Sentences with phrase «time in a public gallery»

Not exact matches

Everyone should spend a couple of hours in the public gallery of a magistrates» court from time to time.

For the first time ever, Oxfam have opened their «Words and Pictures» media archive to the public and they are making a set of four galleries of photographs available exclusively to teachers in partnership with TES Resources.

The Art Around the Corner Multiple - Visit Program brings fourth and fifth graders in selected District of Columbia Public School (DCPS) Title I elementary schools to the National Gallery up to ten times over two years to experience original works of art and make personal and interdisciplinary connections with them.

The gallery is open to the public in the afternoons, though times may vary — check with our information desk upon arrival for more information.

Its appearance at Gagosian Gallery in 2010, two years after the artist's death, was the first time the work had been seen in public in over 40 years.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

The exhibition brings together Tolle's iconic public work, Eureka, on view for the first time in the United States and in a gallery setting, paired with his Levittown sculptures.

For the first time, highlights from the David Roberts Collection — which constitutes 1800 works by 750 artists — are to be displayed in a public gallery space.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Shown in the ground floor gallery, this will be the first time in twenty years that the series has been on public display in the United Kingdom.

The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist's first major public solo presentation in the UK in over 15 years.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

If you really have some extra time during Frieze (not that anyone does,) you can take a three hour trip (one - way) up to the Graves Gallery in Sheffield in the north of England, where «Going Public: the Napoleone Collection» is on view until October 1st, before it travels to Touchstones Rochdale in Greater Manchester.

The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.

The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves in multitudes of directions — be it through artists» books, periodicals, and publications, in performance spaces, within gallery - like venues, or in public spaces as small as alleyways and as expansive as Times Square.

Today, McGee's solo show at the ICA questions ideas of private property and public space, commenting on the practice of gallery - going itself in this far - reaching and, at times, funny show.

Annet Gelink Gallery, «What's New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next Generation: Heavenly Creatures», Salzburg, Austria The Dreamland Artist Club, «Creative Time in conjunction with a public project for Coney Island redevelopment», New York NY Kunsthaus Baselland, «Strategies of Desire», Basel, Switzerland Le Confort Moderne, «Out of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field of Death», Amsterdam, Netherlands

Half art stroll, half bar crawl, alternative spaces and reputable galleries will once again welcome the public to see real art in real time, one night only on March 10, 6 - 10 pm with an official after party at English Kills from 10 - 12 pm.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

In this gallery talk led by Jenna Weiss, Manager of Public Programs, slow down and spend time looking closely at select works in the exhibition Florine Stettheimer: Painting PoetrIn this gallery talk led by Jenna Weiss, Manager of Public Programs, slow down and spend time looking closely at select works in the exhibition Florine Stettheimer: Painting Poetrin the exhibition Florine Stettheimer: Painting Poetry.

Jef Verheyen Axel Vervoordt Gallery is proud to present a solo exhibition devoted to Jef Verheyen, featuring previously unseen works from the artist's estate that will be shown in public for the first time.

An extraordinary Bacon triptych from 1974 - 77, on loan from a private collection, will also be exhibited for the first time in a UK public gallery in over 30 years.

This time the rooms of the gallery, in fact, its entire architecture will distort the viewer's perception, making internal appear external, forcing the public to focus on something that is frequently overlooked.

The Delaware Art Museum is pleased to unveil its renovated and re-installed 18th - and 19th - century American Art galleries — Galleries 1, 2, and 3 — to the public on Friday, November 28 from 10:00 a.m. — 4:00 p.m. Just in time for the holiday season, the beautifully redesigned space will display over 50 works of art, including many permanent collection objects that have not been on view for over 10 years.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Fleming has exhibited internationally in public spaces, non-profit galleries, commercial galleries, and art institutions including Massachusetts Museum of Contemporary Art, Borusan Contemporary of Istanbul Turkey, National Film Museum of Frankfurt Germany, San Francisco Symphony, Colburn School of Music Los Angeles, University of California at Los Angeles, Hammer Museum Los Angeles, Creative Time New York City, University of Austin Texas, and 356 Mission Road Los Angeles.

Other works on display include Triptych, 1974 - 77, and the rarely seen Study for Portrait of Lucian Freud, 1964, both of which will be shown in a UK public gallery for the first time in over 30 years.

During 2013 she has spent time in North America organising «Self - Interruption» at Jack Chiles Gallery (NYC) and «When Platitudes Become Form» public programme at Mercer Union (Toronto).

Voted Best Neighborhood - Wide Gallery Night by L MAGAZINE, Beat Nite has become the signature party of all parties with art above all else, this bi-annual night is half art stroll, half bar crawl, where selected art spaces stay open late welcoming the public to see real art in real time.

Currently representing Hong Kong in an official collateral event of the 57th Venice Biennale, Samson Young will develop a one - time sound performance in collaboration with jazz singer Michael Schiefel at Tropez, a public - pool - turned - pop - up - gallery in Humboldthain.

Both the police and the gallery came under fire for their actions, which were taken despite the fact that no complaints were received, and even though the image had appeared in public many times before — including a major retrospective at the Guggenheim in New York two years ago.

Honors: Guggenheim Fellowship Two National Endowment for the Arts grants, among other commendations Public collections Solomon R. Guggenheim Museum, New York, New York Los Angeles County Museum of Art, California The Museum of Modern Art, New York, New York National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Modern Art, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York, New York Retrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a thrilling way.

The work was on public view at The Art Show for the first time since the 1937 exhibition Calder: Stabiles & Mobiles at Pierre Matisse Gallery in New York.

As a fledgling company in the 1970s, it mounted perfor - mances in galleries and alternative spaces as well as theaters, and served for a time as the resident company at La Mama and the Public Theater — whose director Joseph Papp dubbed Mabou Mines his «black sheep.»

Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through exhibition, in such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.

The late artist's golden beacon, first envisaged in 1976, is shown for the first time in a public space by the Fondazione Giuliani, Rome, with the support of Michael Werner Gallery, for the 57th Venice Biennale.

The Contemporary Art Society has a history of placing important works by most of the most significant artists of the twentieth century in national and regional public galleries in the UK for the first time — from Picasso to Hirst — continuing today with recent gifts of works for example, by current Turner Prize nominees Luke Fowler and Elizabeth Price (see «Recent Gifts Currently Showing» below).

Benezra talks of how big public art galleries have changed their role, from being «good stewards of the works of art in their custody» to more popular and fully public institutions, places where people come to meet and spend time.

Bringing these documents into the gallery, Holzer gives them a public hearing, at the same time questioning the normalization of violence in the contemporary political discourse.

It was at a party for Gladstone Gallery at an 18th Century castle in Switzerland, my first time in Basel, that fairytale of a town with ancient buildings frosted like birthday cakes, the land of free public transportation and $ 70 whiskey sodas.

The Polygon Gallery continues the forty - year reputation of Presentation House Gallery in engaging the public with the most visionary artists of our time.

David Blandy (b. 1976, UK), lives and works in London Recent exhibitions include: «Untitled: Art on the conditions of our time», New Art Exchange, Nottingham (2017), «Public View», Bluecoat Gallery, Liverpool (2017) «Here Come A new Challenger», Cubitt, London (2016), http://davidblandy.co.uk/

2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.

, Milliken Gallery, Stockholm The Social Critique: 1993 - 2005, Kalmar Konstmuseum, Kalmar, curated by Martin Schibli Difference on Display, Beurs van Berlage, Amsterdam, Curated by Ine Gevers Untitled (History Painting): Painting and Public Life in the 21st Century, University of Michigan Museum of Art, curated by Jacob Proctor Every Version Belongs to the Myth, Project Arts Centre, Dublin, curated by Tessa Giblinand Amalia Pica When the Mood Strikes... Verzameling Wilfried & Yannike Cooreman, MDD Museum Dhondt - Dhae - ens, Deurle, Belgium Difference on Display, Beurs van Berlage, Amsterdam, curated by Ine Gevers Curator Curator # 4: Time - Challengers, HISK, Ghent, Belgium, curated by Adnan Yildiz Opening, an arts and music picnic evening, Galleri Rostrum, Malmö, Sweden, organized by Björn Ross Carnegie Art Award 2010, Kunsthal Charlottenborg, Copenhagen 6 Artists, 3 Shows - Felix Gmelin & Amalia Pica, Vilma Gold, London Every Version Belongs to the Myth, Project Arts Centre, Dublin

One of the most popular programs for the community is the seasonal Free Family Days, at which time, the public is invited for free to visit the galleries and participate in hands - on art projects, as well as attend live performances and family - geared gallery tours.

«Which is why Katy and I have made it our mission to make this singular activist private collection accessible to the public for the first time in a tour across city art galleries and some of the country's leading seats of learning.

William Kentridge's Thick Time at Whitechapel Gallery is the artist's first major public solo presentation in the UK in over 15 years, and features six works created between 2003 and 2016 — including two of the artist's immersive audio - visual installations which have never previously been exhibited in the UK.

According to Director / CEO and Chief Curator, Terry Graff: «The generous gift of this major public sculpture from Mr. Karpman at this pivotal time in the history of the Gallery is a statement - making expression of our exhilarating trajectory — a most fitting symbol of our expansion and revitalization as an important destination for national and international contemporary art.

-- Exhibition is open to 2d & 3d art — Submitting artists must currently teach 50 % to full time in public school grades K - 12 — No restrictions for date work was created, as long as it was made while teaching — Accompanying artist statement must address how teaching and art making impact each other in the artist's life — If selected, artwork must be delivered in person and ready to install in November (exact date TBD)-- Artwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for work sold