I know because authors used to do it to me all
the time as a literary agent.
Not exact matches
As an author trying to get a
literary agent, it could take you years to get an
agent if you query them one at a
time.
Even if you served
as an apprentice
literary agent before starting your own
literary agency, it takes
time to become a well - rounded book
agent.
In addition to what I mentioned above in terms of what attracts a
literary agent to an author, once an author has gone
as far
as they can go with the writing / editing of the manuscript and honed in on a knock - out query letter / hook, then it is
time to begin the process of querying a
literary agent.
Authors that Mark represented
as a
literary agent have gotten 6 - figure advances and been on the NY
Times bestseller list.
I'm a former NY
Times bestselling
literary agent,
as well
as the former Marketing & Licensing Manager of a well - known publisher.
This type of expert is someone who's recognized
as an authority in publishing, who also spends most of their
time helping authors create successful query letters — resulting in those authors getting top
literary agents and book deals.
Literary Agent Undercover was founded by Mark Malatesta (former NY
Times bestselling
literary agent), after he went «undercover»
as an book
agent for five years... to learn how to get his own books published.
* Top
literary agents work full -
time, have many years of experience, and treat their profession
as serious business (they aren't part -
time agents with second jobs to make ends meet and they don't think of
agenting as a hobby).
Mark Malatesta has several book coach programs based on his years
as a NY
Times bestselling
literary agent, but you have to sign up for a an introductory book marketing coach call
as a first step.
and, second,
as a NY
Times bestselling
literary agent.
Approved by my
agent at the
time, I signed a traditional contract a few years ago with publisher Aflame Books, whose backlist (of twenty
literary fiction titles in their first English translations) was about to be supplemented by a new imprint for original - English - language fiction, starting with my novel The Imagination Thief
as this imprint's launch title.
To a tee almost every response has been, «we are not taking on new authors at the present
time» (this from
literary agents as well
as publishers * sigh *).
Dawn also shares how she began writing for the New York
Times as a food columnist & secured her
literary agent.
The panel includes Kenneth Atchity who is an author, Hollywood producer,
literary manager, editor, speaker, writing and career coach, columnist, book reviewer, and brand consultant, New York
Times Best - selling author Heather Graham, Orna Ross, a former
literary agent and founder of the Alliance for Independent Authors,
as well
as BooksGoSocial founder Laurence O'Bryan alongside a host of acclaimed authors, writing professors and publishing insiders to discuss topics like the Critical Elements of Storytelling, the Evolving Business of Publishing, and the all - important Book Marketing Secrets.
During my short
time (5 years)
as a
literary agent, I personally evaluated more than sixty - thousand query letters.
Even after you find a
literary agent and publisher, the
time lag between their acceptance of your manuscript and the final publication of your book could easily be
as long
as two to three years.
I spent a long
time writing novels that were not good enough to publish and almost
as much
time finding a
literary agent.
This document is akin to the «Reader Report» generated within
literary agencies about considered submissions (I work in this capacity for
agents as time allows, so I know intimately manuscripts are approached and discussed internally).
Those are expensive and
time - consuming trips
as we take hundreds of meetings per day and send a contingency of at least six
literary agents to hand sell.
These authors think that so long
as they have written works, which they are proud of and that they think might sell well, then that's the
time to find
literary agents.
Next
time around, it would be interesting to see the statistics on
literary agents, who perform a key role
as gatekeepers and filters for the publishing companies.
Read on to learn how to get a
literary agent as a first
time author.
As a literary agent — a profession frequently regarded as being up there with tapeworms as contributing members of literary society — I invest, for free, huge amounts of my time in developing the careers of people who want to be writer
As a
literary agent — a profession frequently regarded
as being up there with tapeworms as contributing members of literary society — I invest, for free, huge amounts of my time in developing the careers of people who want to be writer
as being up there with tapeworms
as contributing members of literary society — I invest, for free, huge amounts of my time in developing the careers of people who want to be writer
as contributing members of
literary society — I invest, for free, huge amounts of my
time in developing the careers of people who want to be writers.
Tim Glister is a former copywriter and one -
time literary agent from Newcastle; Harris MacLeod a Nova Scotian who worked
as a political journalist in Ottawa.