Some special or limited -
time museum exhibitions may not be included in this free admission program.
Not exact matches
The
exhibition also includes the imposing screen from the church which has been reassembled for the first
time and serves as the centrepiece to the new English Heritage
museum.
Religion News Service: Soldiers» Bibles exhibit a walk through American history The
Museum of Biblical Art's
exhibition, «Finding Comfort in Difficult
Times: A Selection of Soldiers» Bibles,» is American religious history come alive.
A long
time fan of Frieda and her extraordinary art, I picked up a book of her recipes at the Tate
museum in London when visiting an
exhibition of her work.
Supervisor Title: VP of
Exhibitions and the
Museum Experience Position Overview: The Peggy Notebaert Nature
Museum of the Chicago Academy of Sciences is seeking a full
time Exhibit Designer / Project Manager to assist with the creation of new environments and displays.
And though there probably won't be much
time for the happy couple to take in the
exhibitions, you'll have a ready - made tradition: celebrating your anniversaries for years to come with
museum visits.
• Spending free
time for sightseeing and visiting different interesting places, like
museums, art
exhibitions, monuments and others.
Throughout the year there are various aviation events and
exhibitions held to suit all enthusiasts and with various displays you will be sure to have a great
time at the
Museum getting to know each other a little better.
According to
museum consultant, Melissa Leventon, who co-curated the
exhibition, no Thai fashion designer at that
time was familiar with the complicated etiquette associated with royal dressing in the Western hemisphere.
He was the first German artist to be given a solo
exhibition at the Guggenheim
Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all
time».
With 150 cars on display at any
time, the
museum hides a reservoir of more than 300 cars to slot into
exhibitions as needed.
Simon Moore recounts the story / Calthorpe Minor / Vintage Revival Montlhéry 2011 — David Burgess-Wise soaks up the atmosphere of Montlhéry as this unique and historic circuit comes alive with the sights and sounds of prewar sporting cars and bikes / Motoring through Childhood: The Toy and Pedal Car
Museum — Michael Ware visits this newly - opened
exhibition of rare and interesting pedal cars in East Sussex / The Cars of Sammy Newsome — Many hopeful entrepreneurs entered the Motor industry after the Great war, some with links to the showbusiness celebrities of the
time.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the display allows
museums to manage and display
exhibition object content in real -
time, without the cost or delay of printing paper labels.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, AMLABEL Digital Gallery Display allows
museums to manage and display gallery and
exhibition object content in real -
time, without the cost of printing paper labels.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the digital gallery display allows
museums to manage and display gallery and
exhibition object content in real -
time, without the cost or delay of printing paper labels.
rst
time since 1969, while the Victoria & Albert
Museum is staging a blockbuster David Bowie
exhibition.
The
Museum's family - friendly
exhibitions and displays explore life in the tropics from prehistoric
times to modern day.
With your TICKET THROUGH
TIME, you can explore the rich collections, contemporary
exhibitions and displays at our
museums, stroll through glorious gardens, enjoy stunning views and join a free guided tour and discover why our
museums and their past occupants are such an important part of Australia's history.
In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide
exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first
time; and off - site presentations of the
museum's ongoing SECA Award shows and New Work series.
No one will find too much
time on their hands, as Nuremberg offers innumerable many sights including more than 30
museums with contemporary
exhibitions.
«Our student schedule allowed ample
time for travel and frequent visits to gallery and
museum exhibitions.
For the first
time in its history, the Asia Society
Museum will dedicate its entire
exhibition space to a single contemporary artist.
And for a limited
time you can view the winning work at a free
exhibition at the
Museum of London.
Felix Salmon on the phenomenon of institutions around the world putting on art
exhibitions that have high budgets and low quality standards: «If a
museum becomes popular by putting on blockbusters, then people start to think of it as a place to check out temporary
exhibitions and see no reason to go there at any other
time.»
Glynn's work has been included in group
exhibitions, including Pacific Standard
Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer
Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New
Museum, New York (2009).
The Brooklyn
Museum will present «David Bowie Is,» an
exhibition curated by the Victoria and Albert
Museum in London that has been touring internationally for the past five years and will be showing for the final
time in Brooklyn.
NEW YORK — Albert Oehlen's solo
exhibition at the New
Museum was recently reviewed by Roberta Smith of the New York
Times.
His work is in the permanent collection of the Metropolitan
Museum of New York and was included in their 2015
exhibition of recent acquisitions and reviewed in The New York
Times.
The Met traditionally mounts about 60
exhibitions a year, many more than most
museums, but now anticipates reducing its
exhibitions to approximately 40 annually, according to the
Times.
The Studio
Museum is usually not open on Mondays, but for the fist
time in several years the Harlem institution is welcoming visitors on the King Holiday to view its current art
exhibitions including «Circa 1970.»
IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons
Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society
Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society
Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International
Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York
Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League
Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public
Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend
Museum of Art, West Bend, WI
This
exhibition presents works by eight mid - to late - 20th century artists represented in the
museum's collection (Elizabeth Catlett, David Hammons, Al Loving, Adrian Piper, Betye Saar), juxtaposed with 18 younger contemporary artists whose works will appear for the first
time at the
museum (Nona Faustine, Ayana V. Jackson, Tschabalala Self, Talwst, Billie Zangewa).
Opening three years after Tillmans was awarded the Turner Prize, this critically acclaimed presentation marked the first
time the
museum had devoted an
exhibition to a single photographer.
This is Bourouissa's first solo
exhibition in a French
museum, although he has caught the critics» eye many
times before.
This
exhibition was not only hugely successful, it also united the whole
museum in one thematic
exhibition for the first
time.
Select Group
Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art
Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art
Museum 2017 Now is the
Time: Investigating Native Histories and Visions of the Future, IAIA
Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University
Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies
Museum Yekaterinburg, Orenburg
Museum, Surgut
Museum, Chelyabinsk State Regional Studies
Museum, Izhevsk Municipal
Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets
Museum and
Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art
Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota
Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship
Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed
Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha,
Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives,
Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts
Museum, Santa Fe, NM
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New
Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative
Time Sean Corcoran, Curator of Photographs and Prints,
Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative
Time Reports Hitomi Iwasaki, Director of
Exhibitions and Curator, Queens
Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes,
Exhibitions and Collection Manager, The Bronx
Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New
Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio
Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney
Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative
Time Nat Trotman, Associate Curator, Guggenheim
Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn
Museum
ACAC commissioned the artists to develop their first
exhibition addressing a Southern context and during the past several months they have visited Atlanta three
times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House
Museum, Margaret Mitchell House and
Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.
EXHIBITION «Ellen Gallagher: Do nt Axe Me,» the first major New York museum exhibition of work by American artist Ellen Gallagher, who divides her time between Rotterdam, the Netherlands, and New York, opens at the New Museu
EXHIBITION «Ellen Gallagher: Do nt Axe Me,» the first major New York
museum exhibition of work by American artist Ellen Gallagher, who divides her time between Rotterdam, the Netherlands, and New York, opens at the New Museum Ju
museum exhibition of work by American artist Ellen Gallagher, who divides her time between Rotterdam, the Netherlands, and New York, opens at the New Museu
exhibition of work by American artist Ellen Gallagher, who divides her
time between Rotterdam, the Netherlands, and New York, opens at the New
Museum Ju
Museum June 19.
Lesley Heller Workspace, New York, NY Claxons (four - person
exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person
exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person
exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More
Time (two - person
exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person
exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person
exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person
exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose
Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person
exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person
exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
The
exhibition is displayed across 5,000 square meters of
museum space and marks the first
time that Palazzo Grassi and Punta della Dogana, the two Venetian venues of the Pinault Collection, are both dedicated to a single artist.
The
exhibition marks the first
time in the
museums» history that the two Venetian venues belonging to the Pinault Collection are dedicated to a single artist.
The sculpture, which was recently reconstructed, was on view at the
time of the interview as part of the
exhibition «Vito Acconci: Thinking Space,» at the Middlebury College
Museum of Art.
Her
exhibitions and publications have five
times been voted the best in the United States by the International Art Critics Association and three
times by the Art
Museum Curators Association, and she has twice received the College Art Association's distinguished Alfred H. Barr Jr..
Major
museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
museum exhibitions include «Paintings 1975 — 1995,» Modern Art
Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Fort Worth, Texas (opened 1995 at the Metropolitan
Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Art, New York, traveled to the Modern Art
Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish
Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam
Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum, Cambridge); «
Time and Place, 2001 — 2010,»
Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Modern Art Oxford (2010, traveled to De Pont
Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego
Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (
Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).
Almost 100 American modernists, influenced by Post-Impressionism and Cubism, were presented in a major
museum exhibition for the first
time.
The Jewish
Museum is presenting «Modigliani Unmasked,» an
exhibition of early drawings by the Italian artist, many of which are being shown for the first
time in the United States.
Previous group
exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley
Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative
Time and Friends of the Highline, New York.
On
Museum Day, visit the
Museum one last
time before it transforms to enjoy current
exhibitions and deep discounts in the
Museum Shop!
The review continues with the year's most significant moments in April, including First Lady Michelle Obama «s participation in the dedication ceremony for the new Whitney
Museum of American Art building in New York, the centennial of artist Elizabeth Catlett, the opening of two important Jacob Lawrence
exhibitions, and
Time magazine naming artist Chris Ofili to its list of the year's 100 Most Influential People.