Sentences with phrase «time in a museum setting»

Not exact matches

Two years after the National September 11 Memorial Museum opened, it is set to move into a new space at 88 Greenwich St. in Lower Manhattan, where it will occupy 35,000 square feet, almost three times as much as it has now.

The museum's new look, called Your Museum Reimagined, is set to be unveiled in early February 2017, just in time for Valentine'museum's new look, called Your Museum Reimagined, is set to be unveiled in early February 2017, just in time for Valentine'Museum Reimagined, is set to be unveiled in early February 2017, just in time for Valentine's Day!

Informal learning settings such as museums present unique opportunities for enhancing students» knowledge and motivation in science while, at the same time, optimising the personal connection between science and everyday life.

Supports planning and design activities for spaces that foster experimentation and creativity for youth in library - and museum - based, out - of - school - time settings

The program empowers educators to offer workshops in community settings like libraries, museums, and out - of - school time programs.

We are feverishly working to get everything done in time: finalizing the items to be displayed, securing loan materials from other museums, and even recreating settings from the novel, such as Dr. Manette's shoe workshop and the guillotine platform where Sydney Carton meets his end.

It arrives at a time when the genre has received renewed interest, as the Lucas Museum of Narrative Art, set to open in Los Angeles in 2022.

As is evident in that highly acclaimed museum show — as well as the current Pacific Standard Time Show throughout Los Angeles — California affects trends and sets the stage nationally and internationally, for some of the most creative art being made in the world today.

On November 12, 2012, the Parrish Art Museum opened the doors to its new home, set on 14 acres in Water Mill, NY, relocating from its long - time location in Southampton Village on Jobs Lane.

She's been commissioned by the Dallas Museum of Art, set work on students at Booker T. Washington High School for the Performing and Visual Arts, and her work has been part of TITAS's Command Performance many times, including the TITAS - commissioned Among the Stars in 2010.

She experiments with knots and loops, as, for example, in the labyrinthine Knot Drawing (1947) and Drawing for a Nylon Rug (1959)-- both of which, in this setting, echo the oversized curls of rusted steel that form The Matter of Time (1994), an immense Richard Serra permanent installation on the lower floor of the museum.

As part of the 2009 Creative Time - presented project It Is What It Is, British artist Jeremy Deller (born 1966) encouraged the public to address the conflict in Iraq by inviting a revolving cast of participants to take up residence in New York's New Museum and discuss the war, later setting up at the Hammer Museum in Los Angeles and the Museum of Contemporary Art in Chicago to record conversations and photograph each participant in the project.

While Spain and St. John the Divine set aside «Time to Hope» once more, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano.

From Ohio, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano, while Spain and St. John the Divine set aside «Time to Hope.»

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004

He elaborated on these ideas in First Work Set, which will be shown in its totality for the first time in the United States since 1970, when it was included in the exhibition «Spaces,» at the Museum of Modern Art, New York.

2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December Kennedy, Maev, Message in a big bottle - appeal to save fourth plinth HMS Victory, The Guardian, 30 November Jury, Louise, Setting Sail Again, London Evening Standard, 30 November Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 Olurin, Titilayo, A Revolution in the Studio, next, 1 May Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 - 3 April, p. 52 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.

He was born in 1930 in Nashville, came to New York to study jazz, got a job as a guard at the Museum of Modern Art and, from 1955 or so on, set himself up as the guy who painted white squares — thousands by now, with more coming all the time from a master who turned 80 last Sunday.

According to the museum, «New York producers Klaw & Erlanger mounted the untitled project at virtually the same time that D. W. Griffith began his racist epic The Birth of a Nation, but they abandoned the seven reels of exposed film in postproduction, leaving buried within it unique photographic documentation of its black cast and white crew on the set.»

AAMD president Michael Conforti says that visitorship is up, suggesting that in fraught times like these, museums can provide a reassuring setting for visitors to interact with art, with their heritage — and with one another.

«The museum for our time must be in itself a work of art but, at the same time, a work of art that does not upstage the art it is the setting for and the shelter for.

«Kingdoms of This World,» the Queens Museum show examining popular traditions and religious practices, is named after Cuban author Alejo Carpentier's novella The Kingdom of This World, set in Haiti around the time of the revolution.

The group believe that there should be no cultural sponsorship by oil companies in a time of climate change, and fits within a wider set of politics around decolonising and democratising the museum.

He saw painting and sculpture in the museum setting for the first time, and discovered MaJevich, Picasso and Wifredo Lam.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

In a time of radical change, when familiar constellations are shifting, the Museum der Moderne Salzburg's new installation of selected works from its collections is guided by the leitmotif of «Setting Things in Motion»In a time of radical change, when familiar constellations are shifting, the Museum der Moderne Salzburg's new installation of selected works from its collections is guided by the leitmotif of «Setting Things in Motion»in Motion».

The low - key, if prestigious, Pier 24 does not have the reach of the UC Berkeley museum, where the entire set of 30 pictures, all made in 2013 and 2014, is on view for the first time.

2011 Spann, Maria, My space: Yinka Shonibare, artist, tells us how and where he works, The Times, 10 December 2011 Singh, Anita, Museum campaign to buy Nelson's Ship in a Bottle, The Telegraph, 1 December 2011 Kennedy, Maev, Message in a big bottle — appeal to save fourth plinth HMS Victory, The Guardian, 30 November 2011 Jury, Louise, Setting Sail Again, London Evening Standard, 30 November 2011 Shaw, Anny, Flags of Freedom, The Art Newspaper Art Basel Daily Edition, 14 June, p. 10 2011 Wallis, William, Anger as black artist's pieces held, The Financial Times, 28 May, p. 6 2011 Olurin, Titilayo, A Revolution in the Studio, next, 1 May 2011 Alakam, Japhet, Art - inculating Yinka Shonibare's Hope in Hopelessness, Vanguard, 1 May 2011 Greenstreet, Rosanna, Q&A: Yinka Shonibare, The Guardian, 30 April 2011 Coxhead, Gabriel, Exhibition of the Week, Time Out, 7 — 3 April, p. 52 2011 Shaw, Anny, Yinka Shonibare Fires all Cannons in Madrid, The Art Newspaper, 15 March 2011 Wullschlager, Jackie, I Know Something About Love, Financial Times, 12 March 2011 Adamson, Glen, Issues / Commentary: Tsunami Africa, Art in America, March, pp. 67 - 72 2011 Jarque, Fietta, Como Artista, Tienes que ser el Mejor Menitroso, El Pais, 5 February, pp.17 - 18 2011 Alvarado, Esther, Un ano de exposiciones, Madrid Press, February.

This week, despite fears of lowered attendance tied to economic uncertainty following the U.S. election, or to the spread of the Zika virus, this committed set showed up in droves in Miami, dividing their time across ambitious museum and gallery openings, public art installations, more than 20 satellite fairs, and the just - opened Faena arts district.

If you've never set foot in the Contemporary Jewish Museum, this is as good a time as any, made all the more imperative by the equally gratifying, «Beat Memories: The Photographs of Allen Ginsberg,» on view until September 8th.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

The museum also independently acquired its first Cunningham décor, Jasper Johns's set for the 1968 dance Walkaround Time, in 2000.

But the 110 million album - selling folk musician has been battling to be taken seriously as a visual artist for almost as long as he has been singing songs, and now 12 of his artworks are set to enter the National Portrait Gallery - the first time he has exhibited in a public museum in the UK.

We needed to return them in time for the opening of the museum's new building, set to debut in Basel in early 2016.

Outside the EPA building on Constitution Avenue across the street from the Smithsonian American History Museum, the crowd gathered, listened to a few speakers using bullhorns, then set up a loud chant, «EPA, do your job... EPA, do your job...» The chant went on for a long time as we continued down Constitution toward 15th Street, in the direction of PNC Bank and the White House.

Professional Experience The Newark Museum (Newark, NJ) 07/2004 — 12/2011 Management Analyst / Assistant to the Chief Operating Officer • Managed the daily operations, budgeting, and strategic planning of the Office of the Chief Operating Officer • Interfaced with Museum staff, Board of Trustees, and proprietary and regulatory agencies on behalf of the Museum • Coordinated all Board committees including preparations for meetings, legally required digests and other support activities • Oversaw legal and regulatory compliance including management reports, legal research and local, state and federal filings • Maintained legal and business files / archives and assisted in the production of management reports and analysis • Updated the Administrative Operating Procedures Manual to insure documentation of all institutional policies and procedures • Responded to patron complaints and inquiries ensuring timely and effective customer service • Coordinated special projects and events under the direction of the Chief Operating Officer • Supervised interns and part - time administrative staff setting workflows and providing professional guidance • Researched and submit all annual statistical surveys • Served as member of the Staff Advisory and College Internship Selection Committee