Sentences with phrase «time filmmaker mark»

Written and directed by first - time filmmaker Mark Elijah Rosenberg, Approaching the Unknown is a new space movie starring Mark Strong as a man on a solo mission to Mars who has to keep his ship and his sanity from falling apart.

Not exact matches

Well, let's compliment the filmmakers; Mark Mathis one of the producers was kind enough to bring the film to our offices and so we got a chance to watch it, and after we watched it, we had, at times rather...
Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master GEORGE A. ROMERO, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
Most twentysomethings think they'll live forever, but the one - night stroll through Vienna of young Celine (Julie Delpy) and Jesse (Ethan Hawke) is marked by both the filmmaker's and the characters» constant awareness that their time, both here and on earth, is limited.
But when watching this mostly disappointing novelty film, I spent more time wondering (1) why someone like Mr. West can be allowed to bore us with his «slow rising tension» when American Movie subject filmmaker Mark Borchardt still hasn't released his own feature, or, (2) I was trying to figure out what Mr. West's average grades must've been in film school.
Night of the Living Dead (1968) Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, «Night of the Living Dead,» directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.
Filmmakers Richard Starzak and Mark Burton, directors of «Shaun the Sheep Movie,» (Los Angeles Times)
For production designer Mark Tildesley, working with Anderson for the first time, the sense of collaboration with the filmmaker and star was invigorating.
Its broken characters have that nonchalant charisma that is baffling in its ease and the script, from first - time filmmakers Hannah Marks and Joey Power...
Sexual awkwardness among people bonded in holy matrimony is the running theme of this recent Sundance fave, written and directed by Patrick Brice (Creep) and produced by discomfort - loving indie filmmaker Mark Duplass (who's been down this road many times in films he and his brother, Jay, have directed).
On the Doll marks the directorial debut of noted music - video helmer Thomas Mignone, and although the first - time filmmaker generally does a nice job of infusing the proceedings with an intriguing visual style, there's little doubt that the increasingly uneven nature of Mignone's screenplay proves detrimental to the movie's overall success.
Among the best of this year's genre offerings is the aptly titled «Good Time,» which marks the first appearance in competition by the American independent filmmakers Josh and Benny Safdie.
It seemed a given that Iñárritu would win director after taking the DGA prize, but if «The Revenant» had won best picture as well, it would have marked the first time in the Oscar's 88 years that the same filmmaker had won both director and best film two years running.
Her plucky resolve to solve the mystery of William's grandfather fuels the exotic vacation romance by first time feature filmmaker Mark Raso, who proves as adept behind the camera as he is with a pen.
Tim Grierson, Screen International; Ed Gonzalez, Slant; Pete Hammond, Deadline; April Wolfe, L.A. Weekly; Scott Marks, San Diego Reader; Susan Granger, SSN Syndicate, Chris Nashawaty, Entertainment Weekly; Eliza Berman, Time; Tomris Laffy, Freelance Writer; Gene Seymour, Newsday; Colin Covert, Minneapolis Star Tribune; Allyson Johnson, The Young Folks; Drew Taylor, Movie Fone; Allison Shoemaker, Consequence of Sound; The Daily Times; Reuters; Nick Schager, Esquire; Carrie Rickey, The Philadelphia Inquirer; Erik Anderson, Awards Watch; Matt Patches, Thrillist; Kevin Laforest, Extra Beurre; Scott Mendelson, Forbes; Dana Buffa, KSDK St. Louis; Rahul Punja, Blasting News; Alissa Wilkinson, Vox; Ann Hornaday, Washington Post; Kyle Turner, Mass Appeal; Brian Tallerico, RogerEbert; David Ansen, Newsweek; Joe Stemme, Mark Johnson, Awards Circuit; Jazz Tangcay, Awards Daily; Claudia Puig, LAFCA; Ethan Anderton, Slash Film; Nick Clement, Freelance Writer; Ben Pearson, Slash Film; Jack Girous, Slash Film; Richard Lawson, Vanity Fair; Amy Nicholson, MTV; Oliver Jones, Observer; Laura Clifford, Reeling Reviews; Anne Thompson, IndieWire; Kye Buchanan, Vulture; Yahoo Movies; Matt Donato, We Got This Covered; Bilge Ebiri, Village Voice; Joey Magidson, Awards Circuit; Julie Kosin, Harper's Bazaar; Christopher Bumbray, Joblo; ScreenCrush; Andrew Shearer, Online Athens; Marlowe Stern, The Daily Beast; Jonathan Caouette, Filmmaker; Edgar Wright, Filmmaker; Ben Croll, The Wrap; Pop Crush; Nathaniel Rogers, The Film Experience; Kent Turner, Film Forward; What Culture; Steve Pond, The Wrap; Richard Roeper, Chicago Sun - Times; Peter Debruge, Variety; Jordan Raup, The Film Stage; KGMI; Hunter Heilman, Niner Times; Jeffrey Wells, Hollywood Elsewhere; Peter Travers, Rolling Stone; Kenji Fujishima, Paste; Larry Bartleet, NME; Matt Prigge, Metro US; Matt Hoffman, The Film School Rejects; Bill Goodykoontz, Arizona Central; Edward Douglas, The Weekend Warrior; Brian Truitt, USA Today; Jake Mulligan, DigBoston; Rafer Guzman, Newsday; Alex Bieze, Asbury Park Press; Matthew Jacobs, The Huffington Post; Clayton Davis, Awards Circuit; Glenn Whipp, Los Angeles Times; Complex; Consequence of Sound; David Edelstein, Vulture; Angie Han, Mashable; Paste; Jason Guerrasio, Business Insider; Erik Childress, The Playlist; David Ehrenstein, L.A Weekly; Josh Brunsting, Criterion; Jon Frosch, The Hollywood Reporter; Edwin Arnaudin, Citizen - Times; Steve Erickson, Village Voice; Joana Langfield, The Movie Minute; Graham Fuller, Culture Trip; Chuck Wilson, Village Voice; Dan Sallitt, Filmmaker; Hans Morgenstern, Indie Ethos; Robert Abele, The Wrap; Luke Y. Thompson, Nerdist; Nicolas Bell, IONCINEMA; Jacob Hall, Slash Film; Jared Mobarak, Freelancer; Robert Koehler, Film Comment; Jason Shawhan, Freelancer; Michael Atkinson, Village Voice; Todd Gilchrist, Freelancer; MaryAnn Johanson, The Flick Filosopher; Eric Henderson, Slant Magazine; Roger Moore, Movie Nation; Juan Barquin, Miami New Times; Saul Austerlitz, Five - Thirty - Eight;
It also marks first time feature filmmaker Jennifer Kent as an artist to watch.
Filmmaker Richard Kelly's beloved cult classic Donnie Darko, a mind - bending mix of sci - fi mystery and teen angst that takes place around Halloween time, is marking its 15th anniversary this year by returning to theaters.
The DVDs also come with behind - the - scenes footage, as well as a 75 - minute making - of documentary, «Shooting Days,» that not only shows the intricacy of Emir Kusturica's technical achievement, but also the careful consideration beneath the filmmaker's seemingly freewheeling aesthetic, such as the way that recurring images act as anchors for the film and help to mark the passage of time.
«Zero Motivation» Israeli dark comedy «Zero Motivation» won the top Narrative Prize at Tribeca this year, and it felt like this was the rare prize winner that won almost unanimous support from attendees: the film attracted raves from pretty much everyone that saw it, and marks first - time filmmaker Talya Lavie as an exciting new comedic voice in cinema.
In Last Address, filmmaker Ira Sachs, who first moved to the city himself in 1984, uses images of the exteriors of the houses, apartment buildings, and lofts where these and others were living at the time of their deaths to mark the disappearance of a generation.
The publication marks the first time that a diverse group of Native visual and performing artists, filmmakers and writers has been defined and given a name.
Last Address, by filmmaker Ira Sachs, uses images of the exteriors of the houses, apartment buildings, and lofts where these and others were living at the time of their deaths to mark the disappearance of a generation.
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