Sentences with phrase «time between pulses»

That motion would, in turn, shorten or stretch the time between pulses from pulsars in different directions, in an effect akin to the Doppler shift.

Another method of implementing quantum control than the time - independent formalism of Brumer and Shapiro is to use pulsed laser beams and to vary the time between pulses.

Not exact matches

Add the dates, 2 to 3 at a time, pulsing between additions until each date is well - incorporated.

Add the ice water a little bit at a time, pulsing in between, until dough comes together.

Lastly add the cooking water one tablespoon at a time and pulse to mix in between each addition.

Add the coconut oil and pulse until sandy, then add the water a tablespoon at a time, pulsing between each addition.

Add in the egg yolk a little at a time, pulsing in between.

Season with sea salt and freshly cracked black pepper, then add between 5 to 6 tablespoons of extra virgin Spanish olive oil, 1 tablespoon at a time, while you continue to pulse, until you reach the desired texture

A tablespoon at a time, slowly stream in ice water, pulsing after each addition, until the dough sticks together when you press some between your fingers.

Use the liquid and one tablespoon at a time, add it to the food processor and pulse until you reach a desired, spreadable consistency (between 2 - 4 tablespoons should do it).

Add vegetable broth, one cup at a time, pulsing in between additions.

Add the dates, about 3 at a time, pulsing between additions until each date is well - incorporated and the mixture is sticky.

The ability to capture selected - area - image dynamics with pixel resolution and to control the time separation between pulses for temporal cooling of the specimen made possible studies of fleeting structures and morphologies.

Analyzing the pulses of light, and the time between them, can also show whether methylation is affecting polymerase activity.

Then, the researchers change the time delay between the two pulses — the photo - exciting one and the probing one — and they create another image of the location of the electrons.

Understanding the two phenomena, which are both produced by interactions between charged particles and the planet's magnetic field, may help to explain the variations in the timing of the radio pulses and to shed light on Saturn's geomagnetic workings.

Varying the length between the initial and follow - on pulses, the researchers were able to create multiple images, akin to a movie, depicting changes in the shape of the methane molecules over time.

By varying the time delay between the pulse and the probe, the scientists can capture the subtle shifts in atomic arrangements as the lattice responds to the «kicked - up» electrons.

Since he and his colleagues control the electrons with another laser pulse, is it possible to precisely control the timing between the two pulses — and set it to exactly what they want it to be.

As a disturbance, such as a pulse of laser light, moves forward in time, it spreads out over space, encountering boundaries between materials in space and then in time as the materials switch properties / colors with each successive row.

By adjusting the time delay between the two pulses, the scientists gained a very precise measurement — within a matter of attoseconds — of how long it takes the electron to decay.

If the time interval between the first and second pulses is just right, this interference should result in the rebuilding of a single wave packet.

In our case, this time corresponds to the time between the two microwave pulses.

Which of the two possible kinds of motion prevails in the end depends on the time delay between the two pulses and on the quantum phase of the superposition.

This clash has been largely solved by either discarding any corrupted images, or carefully timing TMS pulses to take place between fMRI snapshots, a process known as interleaving.

If this elapsed time were transferred to spatial dimensions, then the distance between two pulses would translate into almost eight kilometers.

Crossing the huge distance between the Sun and Alpha Centauri using current spacecraft technologies would take several millennia, though the possibility of nuclear pulse propulsion or laser light sail technology, as considered in the Breakthrough Starshot program, could reduce the journey time to a matter of decades.

Additionally, the team utilized a green LED to direct pulsed light at the nanosheets and found that they exhibited a reliable response to light and an excellent response time between 18 and 73 milliseconds, indicating that In2Se3 nanosheets could be a highly effective material for real - time imaging purposes.

Lying on mat with knees bent and fairly wide and feet on the ground, bring hands close together in front of you and crunch up pushing hands through space between legs, pulse in this crunch position 3 times and release, bring hands and arms to ground beside body and lift your legs straight up towards ceiling and lift butt up off the ground, reaching legs up further.

Living with divided time between the USA and Europe, Biscontini is a fitness consultant and ACE Spokesperson who keeps his finger on the pulse of international group and personal fitness trends.

Xavier Dolan — «Mommy,» «Tom at the Farm» Cheryl Dunye — «My Baby's Daddy,» «The Watermelon Woman» Deniz Gamze Ergüven — «Mustang» Valerie Faris — «Ruby Sparks,» «Little Miss Sunshine» Shana Feste — «Endless Love,» «Country Strong» Hannah Fidell — «A Teacher» Anne Fletcher — «The Proposal,» «Step Up» Ari Folman — «The Congress,» «Waltz with Bashir» Anne Fontaine — «Gemma Bovery,» «Coco before Chanel» Cary Joji Fukunaga — «Beasts of No Nation,» «Jane Eyre» Nicole Garcia — «A View of Love,» «Charlie Says» Juan Antonio Garcia Bayona — «The Impossible,» «The Orphanage» Sarah Gavron — «Suffragette,» «Brick Lane» Lesli Linka Glatter — «The Proposition,» «Now and Then» Ciro Guerra * — «Embrace of the Serpent,» «The Wind Journeys» Laura Amelia Guzmán — «Sand Dollars,» «Carmita» Sanaa Hamri — «Just Wright,» «Something New» Mia Hansen - Løve * — «Eden,» «The Father of My Children» Mahamet - Saleh Haroun — «Grigris,» «Our Father» Mary Harron — «The Notorious Bettie Page,» «American Psycho» Marielle Heller * — «The Diary of a Teenage Girl» Albert Hughes — «The Book of Eli,» «Dead Presidents» Hou Hsiao - Hsien — «The Assassin,» «Three Times» Patty Jenkins — «Wonder Woman,» «Monster» Naomi Kawase * — «Still the Water,» «The Mourning Forest» Abdellatif Kechiche — «Blue Is the Warmest Color,» «Black Venus» Abbas Kiarostami — «Certified Copy,» «Taste of Cherry» So Yong Kim — «For Ellen,» «In Between Days» Kiyoshi Kurosawa — «Seventh Code,» «Pulse» Karyn Kusama — «Jennifer's Body,» «Girlfight» Francis H. Lawrence — «The Hunger Games: Catching Fire,» «I Am Legend» Tobias Lindholm * — «A War,» «A Hijacking» Phyllida Lloyd — «The Iron Lady,» «Mamma Mia!»

Audio is similarly solid; like the work of most first - time filmmakers, the soundtrack is more serviceable than integral, but overall the 5.1 mix is well - balanced between the pulses of the forgettable score and the dialogue, which maintains a level of aural space equal to the actors» blocking around Colin and Violet's home.

Kristine Kathryn Rusch (see also Kris Nelscott) Unnatural Worlds How to Save the World Time Streams Christmas Ghosts Hex in the City Moonscapes Special Edition: Crime Universe Between Fantasy Adrift Fantastic Detectives Pulse Pounders Risk Takers Valor Recycled Pulp Sparks The Unexpected Darker Realms Haunted Racing the Clock Legacies

Built from scratch with the DC3D Engine 1 huge hub world with over a dozen unique levels Real - time 3D combat engine Jump, Dash & Fight in responsive environments Pick up and throw objects at enemies Customizable characters with in - depth class / job system Smart audio system that is influenced by environment with 3D positional sound effects Over 20 ambient and pulse pounding tracks by Richard Evans Save file tool to easily move between platforms

Touching the surface and soft but pulsing tensions between things are what I'm attracted to, fragmentation and nonlinear time.

His works are silent and strong at the same time, they exude calm and peace of mind but also a series of metaphysical agonies that pulse and interweave between them in the threads, the stretches and the straight lines creating a spiritual universe that everyone can penetrate and travel on the great paths of the joy and the sadness, the sorrow and the happiness, but certainly all these works guide you to the ultimate using as stepping stone Minimalism and Abstraction.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

2006 Not An Ocean Between Us: Voices of Women From African and the African Diaspora, Winston Salem State University, Winston Salem, NC Lag Time Line Up, Mumbo Jumbo Gallery, New York, NY Materiality, Kravets / Wehby Gallery, New York, NY, Wild Girls, Exit Art, New York, NY The Pulse of New Brooklyn, MoCADA Museum, Brooklyn, NY Do You Think I'm Disco, Longwood Art Gallery, Bronx, NY

The GTP is defined as the ratio between the global mean surface temperature change at a given future time horizon (TH) following an emission (pulse or sustained) of a compound x relative to a reference gas r (e.g., CO2):

From the time delay between each outgoing pulse and the backscattered signal, the distance to the scatterer is inferred.

In this case I used a step response to show you the difference between the residence time and the e-fold decay rate for a one - time pulse of CO2 in the atmosphere, but I fear that you still don't get it.

Now, this distinction between airborne residence time on the one hand (5 - 8 years) and pulse decay time on the other hand (40 - 100 years) is all basic stuff.

Ruddiman and McIntyre (1981), p. 204, dismissed this since they saw no decrease in North Atlantic biological productivity, but some later data supported the idea; in 1985 Broecker suspected the meltwater pulse was the entire cause of the Younger Dryas, but later he suggested it was only the trigger that set the timing for a switch between thermohaline circulation modes, Broecker et al. (1989)(whose «synthesis of palaeoclimatic observations invigorated the community over the next decade,» according to Le Treut et al. (2007), p. 106); Broecker et al. (1990).

The commentary speculates methane hydrates, ice - like substances where the gas is stored in the East Siberian Arctic shelf (among other places), could unleash a 50 gigatonne «pulse» of methane between 2015 - 2025 (leading to an atmospheric concentration six times current levels) as undersea permafrost thaws.