Don't expect another all -
time cinematic classic, however — this one looks somewhere between «forgettable» and «downright awful.»
Not exact matches
One of the foremost American filmmakers of our
time, Richard Linklater achieved cult immortality with the «90s
classic Dazed and Confused, won critical respect for the sublime Before trilogy, and redefined
cinematic storytelling with the groundbreaking Boyhood.
And, of course, the top heist film of all
time is 1988's
cinematic action
classic: Die Hard.
Ava DuVernay — American Writer, Director, Producer Nominated for the Academy Award and Golden Globe and winner of the BAFTA and Emmy, Ava DuVernay is a writer, director, producer and film distributor known for the historical drama Selma (2014), the criminal justice documentary 13TH (2016) and the recent Disney's
cinematic adaptation of the
classic children's novel A Wrinkle in
Time.
There are also special events with the so called boss fights against an expert fictional racer that seem to be inspired from the design of the
classic Need for Speed games, complete with their own opening real -
time cinematics that introduces the main racer.
If you've seen any of the trailers for the highly - publicized
cinematic rendering of Madeline L'Engle's
classic 1962 children's novel A Wrinkle in
Time, you know sparkle figures prominently.
From there it was a short walk to the cult
classic American Graffiti, and then came one of the greatest movies of all
time, the
cinematic masterpiece that was...
Other
classic or career - defining works from the past 50 years punctuate the exhibition, from Rodney Graham's breakout,
time - bending
cinematic short, Vexation Island (1997), to a trio of Marina Abramović films — Freeing the Mind, Freeing the Body, Freeing the Voice (1975)-- in which the expectation of a human's potential is also tested, albeit in stark physical and mental terms, rather than through Graham's comic flourish.
Time and the Other examines the
cinematic role of jewelry in
classic mid 20th century cinema.
Since his
Times Square Show debut, his pictorial universe has been incredibly consistent and meticulously staged: a
cinematic landscape often flattened into eerie planes and characterized by
classic foreign sports cars, French pop singers, camouflaged Spitfires and troop ships, icons of European cinema and snowy Alpine peaks — a series of very particular, rhapsodic infatuations, through which he has conjured a fully - realized, unironic, modern - day narrative mythology.