Sentences with phrase «time in your sun room»

And if you don't spend much time in your sun room because it needs work....

Not exact matches

In the hot summer sun, I brought it back to my dorm room where my friends and I stared at it, wondering if we would be able to find an ice pick during this time of year.

The facilities would discredit the average high school: the track is often as hard and baked as a sandlot infield: the locker rooms, built in the 1920s, have been condemned several times; the permanent stands consist of a half dozen rows of splintery, sun - bleached wood, plus a few well - warmed and precarious seats on the tin roof of the locker rooms.

They have a shelf life of 8/10 years at the very top if they are lucky so who can begrudge them the opportunity to make hay whilst the sun is shining... am not saying Sanchez is not money driven but the way the guy plays i can mortgage my life he actually enjoys the game, enjoys wining first and foremost then money comes 2nd... like the author of the article rightly pointed out, he was in Messi's shadow at Barca and could not express himself fully, now he is at a club where he is the main man and given a free role and license to express himself and i very much doubt if he will want to go to a club like Madrid (as been rumoured in the dailies today) to relieve the bad experience he suffered at Barca because let us face facts, he is never going to displace CR7 as the main man, so even if Madrid sells Benzema or Bale to make room for him he will be back to the same position he was at Barca, this time he will be playing 2nd fiddle to CR7 so my guess is all the Madrid talks is been fed the press by his agents to drive a hard bargain when contract extension talks resumes.....

After all that has been said and done from both sides, it seems that the Bulls» locker room prefers Portis remain in the fold over Mirotic, according to a report from the Chicago Sun - Times.

It may not be enough, however, with the Sun reporting Pogba was left bemused by Mourinho singling him out for criticism in the dressing room at half time of that match.

It is hard to see how there would be any room for the 28 - year - old wide - man after this, but at the same time he looks to have spoiled his chances of a transfer to Sporting Lisbon with these quotes in The Sun.

Log onto the website, choose your style (restorative, postnatal, strengthening), the duration, (20 - minutes or an hour - long stint) and your instructor (some of the world's best - are on it) Then, in your own time, in your own house / hotel room / garden, roll out your mat and get sun saluting.

Anyway, in a room full of journalists from Reuters, the Chicago Tribune, the Chicago Sun - Times, UPI and two journalism schools (to name a few) guess who won?

Pacific Rim Ramin Djawadi (2013) *** 1/2 Pacific Rim Uprising Lorne Balfe (2018) * The Package James Newton Howard (1989) *** The Pagemaster James Horner (1994) **** Pain and Gain Steve Jablonsky (2013) No stars The Painted Veil Alexandre Desplat (2006) ***** Pane e Liberta Ennio Morricone (2008) **** Panic Room Howard Shore (2002) *** Pan's Labyrinth Javier Navarrete (2006) *** 1/2 Il Papa Buono Ennio Morricone (2003) **** Paparazzi Brian Tyler (2004) *** Paper Planes Nigel Westlake (2015) ***** Papillon Jerry Goldsmith (1973) ***** Parker David Buckley (2013) *** Parkland James Newton Howard (2013) * Partition Brian Tyler (2007) **** Partners Georges Delerue (1982) *** Passengers Edward Shearmur (2008) *** Passengers Thomas Newman (2016) **** Pas de Deux James Horner (2014 concert work) ***** The Passion of the Christ John Debney (2004) **** 1/2 Passionada Harry Gregson - Williams (2003) *** 1/2 Pathfinder Jonathan Elias (2007) *** Patrick Pino Donaggio (2013) *** Patriot Games James Horner (1992) *** 1/2 Patton Jerry Goldsmith (1970) ***** Pawn Sacrifice James Newton Howard (2014) *** Paycheck John Powell (2003) **** The Peacemaker Hans Zimmer (1997) ** Peggy Sue Got Married John Barry (1986) **** The Pelican Brief James Horner (1993) *** Penguins of Madagascar Lorne Balfe (2014) *** Percy Jackson: Sea of Monsters Andrew Lockington (2013) ** The Perfect Storm James Horner (2000) ***** Perfume: The Story of a Murderer Reinhold Heil, Johnny Klimek, Tom Tykwer (2006) *** Perlasca Ennio Morricone (2002) *** 1/2 Peter Gunn Henry Mancini (1958) ***** Peter Pan James Newton Howard (2003) *** The Phantom David Newman (1996) **** Philomena Alexandre Desplat (2013) *** The Pick - Up Artist Georges Delerue (1987) **** The Pink Panther Christophe Beck (2006) *** Pinocchio Nicola Piovani (2002) *** Piranha Pino Donaggio (1979) *** 1/2 Piranha 3D Michael Wandmacher (2010) *** Piranha 3DD Elia Cmiral (2012) ** 1/2 The Pirate Fairy Joel McNeely (2014) *** 1/2 Pirates of the Caribbean Klaus Badelt (2003) *** Pirates of the Caribbean: Dead Man's Chest Hans Zimmer (2006) ** 1/2 Pirates of the Caribbean: At World's End Hans Zimmer (2007) **** Pirates of the Caribbean: On Stranger Tides Hans Zimmer (2011) ** Pirates of the Caribbean: Dead Men Tell No Tales Geoff Zanelli (2017) *** Pixels Henry Jackman (2015) *** A Place in the Sun Franz Waxman (1951) ***** Planes Mark Mancina (2013) *** Planet Earth George Fenton (2006) **** 1/2 Planet of the Apes Jerry Goldsmith (1968) ***** Planet of the Apes Danny Elfman (2001) **** Players Jerry Goldsmith (1979) **** The Pleasure of His Company Alfred Newman (1961) *** Po Burt Bacharach (2016) *** Pocahontas Alan Menken (1995) **** Point Break Mark Isham (1991) *** The Poker Club Evan Evans (2008) *** Police Academy Robert Folk (1984) ** Police Story Jerry Goldsmith (1973) *** Il Poliziotto della Brigata Criminale Ennio Morricone (1975) *** Pollyanna Christopher Gunning (2003) **** Poltergeist Jerry Goldsmith (1982) ***** Poltergeist II Jerry Goldsmith (1986) *** 1/2 Poltergeist Marc Streitenfeld (2015) ** Pompeii Clinton Shorter (2014) *** The Poseidon Adventure John Williams (1972) ** 1/2 Poseidon Klaus Badelt (2006) * The Post John Williams (2017) *** Postman Pat: The Movie Rupert Gregson - Williams (2014) *** Powder Jerry Goldsmith (1995) **** Power Rangers Brian Tyler (2017) *** Prancer Maurice Jarre (1989) * 1/2 Pranks Christopher Young (1981) *** 1/2 Predator Alan Silvestri (1987) *** 1/2 Predator 2 Alan Silvestri (1990) *** Predators John Debney (2010) *** Premonition Klaus Badelt (2007) *** The Prestige David Julyan (2006) * Presumed Innocent John Williams (1990) *** Pride and Glory Mark Isham (2008) *** Pride and Prejudice Dario Marianelli (2005) **** Priest Christopher Young (2011) **** 1/2 Prince of Foxes Alfred Newman (1949) ***** Prince of Persia: The Sands of Time Harry Gregson - Williams (2010) *** 1/2 Prince Valiant Franz Waxman (1954) ***** The Princess and the Frog Randy Newman (2009) **** Princess Ka'iulani Stephen Warbeck (2009) **** I Principe del Deserto Ennio Morricone (1991) **** Prisoners Jóhann Jóhannsson (2013) *** The Private Life of Sherlock Holmes Miklos Rozsa (1970) ***** The Prize Jerry Goldsmith (1963) *** 1/2 The Prodigal Bruce Broughton (1983) *** Professione Figlio Ennio Morricone (1979) ***** Le Professionnel Ennio Morricone (1981) ***** Project X James Horner (1987) *** 1/2 Prometheus Marc Streitenfeld (2012) *** The Promise Klaus Badelt (2006) *** 1/2 Proof of Life Danny Elfman (2000) **** La Provinciale Ennio Morricone (2006) *** 1/2 P.S. I Love You John Powell (2007) *** Psycho II Jerry Goldsmith (1983) **** Pulse Elia Cmiral (2006) * The Punisher Dennis Dreith (1989) *** 1/2 Puss In Boots Henry Jackman (2011) **** La Puta y la Ballena Andres Goldstein and Daniel Tarrab (2005) **in the Sun Franz Waxman (1951) ***** Planes Mark Mancina (2013) *** Planet Earth George Fenton (2006) **** 1/2 Planet of the Apes Jerry Goldsmith (1968) ***** Planet of the Apes Danny Elfman (2001) **** Players Jerry Goldsmith (1979) **** The Pleasure of His Company Alfred Newman (1961) *** Po Burt Bacharach (2016) *** Pocahontas Alan Menken (1995) **** Point Break Mark Isham (1991) *** The Poker Club Evan Evans (2008) *** Police Academy Robert Folk (1984) ** Police Story Jerry Goldsmith (1973) *** Il Poliziotto della Brigata Criminale Ennio Morricone (1975) *** Pollyanna Christopher Gunning (2003) **** Poltergeist Jerry Goldsmith (1982) ***** Poltergeist II Jerry Goldsmith (1986) *** 1/2 Poltergeist Marc Streitenfeld (2015) ** Pompeii Clinton Shorter (2014) *** The Poseidon Adventure John Williams (1972) ** 1/2 Poseidon Klaus Badelt (2006) * The Post John Williams (2017) *** Postman Pat: The Movie Rupert Gregson - Williams (2014) *** Powder Jerry Goldsmith (1995) **** Power Rangers Brian Tyler (2017) *** Prancer Maurice Jarre (1989) * 1/2 Pranks Christopher Young (1981) *** 1/2 Predator Alan Silvestri (1987) *** 1/2 Predator 2 Alan Silvestri (1990) *** Predators John Debney (2010) *** Premonition Klaus Badelt (2007) *** The Prestige David Julyan (2006) * Presumed Innocent John Williams (1990) *** Pride and Glory Mark Isham (2008) *** Pride and Prejudice Dario Marianelli (2005) **** Priest Christopher Young (2011) **** 1/2 Prince of Foxes Alfred Newman (1949) ***** Prince of Persia: The Sands of Time Harry Gregson - Williams (2010) *** 1/2 Prince Valiant Franz Waxman (1954) ***** The Princess and the Frog Randy Newman (2009) **** Princess Ka'iulani Stephen Warbeck (2009) **** I Principe del Deserto Ennio Morricone (1991) **** Prisoners Jóhann Jóhannsson (2013) *** The Private Life of Sherlock Holmes Miklos Rozsa (1970) ***** The Prize Jerry Goldsmith (1963) *** 1/2 The Prodigal Bruce Broughton (1983) *** Professione Figlio Ennio Morricone (1979) ***** Le Professionnel Ennio Morricone (1981) ***** Project X James Horner (1987) *** 1/2 Prometheus Marc Streitenfeld (2012) *** The Promise Klaus Badelt (2006) *** 1/2 Proof of Life Danny Elfman (2000) **** La Provinciale Ennio Morricone (2006) *** 1/2 P.S. I Love You John Powell (2007) *** Psycho II Jerry Goldsmith (1983) **** Pulse Elia Cmiral (2006) * The Punisher Dennis Dreith (1989) *** 1/2 Puss In Boots Henry Jackman (2011) **** La Puta y la Ballena Andres Goldstein and Daniel Tarrab (2005) **In Boots Henry Jackman (2011) **** La Puta y la Ballena Andres Goldstein and Daniel Tarrab (2005) ****

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Colored Power W / Tilt Down Heated Side Mirrors W / Convex Spotter And Manual Folding, Day - Night Rearview Mirror, Driver And Passenger Visor Vanity Mirrors W / Driver And Passenger Illumination Air Interior Air Filtration, Manual Front Air Conditioning, Air Filtration, Manual Air Conditioning Trim Urethane Shift Knob Trim, Metal - Look Dash Trim, Chrome Side Windows Trim And Black Front Windshield Trim Steering Cruise Controls On Steering Wheel, Urethane Steering Wheel Trim, Audio Controls On Steering Wheel, Tilt And Telescopic Steering Wheel, Speed - Proportional Electric Power Steering, Manual Tilt / Telescoping Steering Column, Cruise Control W / Steering Wheel Controls, Radio W / Clock Speed Compensated Volume Control Steering Wheel Controls Voice Activation And Radio Data System, Electric Power - Assist Speed - Sensing Steering Entertainment Bluetooth Wireless Phone Connectivity, Digital Audio Input, In - Dash Single Cd Player, Audio System Memory Card Slot, Mp3 Player, Siriusxm Am / Fm / Hd / Satellite Radio, Radio Data System, Speed Sensitive Audio Volume Control, Total Number Of Speakers: 6, Video Monitor Location: Front, Siriusxm Satellite Radio Fuel Fuel Consumption: City: 25 Mpg, Fuel Consumption: Highway: 38 Mpg, Fuel Type: Regular Unleaded, Fuel Capacity: 18.5 Gal., Instrumentation: Low Fuel Level, Remote Releases - Inc: Power Cargo Access And Power Fuel Dimensions Max Cargo Capacity: 16 Cu.Ft., Curb Weight: 3, Gross Vehicle Weight: 4, Overall Length: 191.1, Overall Width: 73.4, Overall Height: 58.1, Wheelbase: 110.4, Front Head Room: 40.4, Rear Head Room: 38.0, Front Leg Room: 45.5, Rear Leg Room: 35.6, Front Shoulder Room: 57.9, Rear Shoulder Room: 56.5, Front Hip Room: 55.3, Rear Hip Room: 56.1, Outboard Front Lap And Shoulder Safety Belts - Inc: Rear Center 3 Point Height Adjusters And Pretensioners Lights Privacy Glass: Light, Daytime Running Lights, Front And Rear Reading Lights, Remote Activated Exterior Entry Lights, Cargo Area Light, Headlights Off Auto Delay, Dusk Sensing Headlights, Halogen Projector Beam Headlights, Light Tinted Glass, Perimeter / Approach Lights, Cargo Space Lights, Front And Rear Map Lights, Fade - To - Off Interior Lighting Airbags 1St And 2Nd Row Curtain Head Airbags, Passenger Airbag, Side Airbag, Driver Knee Airbags, Driver Airbag, Curtain 1St And 2Nd Row Airbags, Airbag Occupancy Sensor, Dual Stage Driver And Passenger Seat - Mounted Side Airbags, Dual Stage Driver And Passenger Front Airbags, Driver Knee Airbag Suspension Suspension Class: Regular, Independent Front Suspension Classification, Strut Front Suspension, Four - Wheel Independent Suspension, Independent Rear Suspension, Multi-Link Rear Suspension, Front And Rear Suspension Stabilizer Bars, Multi-Link Rear Suspension W / Coil Springs, Strut Front Suspension W / Coil Springs Features Power Windows, Cruise Control, Front Ventilated Disc Brakes, Rear Spoiler: Lip, Braking Assist, Abs And Driveline Traction Control, Stability Control, Silver Aluminum Rims, Trip Computer, External Temperature Display, Tachometer, Manufacturer's 0 - 60Mph Acceleration Time (Seconds): 8.1 S, Blue Link, Power Remote Trunk Release, Anti-Theft Alarm System, Rear Bench, Vehicle Emissions: Ulev Ii, Clock: In - Dash, Coil Front Spring, Regular Front Stabilizer Bar, Coil Rear Spring, Rear Stabilizer Bar: Regular, Variable Intermittent Front Wipers, Metal - Look Grille, Center Console: Full With Covered Storage, Overhead Console: Mini With Storage, 252 Lbs., 497 Lbs., Three 12V Dc Power Outlets, Transmission Hill Holder, Seatbelt Pretensioners: Front, Rear Center Seatbelt: 3 - 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Readers are pulled in immediately by the traditional «once upon a time» opening, and the story is told in present tense as Wright takes months dreaming, imagining, and finally realizing his daring, unique project: «A house like no other, where sun can shine, where balconies fly, where falling water is heard in every room.»

There is a separate sitting room (Gazebo) our fire place and bar area on the side of the dinning which we use mainly during the day and pre-dinner drinks in the evenings as you enjoy the evening campfire with some traditional Masai Dances or at sun downer by the time the sun begins to set and the night creatures, insects and wildlife start to tune up for the evening symphony.

Because of its size we're in no doubt that space will be at a premium during the busier times of the year — although the resort is considerably smaller than the Aruba resorts (it has just 155 rooms) it's still large enough to mean that there will be a lot of competition for sun loungers, umbrellas and beach space.

When you are not spending time in the sun, private gym, steam room or rooftop Jacuzzi, wander off to the nearby secluded three palm island with a hidden cabana for a relaxing afternoon.

As inviting as all of the outdoors are, surrounding the Sun Valley Lodge, this brand new suite's panoramic views some rooms have a fireplace that's likely to tempt you to lounge on the terrace, enjoy the fire and soak in the over-sized tub and take your time about leaving your private vacation residence.

All hotel rooms are pleasantly furnished and there is an outdoor swimming pool with a pool bar to cater for most of your free time in the sun.

Full kitchens and dining rooms make family meals a breeze, and private balconies or patios give guests space to spend quality time together in warmth of the Florida sun.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arIn this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin art.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Rhonda Weppler + Trevor Mahovsky present for the first time in Vancouver Sun in an Empty Room.

Opens June 15 May 29, 2013 Curatorial Announcement May 16, 2013 Houseguest: William E. Jones May 13, 2013 Hammer Celebrated 4th Annual K.A.M.P. (Kids» Art Museum Project) May 6, 2013 K.A.M.P. «Zine May 5, 2013 A. Quincy Jones: Building for Better Living (May 25 - September 8, 2013) April 24, 2013 Upcoming Hammer Projects: Cyprien Gaillard & Neil Beloufa April 2, 2013 4th Annual K.A.M.P. (Kids» Art Museum Project) March 27, 2013 Family Flicks & Sunday Afternoons for Kids at the Hammer March 6, 2013 Upcoming Readings at the Hammer February 25, 2013 Fritz Haeg's Domestic Integrities February 5, 2013 Hammer Museum partners with CAP UCLA to present Trisha Brown's Floor of the Forest February 4, 2013 Selections from the Grunwald Center & the Hammer Contemporary Collection January 14, 2013 Upcoming Poetry Readings at the Hammer January 9, 2013 Upcoming Hammer Projects: Enrico David, Dara Friedman, and Latifa Echakhch January 7, 2013 Tehran: An Urban History of Revolutions - Lecture by Prof. Talinn Grigor December 12, 2012 LLYN FOULKES Retrospective Opens February 3, 2013 November 28, 2012 Cage at UCLA - Sunday, December 2, 2012 November 14, 2012 Game Room opens December 1, 2012 October 29, 2012 Hammer Museum Announces Curators for Made in L.A. 2014 September 21, 2012 Your Land / My Land: Election»12 on view Sept. 30 - Nov. 18, 2012 September 20, 2012 10th Annual Gala in the Garden Honors Barbara Kruger & Cindy Sherman September 18, 2012 Free admission to the Hammer during Carmageddon II (Sept. 29 - 30) September 14, 2012 Ai Weiwei Screenings September 4, 2012 Hammer Forums This Fall August 17, 2012 Meleko Mokgosi to Receive the Mohn Award August 16, 2012 JazzPOP Courtyard Concerts in September August 15, 2012 Hammer Projects: Sun Yuan & Peng Yu July 30, 2012 Upcoming Fall Exhibitions July 18, 2012 Zarina: Paper Like Skin July 18, 2012 Graphic Design: Now in Production July 18, 2012 A Strange Magic: Gustave Moreau's Salome July 18, 2012 Hammer Projects: Lucy Raven July 16, 2012 Orchestra - in - residence wild Up July 9, 2012 Mohn Award Finalists June 28, 2012 Venice Beach Biennial June 18, 2012 Made in L.A. Music Presented by the Hammer and KCRW June 14, 2012 Made in L.A. 2012 Performances and Public Programs Guide May 23, 2012 Hammer Conversation Atom Egoyan & Serj Tankian April 22, 2012 Made in L.A. 2012 Press Kit June 2 - September 2, 2012 Made in L.A. 2012 Artist List June 2 - September 2, 2012 March Readings at the Hammer February 23, 2012 Libros Schmibros Book Club February 21, 2012 Intimate Immensity: The Susan and Larry Marx Collection February 14, 2012 Valentine's Day at the Hammer — Dirty Looks: Long Distance Love Affairs February 14, 2012 Hammer Projects Opening Soon: Antony & Alex Hubbard January 19, 2012 Pacific Standard Time Performance and Public Art Festival Events at the Hammer Museum January 26 and January 29, 2012 Alina Szapocznikow: Sculpture Undone, 1955 - 1972 February 5 - April 29, 2012 Made in L.A. 2012 November 17, 2011 Gala in the Garden September 24, 2011 Now Dig This!

For nearly 48 hours, as the couple remained holed up in their hotel room, their text messages served as a lifeline to their family, the U.S. State Department, reporters and others, and eventually helped coordinate their rescue Friday morning, as reported in the Chicago Sun - Times.

One of Hue's strengths is the ability to create groupings of bulbs based on room, floor or anything else, and using geofencing and time - based actions, lights can be programmed to turn on when the sun sets, or change colours when someone walks in the door.

(and I see you have the coasters under the piano legs now too) This room has really come together, I would love spending time in the sun there.

The sun room or conservatory is a year - round pleasure, but at this time of year they beckon ever more powerfully, and you'll have already been making the most of the sunshine and thinking about new blinds or shutters in anticipation of a long, hot summer.

Light organic linen curtains are kept open all the time allowing the Indian Summer sun to flood in and keep this South facing room light, cheery and sun - filled.