Sounds like a solid western to me, and if it's already getting picked, then it sounds like first -
time filmmaker John Maclean might have a bright future ahead of him.
The true - life thriller was one of the films we tipped to start a bidding war and with the distribution company negotiating for multiple territories, first
time filmmaker John Krokidas must be feeling real good.
Not exact matches
There's little doubt that Real Steel's biggest problem is its excessively deliberate pace and unreasonably overlong running
time, as
filmmaker Shawn Levy, working from
John Gatins» screenplay, has infused the movie with an incongruously epic sensibility that all - too - often threatens to negate its positive attributes - with the fairly pointless (and surprisingly unpleasant) robot - vs - bull brawl that opens the picture effectively setting a tone of regrettable sloppiness (ie Charlie goes through two robots before settling on his final fighter).
Filmmakers John Francis Daley and Jonathan M. Goldstein have infused Vacation with an almost aggressively episodic narrative that grows more and more problematic as
time progresses, as the movie suffers from a hit / miss ratio that is, to an increasingly palpable extent, far more miss than hit and it does consequently become awfully difficult to work up any genuine interest in the protagonists» continuing exploits.
By the
time The U.S. vs.
John Lennon is done, the
filmmakers have reinforced the sense that pop music once produced prophets, as well as profits.
For the six - minute spot accompanying the title track from its new EP The Spoils,
filmmaker John Hillcoat (The Road, Lawless) spends the entire running
time focused on the expressionless...
I chuckled less than half a dozen
times — and about half of those are credited to the duo of Banks and
John Michael Higgins, who return as the competition commentators and now (for some reason) documentary
filmmakers.
Refn clearly has a love for the likes of Walter Hill and
John Carpenter, as well as cult classics like Silent Running and Logan's Run, a film he was looking to remake for some
time; von Trier has grander aspirations as a
filmmaker, a compulsive need to make the audience feel something, anything, at the end of his works.
«Strong Island» uses photographs, diaries, music, and the sprawling testimonials of Barbara and the
filmmaker himself to engross us in the lives of the Fords with a nostalgic detail — a three - dimensional feeling for how
time and place intersect with social - cultural coding — that
John Updike would have appreciated.
The New Zealand - born
filmmaker gives us a stylish vision of the death of the old ways, of the inescapable impact of the passage of
time and the modernization it brings, to some degree in the vein of
John Ford's unforgettable The Man Who Shot Liberty Valance or Clint Eastwood's Unforgiven.
More previews are arriving as premieres come closer and closer, and now another has landed, this
time giving us a first peek at the Australian film «Tracks» from
filmmaker John Curran («Stone,» «The Painted Veil «-RRB-.
For the six - minute spot accompanying the title track from its new EP The Spoils,
filmmaker John Hillcoat (The Road, Lawless) spends the entire running
time focused on the expressionless countenance of Cate Blanchett.
Actress and
filmmaker Ashley Bell is our avatar onscreen, and (with producer - writer - editor - cinematographer
John Michael McCarthy III and director of photography - executive producer Roddy Tabatabai) she manages to make us feel as if we're experiencing a great adventure alongside her in real
time.
First -
time feature
filmmaker John Maclean takes a strikingly original approach to the Western, creating a realistic road trip for two very different men.
The subject is still in place, after all, and the
filmmakers — writer
John Romano («The Lincoln Lawyer») and first -
time feature director Ewan McGregor — can replace the diatribe with dialogue.
Hollywood couple Emily Blunt and
John Krasinski are set to work together for the first
time in Japanese
filmmaker Hayao Miyazaki's final movie.The married stars, who are expecting their first child together next year (14),...
First -
time feature
filmmaker John Maclean takes a strikingly original approach to the Western, creating a...
One of our favorite lists that kicks off this
time is from
filmmaker John Waters» - his Top 10 favorite films from this year.
Shot on a shoestring budget in just 16 days, «Blood Stripe» has already garnered several awards: It received the U.S. Best Fiction Feature Film Award at the 2016 Los Angeles Film Festival; the Audience Award at the 2016 Austin Film Festival; the
John Schlesinger Award for First -
Time Filmmaker at the 2016 Provincetown International Film Festival; and both the Audience Award and the Indie Vision Breakthrough Performance Award at the 2016 Twin Cities Film Festival.
First -
time filmmaker Lemmon has infused Kotch with a very slow and very gentle feel that admittedly proves an ideal complement to
John Paxton's subdued screenplay, with the movie benefiting substantially from Matthau's strong work as the somewhat unlikable protagonist.
Carnage — international trailer review Directed by: Roman Polanski Starring: Jodie Foster,
John C. Reilly, Christoph Waltz, Kate Winslet Rating: Not Yet Rated Release Date: December 16, 2011 TRAILER SCORE: 9/10 Thoughts by TSR: There's reason for excitement any
time a film from a personal favorite
filmmaker is coming out.
The film, which features C.K. as a thriving - yet - emotionally - stunted TV producer, follows him as he confronts (but apparently does nothing to stop) the fact that his 17 - year - old daughter (played by Chloe Grace Moretz) is being seduced by a famous
filmmaker (
John Malkovich) four
times her age.
All of these familiar elements, and the fact that Kurosawa himself was drawing influence from American western directors like
John Ford, make The Hidden Fortress an enjoyable film, but sometimes the movies that influenced a generation of
filmmakers lose some of their luster because they've been borrowed from so many
times.
Remy Auberjonois is the director / co-writer of BLOOD STRIPE, for which he received the
John Schlesinger First
Time Filmmaker Award from the Provincetown Film Festival.
Die Hard director
John Mctiernan has been released from prison after serving
time for lying to federal agents.The
filmmaker was ordered to spend a...
His interviews with Andy Warhol, Stan Brakhage, Susan Sontag,
John Cassavetes, Carolee Schneemann, Yvonne Rainer, Claes Oldenburg, Kenneth Anger and Michael Snow, among many other avant - garde artists and
filmmakers for his weekly column in the Village Voice between 1958 and 1977, are gathered here for the first
time in this substantial publication.
Currently regarded to be the nation's most successful and influential art school, an «American Bauhaus,» at the
time BMC attracted a seemingly bottomless pool of vanguard artists that were to influence the course of American post-war art: painters Cy Twombly, Robert Rauschenberg, Joseph Albers, Franz Kline, Wilhelm DeKooning; poets Robert Creeley, Jonathan Williams, M. C Richards;
filmmaker Arthur Penn; architect Buckminister Fuller; sculptors
John Chamberlin and Ruth Asawa; and musicians
John Cage, David Tudor, Morton Feldman and Earle Brown.
Seductive Subversion includes Marisol's
John Wayne sculpture, commissioned by Life magazine for an issue on movies; the French sculptor, painter, and
filmmaker Niki de Saint Phalle's eight - foot - tall Black Rosy, one of her «Nana» sculptures exploring the role of women; Rosalyn Drexler's oil and acrylic work Chubby Checker, inspired by the poster for the movie Twist around the Clock, and Home Movies, based on frames from old gangster movies; the
Times Square — inspired Ampersand, a multilayered, stylized, and illuminated neon ampersand in a Plexiglas cube by Chryssa, one of the first artists to utilize neon in her work; and a seventeen - foot - long triptych by Idelle Weber.
John de Graaf, a Seattle
filmmaker and campaigner trying to cut the amount of
time people devote to work, wore a T - shirt that said, «Medieval peasants worked less than you do.»