Sentences with phrase «time cinema classics»

If none of them have been true all - time cinema classics, the value of the whole vastly exceeds the sum of the parts.

Not exact matches

Film buffs may have a hard time coordinating cinema trips once they become parents, but they can still enjoy the classics at home.

[img] http://images.rottentomatoes.com/images/user/icons/icon14.gif [/ img] The Pact feels as if it's been constructed from an infinite number of inspirations stretching from classic ghost story horror cinema to the recent wave of found footage films but at the same time because of such great execution you could never actually call it generic.

From bio-pics and rock - docs, to concert classics and killer soundtracks, these are cinema's all - time greatest hits.

FLIX ® is a celebration of all things cinema, from knee - slapping comedy to face - slapping film noir, get ready to experience the history of Hollywood, one classic at a time.

And elsewhere, smaller distributors like Kino Lorber, Olive Films, Flicker Alley, Twilight Time, Cohen Media Group, and Blue Underground, when not giving a necessary makeover to classics already in their impressive libraries, brought under - heralded films by our greatest auteurs and criminally unseen works by cinema's pioneers to home video for the first tTime, Cohen Media Group, and Blue Underground, when not giving a necessary makeover to classics already in their impressive libraries, brought under - heralded films by our greatest auteurs and criminally unseen works by cinema's pioneers to home video for the first timetime.

For a movie that is supposed to be a visual spectacle, it spends an awful lot of time violating the classic rule of cinema by telling instead of showing.

Miyazaki the all time classic My Neighbor Totoro, perhaps the most universal movie about discovery and play ever made, while Takahata would make one of the greatest (and saddest) anti-war movies in the history of cinema, The Grave of the Fireflies.

«La Bete Humaine» was one of Renoir's biggest hits and remains an all - time classic of French cinema.

REGARDING CLASSICAL CINEMA By Imogen Sara Smith A writer luxuriates in the exquisite out - of - time existence of classic movie love, after visiting a silent film festival

«Bates Motel,» which premiered on A&E on March 18, is inspired by Alfred Hitchcock's cinema classic «Psycho» and set in modern times.

There's no better time of year for fans of classic cinema, no better place to watch classic films than movie palaces like the Chinese and Egyptian Theatres in the heart of Hollywood, and no better audiences to watch films with hundreds of people who love the classics as much as you do.

2011 was a year that didn't deliver a tremendous amount of great cinema but the great cinema was really incredible and I think 2011 gave us some future classics, not least of which is The Skin I Live In, maybe my favourite Almodóvar film of all time... and that's saying a lot.

Science fiction has rocked cinemas for a century, and the genre has produced many undisputed classics during that time.

At times the director seems to channel the stark, meditative gaze of Carl Theodor Dreyer, Robert Bresson and other saints of European cinema, as well as the ghostly poetry of such Japanese classics as Kenji Mizoguchi's «Ugetsu.»

While a large portion of my time is still spent working year round on festival planning and management, I also manage our «TCM Presents» series with Fathom Events which brings classic movies to the big screen in cinemas nationwide, help manage TCM's presence at events like the Telluride Film Festival, coordinate the technical preparations for our annual TCM Classic Cruise and I am excited to be taking on a new role in managing our DVD partneclassic movies to the big screen in cinemas nationwide, help manage TCM's presence at events like the Telluride Film Festival, coordinate the technical preparations for our annual TCM Classic Cruise and I am excited to be taking on a new role in managing our DVD partneClassic Cruise and I am excited to be taking on a new role in managing our DVD partnerships.

Time and the Other examines the cinematic role of jewelry in classic mid 20th century cinema.

Since his Times Square Show debut, his pictorial universe has been incredibly consistent and meticulously staged: a cinematic landscape often flattened into eerie planes and characterized by classic foreign sports cars, French pop singers, camouflaged Spitfires and troop ships, icons of European cinema and snowy Alpine peaks — a series of very particular, rhapsodic infatuations, through which he has conjured a fully - realized, unironic, modern - day narrative mythology.

That said, it does feel dated, overdone and a little bit creaky in places, and A View To A Kill really marks the end of the road for «classic» Connery - Lazenby - Moore Bond - cinema was moving on, and it was time to bring the iconic spy film franchise into the modern era.