Sentences with phrase «time as the conceptual artist»

He taught at CalArts at the same time as the conceptual artist John Baldessari, which inspired the one - liner that while all of Mr. Baldessari's students went on to become art stars, Kaprow's went on to become social workers.

Not exact matches

The last time we heard from conceptual artist Rirkrit Tiravanija, about a month ago, he was cooking up Thai food in Basel, Switzerland, on the Messeplatz, the large public square outside the annual fair Art Basel, as part of a collaborative... Read More

This exhibition features films and videos by the Argentina - born conceptual artist David Lamelas, culled from his ground - breaking and ongoing series Time as Activity, 1969 — 2017.

At the time, I imagined that our nonrepresentational, process - or - performance - based, and conceptual art would save Chicago from a group of artists whom I now love, the figurative surrealists — Jim Nutt, Roger Brown, Christina Ramberg, Gladys Nilsson, and Jeff Koons's teacher Ed Paschke — known as Chicago Imagists.

He established himself as a major artist of the movement in Italian figurative painting known as the Transavanguardia, a Neo-Expressionist movement that sought to re-emphasize color and representation in reaction to the Conceptual Art of the times.

At a time when artists across the board were turning away from painting and towards photography and conceptual art, Pacific Coast Highway and Santa Monica addresses the history and impact of artistic styles such as Post-Impressionism and Fauvism, all executed in Hockney's signature vernacular.

JMcK: The teaching of drawing has occupied an important place in your career as an artist specifically teaching life drawing at a time when abstract art and conceptual forms of art were in the ascendancy.

By the time I became aware of her work she had become a minor celebrity — a relic of the depression era who had ignored Abstract Expressionism, Pop, Minimal and Conceptual art and was still painting traditional portraits of her family and friends, as well as art historians, critics, curators and artists.

It illuminates her conceptual approach to photography and foretells the career that would be launched in the late 1970s, positioning her as one of the most significant artists of our time.

Reviled by some at the time, that year's Whitney Biennial laid the groundwork for much of the intellectual landscape artists have explored since then because it was seen at the time as such a radical departure from previous Biennials due to the fact that the exhibited work was much more conceptual and politically charged than previous incarnations.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

According to American conceptual artist Mel Bochner, at that time Dunham «took as his job breaking out of the age of rectangles and seriality».

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

At times the artist matches her paint to the paper color, playing with the push and pull of depth and surface, and that which is there but almost invisible: a conceptual fluctuation of color as painted or unpainted.

Although this project marks the first time de Neige has made autonomous AI - as - art, he believes the work is in line with his ongoing conceptual trajectory as an artist.

«As a pioneer in conceptual, social and performance practices she is one of the most innovative and groundbreaking artists of our time.»

Senga Nengudi is one of the seminal conceptual and performance artists of our time, she emerged as part of a group of...

Senga Nengudi is one of the seminal conceptual and performance artists of our time, she emerged as part of a group of avant - garde African - American artists active in Los Angeles and New York in the 1970s and 1980s.

Artists from the 50s and 60s who moved to the UK from the commonwealth, conceptual artists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage oveArtists from the 50s and 60s who moved to the UK from the commonwealth, conceptual artists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage oveartists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage over time.

What can be defined as conceptual art at its best, the artist's often times participatory and always haunting works once again caught the New York audience with surprise and contemplation.

The artist, whom the Times critic Holland Cotter recently described as «a star, known for his formal and conceptual brilliance and his unpredictable ways,» is difficult to pin down for museum shows as well as interviews.

In this site - specific installation, the artist uses archeology and her perceptions of historic artifacts as a conceptual launching point to investigate the perpetually enigmatic elements of memory, time, and history.

In the»80s, she emerged as conceptual artist in the feminist art movement of the time, and since then her artwork — typically black - and - white photographic images, some as large as a billboard, with stripes of provocatively worded type on top of them — has become highly prized, one piece selling for nearly $ 1 million at a recent auction.

SCC I was seeing myself as a conceptual artist because at the time, it was hard to avoid.

The Financial Times recently published an overview of the artist's circuitous career, featuring each of the series on view at Frieze and naming American conceptual artists, particularly Ed Ruscha, and Land art as her major influences.

Calzolari is considered one of the most important conceptual artists of his time and his works have been exhibited in some of the most prominent international private and public collections such as MoMA New York, Stedelijk Museum Amsterdam, Fondation Maeght Saint Paul de Vence, Rivoli Museum, Documenta and Prada Foundation.

As a conceptual artist studying environmental data, I have always spent a lot of time doing research, collecting data as a way to synthesize informatioAs a conceptual artist studying environmental data, I have always spent a lot of time doing research, collecting data as a way to synthesize informatioas a way to synthesize information.

This career survey, spanning four decades of work, is probably best summed up by the exhibition's subtitle, as the conceptual artist will stage several off - site installations, including at the Broadway - Lafayette subway station and in Times Square, where he'll present a newly commissioned augmented - reality piece.

His ideas remained timely for modern conceptual artists, among them Vito Acconci (American, 1940 - 2017) and Bruce Nauman (American, born 1941), who began working with issues of time, sequence, and motion during the 1960s, sometimes making series of pictures of the human body, just as Muybridge had done.

Elaine Tin Nyo is a conceptual / performance / food artist, and in July she shared freshly baked sour cherry pies with friends and colleagues as a brake on the bustle of everyday life as well as a meditation on the passage of time.

Taking its name from the final line of Dante's Inferno (1314), A Riveder le Stelle, «to gaze once more upon the stars,» is conceived as a virtual conversation between two artists, separated by time, place, and practice, whose work nevertheless manifests striking formal and conceptual correspondences.

Yet the majority, such as Conceptual Artist Agnes Denes, or Howardena Pindell, who was at the time making Post-Minimal wall pieces, worked in «neutral» styles.

Franklin Furnace was a hub for the young conceptual and performance artists of the time, such as Jenny Holzer, Eric Bogosian, and Murray Hill.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

As a conceptual artist, Buren was regarded as visually and spatially audacious, objecting to traditional ways of presenting art through the museum - gallery system while at the same time growing in hot demand to show via the same systeAs a conceptual artist, Buren was regarded as visually and spatially audacious, objecting to traditional ways of presenting art through the museum - gallery system while at the same time growing in hot demand to show via the same systeas visually and spatially audacious, objecting to traditional ways of presenting art through the museum - gallery system while at the same time growing in hot demand to show via the same system.

Unlike purely conceptual artworks which may exist as ideas or proposals, Long's texts remain focused on the artist's physical passage through the landscape — in the artist's words, on «real stones, real time, real actions.»

She thus echoes art historian George Kubler, whose study The Shape of Time: Remarks on the History of Things (1962) has greatly influenced her, as it previously did Robert Smithson, Robert Morris and other 1960s - era Conceptual and Minimalist artists.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Working with a wide array of materials, everything from photos, string, sewing, paint, wood paper, time, mirrors, light and space, Oakland based artist Chris Duncan mines questions of optics, geometric abstraction, colour theory, and dynamic patterning, along with a variety of materials to ponder ideas such as perception and balance, in both conceptual and physical forms.

As one of the only African - American conceptual artists working in the 1970s, a time when political expressionism was a prevailing concern among African - American artists, Gaines was an outlier in his pursuit of abstraction and non-didactic approach to race and politics.

This is the advice of Yoko Ono, the 81 - year - old conceptual artist whose work is known to be at times invisible, impossible, un-pretty, nonsensical, revolutionary, or as simple as smiling in the mirror.

Since then, he has time and again proved his prominent potential as a conceptual artist and created series of art works through his influential brush stroke, perceptive material selection and dominant ideas.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

The Boston - based Lemieux got her start in New York in the early»80s, during which time, as an assistant to David Salle, she aligned herself with the young generation of painters and Conceptual artists associated with Mary Boone Gallery and Metro Pictures.

Michael Max Asher (July 15, 1943 — October 15, 2012) was a conceptual artist, described by The New York Times as «among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive aconceptual artist, described by The New York Times as «among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive aConceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art.»

Conceptual artist Hans Haacke's two most notorious works took unsavory Manhattan real - estate dealing as their subject, which triggered the cancellation of his exhibition Real Time Social System at the Guggenheim Museum in 1971.

In history, Gutai serves as somewhat of an «artist's art» — while performance and conceptual work in the 1970s was heavily influenced by these Japanese practitioners, their work rarely surfaced in Western exhibitions of the time.

Neo-conceptualists used irony and pastiche to subvert and comment upon structural issues of the time; they drew from Conceptual Art to create paintings and sculptures that operated as a set of pictorial signs referencing artists and moments in postwar art history.

Burgin first came to attention as a conceptual artist in the late 1960s and at that time was most noted for being a political photographer of the left, who would fuse photographs and words in the same picture.