Sentences with phrase «time audiences laughed»

Cameron said he thought that the line would be funny only upon repeated viewings and was surprised that it first time audiences laughed at it, having already anticipated the titular character's penchant for machine like understatements.

(The only time the audience laughed was when it was tricked into thinking they were going to be treated to a second gratuitous Lara shower scene late in the film; alas, the camera panned down from the shower head to reveal the face of her rival archeologist Alex, played by Daniel Craig.)

Not exact matches

TAMPA — Standing in front of an audience of several thousand scientists, data wonks, geospatial intelligence analysts and other big thinkers, Army Gen. Tony Thomas drew some laughs when he talked about the time he felt the urge to toss Google CEO Eri...

The audience laughed out loud time and again.

I laugh every time it comes on... especially when she dead pans the question to the audience «Is he for real?»

Multiple times during the conference, I cringed as Boyd said things about people who objected to him in a way that got a cheap laugh from the audience.

The audience clapped and laughed in all the right places but it had to be squeezed out of them at times.

Making an audience laugh in the aisles while smuggling in deep political points is not as easy as it seems, and In The Loop's outrage at the events which led to the Iraq war shine through every minute of the film's running time.

Having fun when it's time to play, being serious when it's time for professional or not a laughing matter, like to walk, like to talk to a more mature audience, like playing games, don't like a dull moment, i will keep trying till there's no more trying in me, very passionate, and anything you...

The kiddie audience will laugh a few times, but it would take an electron microscope to find an original idea or joke in this entire cartoonish movie.

By the time Spader showed up with wild facial hair (which the movie is full of) and a swaggering paunch, the audience I was in was laughing with every new arrival.

Following an unlikely appearance as a football player in The Replacements (2000) and a turn as the son of Old Scratch in Little Nicky (2000), Ifans» role as a socially challenged forest dweller turned opera - loving socialite in the eccentric Human Nature provided audiences with abundant laughs and a further glimpse into the quirkiness of a truly unique actor.Of course the ever - eccentric Ifans was only warming up, and after supporting roles in such efforts as The 51st State, The Shipping News and Once Upon a Time in the Midlands Ifans once again took the lead in the 2003 comedy Donnie Deckchair.

This may not be a must - buy, but it is a stylish action romp that will please a mature audience looking for laughs and an ass - kicking good time.

The preview audience I saw the film with spent a lot more time laughing than shrieking.

My guest laughed no more than three times and the guy next to me put his hands in his hands on multiple occasions — they are the target audience.

It's as if Daley and Goldstein don't quite know what to do at times, so they relied on cheap laughs in an attempt to keep the audience engaged.

If you can be in a movie where it gets the audience laughing, crying and at times, jumping out of their seats and yelling, well, that's as good as it gets.

The audience laughed out loud numerous times at the lovers banter back and forth while they break into the Englander's vault.

I had a great time and I think so did the audience because everyone was laughing from beginning to end.

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

Much like Horrible Bosses, Game Night will give audiences an entertaining time at the theater with plenty of laughs and hi - jinx, even when the plot rattles out of control.

A day after unveiling the first trailer for the Seth Rogen - exec produced Future Man, Hulu screened the first episode for a New York Comic - Con audience, displaying the sci - fi comedy's tone - and time - shifting mix of raucous and raunchy laughs and video game violence brought to live - action.

When it falls into conventional storytelling it is a sloppy, middling action film with lazy focus, bland characters, misses all its comic beats to the point the audience was laughing more at the fart jokes, which weren't even well timed either.

I had to check myself a few times when I was laughing, as I didn't want to turn into one of her audience members that came to her shows just to laugh.

The audience didn't really dig this film *, at time laughing in moments I'm certain the filmmakers didn't intend.

The theatre audience was laughing so much that at times we couldn't hear some of the dialogue which came at you at lightning speed.

«I did it in front of a live audience and there were times when I would say to Bob [Seagren], «I love you,» and the audience would laugh nervously.

With film leads Wes Bentley and Jason Isaacs on hand to support him, first time director Saar Klein happily introduced his film After the Fall Saturday night, immediately telling the audience he wanted them to feel they could laugh, even if it seemed uncomfortable.

It's a gambit that can pay off if the audience is laughing so hard that they lose track of time, but it's a tall order to deliver non-stop hilarity for two hours.

Some of the action is so over-the-top it draws the desired laughs from the audience, but be prepared for lots of gun play and plenty of Chevy commercial time.

Worse, the laughs are rarely hearty and the genuine emotion is saved for the climax leaving too much time spent with little serious audience connection.

From physical comedy (along side Will Ferrell) as the Cheerleader, Arianna, to impressions of Barbara Walters and Judge Judy, to wacky characters like Rita Del Vecchio, Nadeen or prescription drug junkie Collette Reardon, Cheri made audiences laugh so hard they often needed time to «Simma Down.»

The actors themselves each make use of great comedic timing and Guðmundsson's ridiculous comic situations to inspire laughs from the audience.

This not only catches the audience by surprise (and generates a few laughs), but it perfectly sums - up this 2014 version of the all - time favorite: it's out with the old and in with the new.

A History of Violence had most of the audience in my cinema laughing uncomfortably, squirming at the gore, and generally sounded disappointed by the time the credits rolled.

There are times when I laughed at a random line here or there so it's not one of the year's worst, but audiences deserve better than a movie that simply replicates clichés from other movies, ties them in a neat package with a few solid actors and then says it's something new.

The trailer for The Hangover is getting big - time laughs [and I'm right there with the rest of the audience] and I get the feeling that not all the best stuff is in the trailer.

I'm pretty sure I never heard the words «I love you» in this film, and any time it started to get corny something funny would happen and the audience could pretend the tears were from laughing too hard.

«The filmmakers did an incredible job creating a wholly unique identity for the film which we're certain will have audiences laughing and talking for a long time.

It's rarely laugh out loud hilarious, and the film does drag a little as the characters slowly work out that which we the audience have known from the very beginning (even if we haven't seen this kind of film many times before).

True to the spirit of Man Up's main character Nancy, writer Tess Morris was unabashedly honest about how she felt about the premiere, laughing and saying, «First time I'm going to see it with a paying audience — so I'm really excited and also I feel sick!»

The active audience doesn't hesitate to dole out colossal laughs and even rounds of applause several times each episode.

And Get Out is certainly a funny film from time to time, with Whitford and LilRel Howery (playing Chris» TSA agent friend turned audience surrogate turned aggressive scene stealer) providing the lion's share of laughs, but the comedy isn't what sticks long term.

There are plenty of laughs throughout (some you won't catch the first time around, and others you'll never catch as a Yank), but as the story transitions from a comedy into a murder mystery, the audience is forced to sit patiently through some dreadfully bare moments.

Powerful as it is, the film is also so filled with laughs that at times I couldn't hear the punch - line follow - up for the raucous sounds of the audience enjoying itself.

Wilder knows that the longer time it takes for the group to get to the airport, the more laughs he will be able to get from an audience emotionally drained by the anticipation.

For a few bob Dark Raid would be worth your time merely for a laugh, and the multiplayer could potentially be enjoyable once finished, though it's unlikely to find much of an audience now.

He continues, «Once I did a performance at the Fabric Workshop for Louise Bourgeois's «She Lost It» where I wrapped strips of printed gauze over my barely - covered body, and by the time I got unwrapped, both Aggie (Gund) and Anne were there in the audience laughing.

This is not the time to draw a laugh from your audience.