Sentences with phrase «time color photography»

It was not until the 1950s that color film offered an accessible artistic medium; prior to that time color photography was a medium primarily confined to fashion, advertising and low quality family snapshots.

Not exact matches

Thomas Kubik of TK Photography says this time of year is perfect for outdoor color.

I was about 12, and you know they didn't have color photography at that time, or at least it wasn't very available.

Recently distributed on a limited - edition Blu - ray from Twilight Time, the transfer not only does justice to the stereoscopic effects, but the colors pop, most of them emanating from Reed's wardrobe, and the gritty, dusty textures are palpable (conversely, the shadowed nighttime photography may be realistic, but it is often so dark that the action is barely visible).

It's actually a lament for another lost American value replaced by digital second - rateness, this time the cherished Kodachrome color film process by which photography used to look 100 times better than it does now.

This doesn't necessarily mean he was always ahead of his time: one of the best things about Eyes Wide Shut — evident in such artisanal qualities as the old - fashioned sound track, the grainy photography, and the exquisite color balances (such as the dark blue lighting of a bathroom behind one of Kidman's monologues)-- is that it isn't a film of the 90s in most respects but something closer to what movies at their best used to be.

Shore, who is considered one of the most significant photographers of our times by the museum, has explored working with cheap automatic cameras, large - format cameras, digital photography, digital painting and social media, working both in black - and - white and in color.

His use of color film in the early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

The prints in Leah Beeferman's recent exhibition, «Cold Color,» at New York's Rawson Projects update time - honored conventions of landscape painting and photography to address our increasingly mediated relationship with nature.

He devoted himself to photography around 1967, when his signature superimposition works emerged at the same time color television began broadcasting in Soviet Ukraine.

This book, first published to mark the first major retrospective of Leiter's work in 2012, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.

It was also at a moment when photography was gaining momentum as a recognized art form, while at the same time traditional gelatin silver prints were losing favor in the excitement of the new, of color.

His use of color film in the late 1970s and early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Baltimore collectors Tom and Nancy O'Neil have given the institution two dozen color and black - and - white works by 19 important artists of our time, including Dawoud Bey, celebrated for his portrait photography, and Edward Burtynsky, whose photos document humanity's impact on the environment.

In choosing color over black and white and producing large - format prints, she broke the tradition of established fine - art photography at the time.

The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album.

Selected Group Exhibitions, & Art Fairs 2018 Black Box Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA

The first New York survey of Shore's work in 10 years, this exhibition establishes the artist's full oeuvre in the context of his time — from his days at Andy Warhol's Factory through the rise of American color photography and the transition to large - scale digital photography — and argues for his singular vision and uncompromising pursuit of photography's possibilities.

And, a suggestion to Robert: You may want to check to see if the Times will allow you to have color photography like that to accompany your pieces in SundayBusiness.

While bold colors, stunning photography or trend - forward textures are a good start for grabbing the eye, what your slider communicates and how it does it will determine most whether someone will take the time to interact with it longer than a few seconds.

SELECTED ACCOMPLISHMENTS • Designed and created a fine art work for the billboard ad promotion for a client and received 3 awards for the same • Restored images and corrected colors for a revival project showcasing photography images from more than a decade back in time • Prepared a detailed, heavy volume restored image portfolio to perfection for an external client in very limited time

We take the time at each step to feature the best qualities of the property, avoiding the typical pitfalls of real estate photos: many mediocre photos, poor color quality, and rushed photography in poor light and weather, all of which can conspire to make even the most remarkable properties fall flat.