry Potter and the Deathly Hallows.

As for extras, featurettes covering Orton, the film's locations, and its (incredibly disappointing) stunts aren't worth your time.

With three or four different time periods over the course of the eight - year investigation covered and returned to time and again, but without any discernible rhythm, it's really only by paying stricter attention to Speedman's facial hair than we'd like to have had to, that we eventually worked out a rough timeline and even then, certain events are unmoored: how long before she went missing did Dunlop discover the cameras that were filming Tina?

Each of the three sections of the film essentially covers a variation of the same themes — dealing with prejudice, trying to find and maintain one's identity, struggling with love — but Szabó finds fresh and engaging ways to approach it each time.

With three or four different time periods over the course of the eight - year investigation covered and returned to time and again, but without any discernible rhythm, it's really only by paying stricter attention to Speedman's facial hair than we'd like to, that we eventually worked out a rough timeline, and even then, certain events are unmoored: how long before she went missing did Dunlop discover the cameras that were filming Tina?

A slightly hour - plus - long documentary, divided into five 10 - 15 minute segments, comprehensively covers the film's making from conception to production, with a large amount of time spent on the elaborate digital and practical creature effects.

Tither - Kaplan, who has starred in several films directed by Franco, told the LA Times that the actor - director had engaged in an «abuse of power» on the set of his films, alleging that during one sex scene Franco removed protective plastic guards covering the genitalia of female actors while simulating oral sex with them.

Real time — in which the plot of the film covers the same amount of time as it takes to watch — can be a blessing or a curse.

As the aging but still insatiable Flynn, we have Kevin Kline, who often had a slightly swashbuckling air about him — and a mischievous, a times mad gleam in his eye; they've dyed his hair and youthed him up just a bit with makeup, but he's physically a ringer for Flynn during the period covered in this film, the mid-to-late 1950s.

The first section, «Echoes in Time» covers the translucent live action dramatization that is superimposed over the wreckage footage and used to some degree in the film.

The action in «Wild Card» is markedly more adept, thanks to the work of Hong Kong choreographer Cory Yuen, who put Statham through his paces on the «Transporter» films and who has a grand old time here staging an epic casino brawl scored to the Drifters» cover version of «White Christmas.»