Sentences with phrase «time for an outsider»

It takes time for outsiders to bed into the most powerful address in Britain.

«I think it's time for an outsider,» she said.

«I love this county and it's time for an outsider to fix this broken government,» he said.

It's time for an outsider.

«And I think it's time for an outsider.

Not exact matches

But this time, instead of going to outsiders for capital, he would invest his own money.»

Outsiders have estimated that Spider - Man will need to play to sold - out houses for four years to break even, though those close to the production contend it will take half that time.

It may seem counterintuitive to outsiders, but as a busy college student and entrepreneur, you likely just don't have time to do all that much Tweeting, and thoughts of posting to Facebook and LinkedIn for your business are constantly taking a backburner to much more pressing activities.

By hiring externally, companies can instantly gain specific skills for certain projects, get an outsider's perspective without emotional investment to the business and augment their team to give them more resources for time - dependent tasks.

Always demonstrating sympathy for the outsider, he's the champion of the low - life fallen on hard times.

What's more, Rasputin never pointed to the homosexuality of corrupt priests out to destroy him, which proves he was a voice of tolerance «for what might be called outsiders — homosexuals, Jews, prostitutes, dissenters, sectarians — that was rare for Russia at the time.»

It may seem to outsiders like an obvious choice, an imperative one, but for these parents, that choice involved walking away from the second-most important thing in their lives — their religion — at least for a time, at least until someone told them they didn't have to choose after all.

Now, as during Roman times, capital punishment is nearly always reserved for the outsider, the feared and hated in our society.

Therefore, the paid - time religious broadcasters are forced into the paradox of broadcasting a program for outsiders primarily to insiders in order to ensure continuing financial support: further evidence of the power of television's demands to shape the message of the program.

Of the four large paid - time religious broadcast organizations that responded to the author's search for research, three indicated that they had conducted private research but that they did not make it available to «outsiders.»

Manchester United have no European competition and have solely the league to worry about up until January, with the attacking options they have and sufficient time to rest between games you can bet they will be fighting for a CL spot, Everton will be challenging, Spurs will be outsiders for a CL spot in my opinion and I don't expect them to be in it much but I wouldn't count them out and then there is Arsenal.

Diamante is a private real estate development, but the occasional tee time is available for outsiders, especially for prospective buyers.

He is a Washington - outsider, which bodes well for him since congressional approval is at an all - time low (less than 10 % of Americans approve of congress).

It is often easy for an outsider to spot the bad body language that infects so many player / coach relationships, but goes unchallenged and unaddressed because of the power that a coach has over playing time.

«Andy Burnham, the former Health Secretary and an outsider for the leadership, said: «Peter loves the spotlight but it's time to leave the stage.»

It snowballs into a very upsetting issue for her and consumes a lot of time with calls to outsiders, previous advisors, etc..

Hence, this ongoing debate, along with the possibility for outsiders to observe on U.S. time, might explain why Article 1.3 of the ALMA guide still stipulates that «users of any professional background, nationality or affiliation may submit an ALMA proposal.

Rialto's past releases include Renoir's Grand Illusion, both in 1999 and in a new 4K restoration for its 75th anniversary in 2012; Carol Reed's The Third Man; Fellini's Nights of Cabiria (for the first time in its «director's cut»); Jules Dassin's Rififi; Godard's Breathless, Contempt, Band of Outsiders, Masculine Feminine, Le Petit Soldat, Alphaville, and the U.S. premiere of his Made in U.S.A.; Kurosawa's Ran; Buñuel's The Discreet Charm of the Bourgeoisie; Jacques Becker's Touchez pas au Grisbi; Bresson's Au Hasard Balthazar and Diary of a Country Priest; Resnais» Last Year at Marienbad; the U.S. premiere of the original, uncut Japanese version of Godzilla; the U.S. premiere of the complete, uncut version of Jean - Pierre Melville's Le Cercle Rouge; the U.S. premiere of Melville's Army of Shadows, which became the most critically - acclaimed film of 2006; the U.S. premiere of Claude Sautet's Max et les Ferrailleurs; and Robin Hardy's definitive cut of The Wicker Man.

This time the team are pairing up to take down the shadowy figure behind the curtain, the one who creates the chaos for no other reason than his own amusement — the Outsider.

Fellow countryman Guillermo del Toro, winner of the Best Director award, stressed his status as an immigrant on stage and described his film The Shape of Water as a «fairytale for troubled times» and a work expressing «empathy for the outsider», a less overt attack on the US President's attitude to the «bad hombres» in his homeland across the border.

The film centers around the world of high finance where four outsiders predict the credit and house bubble collapse of the mid-200's and decide to take on the banks for the greed they exhibited at the time.

As Eben tries to uncover the root of the problem, he comes to the dark realization that outsiders are among them, and they are picking off the residents of Barrow one by one for reasons that eventually become apparent — they are vampires and it is time for a feeding.

The French approach is arguably also visible from an outsider point of view in the chic, though somewhat challenging, way the documentary asks the viewer to tag along and create his or her own reason for the, at times, seemingly random story composition.

They've been outsiders for some time, so they don't really care what anyone has to say about their decision.

The Academy's director's branch is known for giving at least one spot here to industry outsiders, assuming you feel folks like Pedro Almodóvar and Paul Greengrass qualify as such, and though Darren Aronofsky (The Wrestler) fits that criterion quite nicely, so does five - time Oscar nominee Mike Leigh, a surprise Best Director entrant a few years back for Vera Drake and whose Happy - Go - Lucky may be his best work to date.

The Outsiders was actually my favourite film once upon a time (although it, admittedly, doesn't quite hold up now) but Coppola still done a lot of great work and he was also my favourite director for a time.

While technically an outsider (McIntyre came to Knoxville from a post in Boston), he's been in Tennessee for some time now and understands the state's education landscape.

If there has ever been a time to improve schools, the time is now, when both school insiders and school outsiders are calling for change.

Plus, being the «outsider» sometimes gives us a great perspective on how to present the information to learners who may also be learning it for the first time.

However, for the first time in my career I am disheartened with the current reform efforts that have been foisted upon public schools by education outsiders − businessmen and politicians.

I agree with ylhoff that prejudice is in our DNA to the extent that the evidence suggests that humans have lived in tribal groups for a very long time, and I think most would agree that in order to function in a pack you have to feel an affinity to the group - and, thus, by extension, a distrust of outsiders.

It's almost impossible for a publishing industry outsider to chance upon the best self publishing solution; it takes time, research and, unfortunately — for many authors — making some mistakes and learning from them.

- Sara Gruen, # 1 New York Times bestselling author of Water for Elephants and Ape House «Creating one of the most compelling protagonists I've read in a long time, Lydia Netzer manages to capture the outsider in each of us.

And at the same time a hold the citadel, defend the old ways from the heathen outsiders for the Mordorians.

It's time for you to stop being an outsider to the Wall Street party.

Now the actuaries inside the firm most of the time have a better idea than outsiders as to where reserve should be set to pay future claims from existing business, but even they don't know for sure.

- Swell Surf Camp, does not accept walk in clients at Encuentro, but if they have space available outsiders at times can sign up for a 5 - 7 day surf course.

But for now, individual outsider games are gently bringing game creation back to its spiritual origin — this time, in ways that could include everyone.

Final Fantasy XV did something no other Final Fantasy game could do before it, and that is to bring outsiders into the franchise for the first time.

For the first time, players were invited to step outside of the royal family and take on the role of fan - favorite character Billie Lurk as she pulls off the ultimate assassination: killing the Outsider.

DMA Design at the time was indeed a kind of outsider / small studio, but when GTA 3 came out, it pretty much catapulted them into superstardom overnight, and changed gaming forever, for better or worse.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackFor The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

The outsider and expressionist impulse might be tailor - made for a review in The Times.

For all that the work can seem alien, Szapocznikow was no outsider: as Andrew Bonacina, co-curator of the exhibition at the Hepworth points out, she was plugged into the artistic movements and conversations of her time, and you can, if you so choose, read her sculpture in relation to pop art, to late ‑ flowering surrealism, and to neo-realism.

Roberta Smith of The Times, who often singles out new work touched by native traditions, has called for fully integrating folk art and Americana into museum displays of past decades, much as another show has claimed outsider art in Switzerland as an inspiration for Abstract Expressionism.