Not exact matches
This is exactly why I can't stand to hang out with my «
film geek» friends at
times.
After brief appearances in his father's
films as a child, he made his first foray into helming with 1998's Zero Effect, before spending
time in television on teen cult efforts Freaks And
Geeks, Grosse Pointe and Undeclared.
Also on board is an audio commentary from» 09 — Disney, alas, has dropped the picture - in - picture option that made this a full - blown «Cine - Explore feature» on the PE — teaming Leonard Maltin with Disney animator («and unashamed animation
geek») Eric Goldberg and
film historian J.B. Kaufman, who at the
time was writing a book about the making of Pinocchio that finally got published in 2015.
«Midnight Cowboy» remains one of my favorite
films of all
time, so just from a cinema
geek perspective, I'm there.
«It may not have done well at the box office but it broke the all -
time record for the number of
film geeks insisting it's genius.»
He also writes about
film, pop and
geek culture, gaming, books and the arts for The New York
Times, BoingBoing, wired.com, Salon.com, PsychologyToday.com, WBUR's «Cognoscenti,» and GeekDad, and has also contributed to Playboy, National Geographic Traveler, Christian Science Monitor, Psychology Today, San Francisco Chronicle, USA Today, and Washington Post,
Time Out and Fodor's, among dozens of other magazines, newspapers, websites and guidebooks worldwide.
Comparing the international and U.S. trailers offers some insight into the changes wrought on the version that washed up on Yankee shores; an extensive and vaguely repetitive posters and still gallery reminds that the
film's original title was Kiss & Kill; a long essay on the life and
times of Sax Rohmer offers sustenance for the pulp
geek (and who ain't); and extensive biographies of Lee and Franco illuminate not only their subjects, but the strong connection behind the scenes between Blue Underground and Anchor Bay.
As he's proven
time and
time again from
geek favorites like Firefly and Con Man, to
films like Death At a Funeral (one of my favorite movies for absolutely no reason), not to mention his facility with rooster voices, Alan Tudyk is very much at home with nerdy comedy.
He has been accused many
times of sexism in his
films, but that isn't quite right: he has worked with terrific actresses throughout his career, from Linda Cardellini in Freaks and
Geeks to his muse and wife Leslie Mann, and any man who boosts the careers of Kristen Wiig, Dunham and Schumer is no sexist.