Sentences with phrase «time in a new exhibition»

The Dulwich Picture Gallery will bring together some of the best and most innovative works by Paul Nash, C.R.W. Nevinson, Stanley Spencer, Mark Gertler, Dora Carrington and David Bomberg for the first time in a new exhibition this Summer.

Not exact matches

Distell will showcase Amarula's new bottle along with exclusive Scotch whiskies and, for the first time, a wider range of its South African wine portfolio at the TFWA World Exhibition in Cannes next month.

For the first time it was held in the Shanghai New International Exhibition Centre (SNIEC).

It is the first time the exhibition is being held in the United Kingdom and will feature more changes and new additions.

In accordance with the new line that the exhibition season is the time to start building a winner, most coaches drive the players hard.

It has been listed and exhibited by the American Library Association at the 2017 MidWinter Exhibition and listed to appear in New York Times.

A new study to be presented at the American Academy of Pediatrics 2015 National Conference & Exhibition in Washington, DC, found that children in foster care were three times more likely than others to have an ADHD diagnosis.

View the new exhibition Abstract Passion and enjoy the champagne reception while receiving dating advice for singles looking for love online in time for the holidays.

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

I give the team behind the new sports movie, «When the Game Stands Tall» a lot of credit for pulling - off something nearly impossible: they've made a film about the most successful high school football team of all - time that's about as exciting as a 0 - 0 tie in an NFL exhibition game.

«Our brand new exhibition, Time to Get Up, encourages children and grown - ups to engage their senses and touch, smell, listen and see stories in a whole new way.

Downstairs, the basement gallery features a new exhibition including medals and shields, all of which represent the national hero status that the Duke had by the time of his death in 1852.

Previewed by Kia in a special powertrain technology exhibition at Geneva in 2013, the new downsized engine is now fitted in a production model for the first time — the new Kia cee'd GT Line.

Some time after I wrote the novella, my wife, Doreen, and I were in an art gallery in New York looking at a photo exhibition.

In time for the exhibition, BoD (Books on Demand), Germany's leading selfpublishing service platform (especially for print books) presented the results of its new study on the growth and potential of selfpublishing in Germany and EuropIn time for the exhibition, BoD (Books on Demand), Germany's leading selfpublishing service platform (especially for print books) presented the results of its new study on the growth and potential of selfpublishing in Germany and Europin Germany and Europe.

DC Entertainment President Diane Nelson and Co-Publisher Jim Lee unveiled DC2and DC2 Multiverse at the opening of Time Warner's «The Future of Storytelling» exhibition at the Time Warner Medialab in New York.

DC Entertainment, hailing themselves as «the most prolific digital comic book publisher» (possibly in the wake of the continuous run of Forever Evil comics), has announced the DC2 and DC2 Multiverse at the opening of Time Warner's «The Future of Storytelling» exhibition in New York.

With the Super Bowl in New York City where the Puppy Bowl is filmed, Animal Planet established a «Puppy Bowl Experience» at the Discovery Times Square exhibition space.

Along with the opportunity to hear what is new in many topics from highly regarded speakers, the Congress will offer you the chance to spend time in the exhibition hall with old and new friends during a busy social program: the welcome reception, toasting with ours famous Italian Spritz and the wonderful Gala Dinner where you can have a taste of the famous Italian cuisine and its great wines.

TIME Hotels Management (TIME), the new Dubai - based hospitality company, has announced that it will participate for the first time in Arabian Travel Market (ATM) this year, which runs from April 30 - 3 May at the Dubai International Convention and Exhibition CenTIME Hotels Management (TIME), the new Dubai - based hospitality company, has announced that it will participate for the first time in Arabian Travel Market (ATM) this year, which runs from April 30 - 3 May at the Dubai International Convention and Exhibition CenTIME), the new Dubai - based hospitality company, has announced that it will participate for the first time in Arabian Travel Market (ATM) this year, which runs from April 30 - 3 May at the Dubai International Convention and Exhibition Centime in Arabian Travel Market (ATM) this year, which runs from April 30 - 3 May at the Dubai International Convention and Exhibition Centre.

«For Qatar Airways, combined with a wave of new destinations we are promoting this year, and showcasing our new 787 seats and brand new exhibition stand for the first time in this region, we look forward to a busy week ahead meeting travel industry partners and corporate customers.

On display at Qatar Airways» new - look exhibition stand, which also makes a first time presence in the Middle East, are the airline's Business and Economy Class 787 seats.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work serieIn addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.

Nash, whose interest in Diebenkorn was sparked after meeting the artist and his family in 1976, added, «I knew Richard Diebenkorn, and so it is an absolute privilege and honor to be elected to this position.We will strive to bring greater recognition and understanding to Richard Diebenkorn's remarkable output over a lengthy and highly productive career, and we will continue to support public exhibitions and foster new scholarship about the artist and his time.»

I've not been regularly mailing my list as much as I'd like (or perhaps should have) but have made a resolution this year to send out an email once a week at the same time (1 pm every Thursday) with an update of some sort like works in progress blog post, or time - elapsed videos, or invitations to exhibitions, or when new works are for sale or if I'm running a promotion etc..

There was also a New York Times exhibition during the MoCCA Arts Festival in New York, which included one of my illustrations.

They sought the best advice; worked with the Judd Foundation and Flavin Judd [Donald Judd's son who recently discussed the exhibition in a profile on the New York Times].

Glynn's work has been included in group exhibitions, including Pacific Standard Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

Invisible City and Night Walk, his two books focusing on 1980s downtown New York (featured in this exhibition and printed by the renowned German publishing house Steidl), were Vogue Italia, Mother Jones and TIME books of the year.

In LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISIn LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISin Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISE.

His work is in the permanent collection of the Metropolitan Museum of New York and was included in their 2015 exhibition of recent acquisitions and reviewed in The New York Times.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

This is a major exhibition of works by a New York artist who died in 1978 at the age of 35; and, literally, made a mark on NYC in the 70s by cutting into — and at times removing — large chunks of buildings.

Our highly - anticipated exhibition Selma March 1965 was previewed in three New York Times articles, CNN online, the New York Review of Books, and Arise News.

In 1991, I was 35 years old and coming off of a successful show at PPOW Gallery when on the next to last day of the exhibition art critic Roberta Smith wrote a negative review of the work in The New York TimeIn 1991, I was 35 years old and coming off of a successful show at PPOW Gallery when on the next to last day of the exhibition art critic Roberta Smith wrote a negative review of the work in The New York Timein The New York Times.

She's filled her new exhibition at Mike Weiss Gallery with eleven lush canvases that smolder in your thoughts long after the time they spent in front of your face.

Over the last decade there have been a very few exhibitions that have attempted to explore this history from a New York perspective («High Times Hard Times: New York Painting 1967 - 1975» in 2007, «Conceptual Abstraction» in 2012, my own «Reinventing Abstraction» in 2013), and if there have been any books on the subject, I haven't yet seen them.

Comprising two bodies of work, Brave Beauties, on show in New York for the first time, and Somnyama Ngonyama («Hail, the Dark Lioness»), the exhibition brings together two integral elements within Muholi's practice: intimate studies of queer life in her native South Africa and self portraiture.

For The New York Times critic Roberta Smith, viewing the show in New York, the exhibition conveyed «the complexity of Mr. Williams's achievement and of art making itself with a wondrous lucidity.»

In his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.&raquIn his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.&raquin The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.&raquin 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.»

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

The paintings in the exhibition were done in a short period of time, from 1954 to 1956 when Kaprow was in his late twenties, having studied art since his teens as a student at the High School of Music and Art in New York City — he later received an MA in art history from Columbia.

Exhibition review: Roberta Smith, Zao Wou - Ki, an Abstract Fusion Master, The New York Times, Sept. 2016 Exhibition review: Lance Esplund, «No Limits: Zao Wou - Ki» Review: East and West Fused in Paint, The Wall Street Journal, Sept. 2016 Exhibition review: Charles Ruas, To The Limits and Back: How Chinese Ex-Pat Zao Wou - Ki's Experiments With Western Modernism Led Him Back To Traditional Chinese Aesthetics, ARTNEWS, Nov. 2016

The New York Times previewed our exhibition Fred W. McDarrah: Save the Village in Sunday's Metropolitan section.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

Major museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).

The Cantor Arts Center at Stanford University is pleased to announce Soulmaker: The Times of Lewis Hine, a new exhibition that explores the artistic mastery of photographer Lewis Hine's images of children working in mills and factories in the early 20th century.

In her New York Times review of the exhibition she later wrote of the piece: «As consciousness raising, this is fairly simple - minded.