Sentences with phrase «time in a solo exhibition»

JAIMIE MILNER is presenting «Gifted,» her series of portraits of black men for the first time in a solo exhibition.

And when it was time to display his work for the first time in a solo exhibition, it was the art center that made space available.

In 1949, Bourgeois exhibited this work for the first time in a solo exhibition, «Recent Work 1947 — 1949: Seventeen Standing Figures in Wood», at the Peridot Gallery, New York.

In 1977, Burkhard presented his works for the first time in a solo exhibition at the Zolla Liebermann Gallery in Chicago, where he was a visiting professor at the University of Illinois from 1976 to 1978.

Not exact matches

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

This is Bourouissa's first solo exhibition in a French museum, although he has caught the critics» eye many times before.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

Following in the steps of the artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation features a broad selection of works that respond to their surroundings while at the same time embodying a self - contained environment.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

A POINT IN TIME: PHOTOGRAPHIC WORKS BY RONALD BEVERLY Terrace Gallery Solo exhibition On View: February 5 — 28, 2015

Though they have been exhibited widely throughout the U. S. and Europe, including at Wilson's solo exhibition at the Cleveland Museum of Art in 2013, this is the first time The Mete of the Muse and Ota Benga will be shown in New York.

NEW YORK — Diane Simpson's solo exhibition at JTT Gallery recently reviewed by Jerry Saltz for New York Magazine, Lumi Tam for Artforum, Andrew Russeth for Gallerist NY, Holland Cotter for the New York Times, and by Art in America.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

In his solo exhibition Moonlighting at Loudhailer Gallery in Culver City, Greene conjures up sensibilities that remind one of the creative explosion that occurred during the Weimar Republic, the subject of a recent exhibition at LACMA, and a time (1919 - 1933) when Germany was rebuilding itself after World War I, soldiers were coming home maimed or not at all, consumerism was on the rise, women had more independence, and sexuality become a more free, fluid thing to explorIn his solo exhibition Moonlighting at Loudhailer Gallery in Culver City, Greene conjures up sensibilities that remind one of the creative explosion that occurred during the Weimar Republic, the subject of a recent exhibition at LACMA, and a time (1919 - 1933) when Germany was rebuilding itself after World War I, soldiers were coming home maimed or not at all, consumerism was on the rise, women had more independence, and sexuality become a more free, fluid thing to explorin Culver City, Greene conjures up sensibilities that remind one of the creative explosion that occurred during the Weimar Republic, the subject of a recent exhibition at LACMA, and a time (1919 - 1933) when Germany was rebuilding itself after World War I, soldiers were coming home maimed or not at all, consumerism was on the rise, women had more independence, and sexuality become a more free, fluid thing to explore.

DHC / ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel.

Solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.

Her work has been featured in solo exhibitions at NICC, Brussels (2017), the Palais de Tokyo, Paris (2016), Yerba Buena Center for the Arts, San Francisco (2015), The Wexner Center for the Arts, Columbus (2010), and Art in General, New York (2009), and in group exhibitions at Göteborg Konsthall, Sweden (2017), White Cube Bermondsey, London (2017), The Hammer Museum, Los Angeles (2014), ICA London (2012), Guangdong Times Museum, Guangzhou, China (2011), P.S. 1, New York (2010), and Oakville Galleries, Toronto (2010), among many others.

During this time she participated in many solo and group exhibitions.

Pivoting on themes of liquidity and combustion, Pennacchio Argentato poses an increasingly relevant question for our time in «#Burn Burn Burn,» the Neapolitan duo's second solo exhibition here: To what extent must we sacrifice our privacy online in order to fuel an ephemeral sense of self?

On the occasion of his recent solo exhibition To New York With Love at James Fuentes Gallery, Jonas Mekas, the indefatigable advocate of American independent cinema, graciously took the time out of his busy schedule to meet with the graduate students of the Art Criticism and Writing program at the School of Visual Arts for an in - depth conversation.

Venues for solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.

Forthcoming exhibitions include City Agents, curated by Jussi Koitela, at EKKM, Estonia in July 2016, The Last Thing on Earth, a solo exhibition at the MAC, Belfast in September 2016 and Three acts in the time of astatine a solo exhibition of new work at Temple Bar Gallery and Studios in November 2016.

She has had solo exhibitions at the New Museum, SFMOMA, MoMA P.S. 1, Performa 2009, The Kitchen, Electronic Arts Intermix, Art in General, The Andy Warhol Museum, Palais De Tokyo, The Migros Museum and Times Museum Guangzhou.

When planning the exhibition, a consideration is made in terms of how the work is going to be viewed, like you'll looking at it from across a room like three times as big as your last solo show?

Representing Peter Beard's first U.S. museum solo exhibition in 15 years, the show presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

Ben Brown Fine Arts is honoured to present for the first time in Hong Kong a solo exhibition of acclaimed photographer Ori Gersht.

The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist's first major public solo presentation in the UK in over 15 years.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Recent solo exhibitions include «Gentle Wave in Your Eye Fluid», Times Museum in Guangzhou, China (2013); «Pipilotti Rist.

He was the Visiting Artist at the American Academy in Rome, 2001, and since that time has received extensive solo exhibitions throughout the U.S. Blanck's work has been written about in New York Magazine, The New Yorker, Art Forum, Paper Magazine, and The New York Art World.

Keith J. Varadi August 2014 Los Angeles, CA This solo exhibition exists in two - parts and in two locations, beginning in Brussels, boosting the afternoons, and overlapping and extending into Los Angeles, short - timing the dawn.

Bell's work has been featured in many museum exhibitions, including solo shows Roswell Museum & Art Gallery, the Tampa Museum of Art, and the Detroit Institute of Arts, and he was prominently showcased in Los Angeles's citywide 2011 exhibition Pacific Standard Time.

Imprints of Passing Time will open in the Main Gallery in conjunction with Purpose and Position: A Solo Exhibition by Barnaby Wills, which will take place in the Project Space.

The solo exhibition was the first time an artist's work was exhibited in the sculpture park's Museum Building and Domestic Arts Building.

The performance comes as part of V4ULT's second episode, running between December 2014 and March 2015, and consisting of three solo shows, one group show, and two time - based interventions, created in collaboration with other artists, inserted into each exhibitions.

This utilisation of the tangible, physical features of the gallery space is echoed in Vermeersch's third solo exhibition at the Carl Freedman Gallery, a varied presentation of minimalist work that delicately balances unity and fragmentation in order to posit a rumination on time's various guises.

Though Tuttle's work is now canonical, it was met with fierce criticism early in his career: the artist's 1975 solo exhibition at the Whitney Museum of American Art was received terribly by many prominent critics, most famously by Hilton Kramer of the New York Times, and curator Marcia Tucker — who went on to found the New Museum of Contemporary Art later that year — was fired from the museum, allegedly because of the controversy surrounding the show.

Bell has exhibited in countless solo and group exhibitions, including Art Basel, Miami, UMOCA, New York's Time Warner Center, Southern Nevada Museum of Art, Las Vegas, Los Angeles, and Salt Lake City, UT.

HATCH Projects group exhibition, You Are Looking Good, A Real Good Looker, and BOLT Residency solo exhibition, A Home Coming (revisited) by Alejandro Figueredo Diaz - Perera «10 art gallery exhibitions to check out in January,» Time Out Chicago, Jan 4, 2016

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

This summer Sambunaris was the subject of two solo exhibitions running concurrently this summer in Santa Fe, N.M.: Overland: Photographs by Victoria Sambunaris at the Lannan Foundation and A Space of Time at James Kelly Contemporary.

Rhode also spends a lot of time in Italy - particularly at the Galleria Tucci Russo in Torre Pellice, where he conceptualized his first major solo exhibition «S.N.O.W.» in 2005.

If photographs, especially of journeys, are traditionally meant to freeze specific moments in time that one can retrieve at a future date, Shirana Shahbazi's solo exhibition at On Stellar Rays gallery, New York, does just the opposite.

Paul McLean's solo exhibition «Code Duello, Old Hick, & A Big Bang» brings the Brooklyn - based artist back to Nashville for the first time in over a decade with a complex, diverse show touching on Andrew Jackson and his Indian Removal Act of 1830.

Reviewing the works collected in this concise exhibition catalogue, The New York Times «Roberta Smith wrote, «It makes sense that Mr. Martin had his first solo show in 1988.

Jef Verheyen Axel Vervoordt Gallery is proud to present a solo exhibition devoted to Jef Verheyen, featuring previously unseen works from the artist's estate that will be shown in public for the first time.

About the Artists Born in Lysekil, Sweden, in 1978, Nathalie Djurberg received her MFA from Malmö Art Academy in 2002, and since that time she has exhibited widely in solo and group exhibitions around the world.

Following a large - scale renovation, The Bass — Miami Beach's contemporary art museum — will reopen in October and present several major solo exhibitions timed with the fair, featuring artists Pascale Marthine Tayou (b. 1967), Ugo Rondinone (b. 1964) and Mika Rottenberg (b. 1976).

Significant exhibitions include Andy Warhol's Campbell's Soup Boxes in December 1986, which opened just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman which brought together — for the first time — two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010).