Sentences with phrase «time in between beauty»

Not exact matches

This was inescapable in view of Israel's concept of the intimate relationship between God and nature; but at the same time it imparted to their understanding of the inanimate world, and to their poetic expression of it, a beauty and elevation, and withal a majesty such as, one may venture the judgment, to rank them with the best poets of any age.

On any given day, the front pages of such mainstream Indian newspapers as The Hindustan Times and the Times of India veer between celebrity - mongering — Britney Spears's new hairstyle - and what appears to be «consumer nationalism» - reports on Indian tycoons, beauty queens, fashion designers, filmmakers, and other achievers in the West.

In the opinion of the Times» photography editor, the curator of a university museum «came closest to the truth when she told the prosecutor..., «It's the tension between the physical beauty of the photograph and the brutal nature of what's going on in it that gives it the particular quality that this work of art haIn the opinion of the Times» photography editor, the curator of a university museum «came closest to the truth when she told the prosecutor..., «It's the tension between the physical beauty of the photograph and the brutal nature of what's going on in it that gives it the particular quality that this work of art hain it that gives it the particular quality that this work of art has.

Because I would eat these beauties for breakfast, dessert, or just about any time in between.

With the support of The Detox Market, the best green beauty store in LA, I manage my time between personally assisting people with their skin care regimen online and providing a safe and approachable space in my home for customized facials.

A lot of times, when people find out that I have an excessive in - flight beauty routine, they'll ask if I ever feel embarrassed or awkward pampering myself between strangers on planes.

This two - time Best of Beauty winner comes with three interchangeable barrels that lock into place, producing loose waves, tight spirals, and everything in between.

In - between stirring up well - documented Internet drama by taking over Deciem's Instagram account and firing co-CEO Nicola Kilner, the Canadian beauty company's CEO, Brandon Truaxe, has found time to quietly add another brand under its umbrella.

Join us as we grab a bite to eat between shows and discuss the American Beauty live - read, Midnight Madness» Dredd 3D, Peter Mettler's The End of Time, and the nautical goings - on of Kon - Tiki, along with the importance of being in the moment.

Jason from MNPP popping in from between Tribeca screenings to quick give us our Monday afternoon «Beauty vs Beast» fix — I figure it's a Marvel Week what with that lil» Avengers movie opening in a couple of days and so what better time to step one step back and tackle their most recent smashing success, Ryan Coogler's Black Panther, which is still sitting pretty in the Top Ten, box - office-wise.

We're on the famous Cat and Fiddle Road between Buxton and Macclesfield, and although it's been rather spoiled by average speed cameras in recent times, the beauty of cars like these is that you don't have to be travelling at great speed to feel you're pushing them to their limits.

Seamlessly moving back and forth in time between the Soviet Union and contemporary America, The Madonnas of Leningrad is a searing portrait of war and remembrance, of the power of love, memory, and art to offer beauty, grace, and hope in the face of overwhelming despair.

Plan your stay to allow time to explore the region's natural beauty and visit each destination with plenty of time to relax in between.

- Kataoka believes the world of The Legend of Zelda: Breath of the Wild is the true protagonist of the game - at times, really beautiful and delicate, and other time's it's rough and ruthless - the natural beauty is one of the main appeals of the game - she wanted the music to not just reflect, but also enhance that appeal - she wanted the music to reflect the long History of Hyrule, but also the ordeals of the Link and Zelda of this particular entry - in order to express the idea of a world in ruin, yet so vibrant, she decided to use traditional instruments - these included the shinobue and the erhu, which are not commonly used in orchestras - these contrast the synthesizer sounds of the ancient civilization - the main theme includes chord progressions which are not really suited to classical music - Kataoka wanted reflect Link's 100 - year sleep in the main theme, which explains the rather strange break in the song - the break represents Link taking a «new breath», after 100 years in stasis - the break basically serves as the division between Zelda and the past, and Link and adventure in the present day - she usually does not pay much attention to such details, but had the opportunity to do so this time

At a time when most critically - acclaimed work was either dryly conceptual or over-whelmingly expressionistic, Benglis was making work that was concerned with the body, in particular the female body, and toed the thin line between beauty and repulsion.

At a time when most critically - acclaimed work was either dryly conceptual or overwhelmingly expressionistic, Benglis was making work that was concerned with the body, in particular the female body, and toed the thin line between beauty and repulsion.

In photographs, sculptures, installations, and films, Goldsworthy documents his explorations of the effects of time, the relationship between humans and their natural surroundings, and the beauty in loss and regeneratioIn photographs, sculptures, installations, and films, Goldsworthy documents his explorations of the effects of time, the relationship between humans and their natural surroundings, and the beauty in loss and regeneratioin loss and regeneration.

Mapplethorpe's photographs exemplify classical ideals of form and proportion with their controlled relationships between light and shadow, balance and asymmetry, beauty and obscenity, while at the same time clearly reflecting both a Classical and highly contemporary interest in the human body.

Goldsworthy's serial photographs record the effects of time and the relationship between humans and their surroundings, conveying the beauty in loss and regeneration.

As Rosenthal says, Hulusi reflects on «ruins and the abandoned places of lost civilizations» while suggesting an idealized place, with the landscape in a primordial balance between harmonyand beauty, and at the same time referencing socio - political history and the mechanics of image making.

Titled Desdemona for Hilton by Celia to celebrate the continuing conversation between Paul and Als, the show features new seascapes and portraits in which a sense of mortality coexists with the consoling beauty of nature and the flow of time that connects us all.

Their objective is to challenge one's unimpeded perception of reality, by framing a single detail — the sunrise — in order to induce a dislocated condition which forces a shift in our relationship between time and perceived space, as well as to experience of our everyday environment in all of its splendid beauty — to find slowness in chaos.

Just as plum blossoms represent the transient beauty of life as it blooms and decays, Hwang's art, likewise caught between freedom and restriction, offers optimism, peace and calm — a place of respite in these unstable times.

Ben Charles Weiner's respective depictions of these subjects - both in isolation and together in tableaux — pair a motif from classical Western painting with a synthetic beauty product — to address tension between the rapid technological innovation of our time and the persistent fact of our mortality.

Bisi Silva co-curated The Progress of Love, a transcontinental collaboration between the Menil Collection, Houston; Pulitzer Foundation for the Arts, Missouri; and CCA, Lagos (2012 — 13), J.D. «Okhai Ojeikere: Moments of Beauty, Kiasma Museum of Contemporary Art, Helsinki (2011); and the 2nd Thessaloniki Biennale of Contemporary Art, Greece; Praxis: Art in Times of Uncertainty (2009).

Mikus sought beauty through a balance between both erosion and endurance, employing a process - based practice in which her materials were worked and reworked extensively over time.

His most recent public effort ended in the project Who Cares (Creative Time, 2006), a book built from a series of conversations between Ashford and many other cultural practitioners on public expression, ethics, and beauty.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

This shade, a popular one for accessories, beauty product labels and everything in between, is sticking around, but this time, in a bolder, more nostalgic way.