Sentences with phrase «time creative responses»

And the birth of the mendicant orders was one of the church's all - time creative responses to that crisis.

Not exact matches

If you've tried everything and still can't get a response, then it's time to get creative with a Hail Mary.

True creativity needs time and space — shortcircuit the creative process with constant quick rational responses and you eliminate the space for the really innovative.

David, good to see the honest and frank responses above — I note that the majority are sensitive to your need to provide for yourself using your creative talents, time and resources.

This response was continuous, although the resurrection marked the crisis in its development — the moment when loyalty to the person reached its climax and when faith in the meaning of the event as an act of God became for the first time clear and sure — but at every stage this response was a constituent and creative element in the event itself, and the event had not fully happened until this response of faith had been fully made.

If they lacked a truly creative response to the challenges of their time, it was rather because they were not integralist enough.

Drawing on themes he explicated in his 2004 book The Rise of Evangelicalism, Noll suggests instead that evangelicalism began as a creative religious response to the situation of its time.

Building «tribes» of two dozen or more consumers in the target market and then spending over 100 real time hours with them, Odysseus Arms is able to vet their likes, dislikes and responses to inform message strategy and creative.

Manohla Dargis, The New York Times: To say that Charlie Kaufman «Äôs «ÄúSynecdoche, New York «Äù is one of the best films of the year or even one closest to my heart is such a pathetic response to its soaring ambition that I might as well pack it in right now... Despite its slippery way with time and space and narrative and Mr. Kaufman «Äôs controlled grasp of the medium, «ÄúSynecdoche, New York «Äù is as much a cry from the heart as it is an assertion of creative consciousness.

Curated specifically in response to recent events, «Parrish Perspectives» exhibitions offers the chance to reconsider art, artists, and the creative process in a new way by including current times as a factor for viewers.

In the current climate of political disenfranchisement and growing ideological tension, Creative Time launched Pledges of Allegiance on Flag Day, June 14, 2017 to «inspire a sense of community among cultural institutions, and begin articulating the urgent response our political moment demands,» as stated on their website.

Taking this approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes for friends or as public statements of creative identity, to more recent conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.

9-11/9 -11, Chile / USA premiered for Creative Time on the 2007 anniversary of 9 - 11, screening simultaneously in New York City and Santiago and was accompanied by a live simulcast Q&A between the artist, filmmakers and members of both audiences, folding Chin's own artistic response back into the real life public arena.

In response, the artist initiated a sociopolitical campaign called the Immigrant Movement (IM) International, which is partnered with the Queens Museum of Art and Creative Time.

The state of world affairs demands a response and analytical lens in which an exhibition can become a kind of thinking machine... - Okwui Enwezor, Creative Time Summit, Venice Biennale 2015

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

«Real time» sketching and conceptualizing during consumer and client's «in - house» creative sessions; allowing quick response for projects.