Sentences with phrase «time of haunted houses»

Not exact matches

Well it is true that some people seek sorcerers to implement Jinn that are satanic demons into mankind or his house or his business to finish him or make his life miserable or to stop flow of his business income... In such case it is either you are religious enough and say your prayers often then it becomes hard for this to harm you or otherwise you need to find some one who practice exorcism to remove this evil... But many are just pretending to be good at it and help you not but squeeze money out of you with tales and stories... There is another type of possessions and that is not through a sorcerer but directly by coincidence what man is at his weakest moments and those weakest moments for a possessions are when you come through a great fear or when cry or laugh loudly in hysteria, or during a certain moment of mating... or even when sneezing loudly... That's why there are prayers to be said on daily basis to guard you from such things and specially if passing haunted places such as deserted houses but most evil ones are residents of public toilets and market places... Some of them even would claim that you have made a wrong action by which you have killed a dear one to them and for that they have possessed you and that is mostly night time such as throwing a cigaret butt to a dark place or stepping killing an insect or even an animal at night which could have been one of them or possessed by one of them... So this is true thing happening to many who suffer unexplainable illnesses or sufferings which could look like mental illness that comes and goes as pleased...

You might have spent time kicking a ball with your neighbours, building a makeshift cubby house for an afternoon tea party with your teddy bear companions or riding your bike to explore the haunted house a few streets away — indulging in the delight of kiddie pastimes that involved a bundle of energy and unbridled joy.

King has always managed to make the most out of his haunted house / hotel set ups - The Shining stands out and we'll be tackling the solid Rose Red later — though by the time 2007 rolled around, he'd set his sights a touch higher.

Of course, this still might be somewhat forgivable if De Bont and first - time screenwriter David Self didn't openly acknowledge their inspirations for the film — the wonderfully creepy 1963 movie of the same name, as well as its source, the novel «The Haunting of Hill House.&raquOf course, this still might be somewhat forgivable if De Bont and first - time screenwriter David Self didn't openly acknowledge their inspirations for the film — the wonderfully creepy 1963 movie of the same name, as well as its source, the novel «The Haunting of Hill House.&raquof the same name, as well as its source, the novel «The Haunting of Hill House.&raquof Hill House.»

Wise and his stable of superlative actors brought to life Shirley Jackson's 1959 novel, The Haunting of Hill House, and by the time the film's narrator quoted those famous last words from the novel — «whatever walked there, walked alone» — it was time to go to bed and pray that my own bedroom door didn't start pounding.

Ridley Scott married haunted house tropes with SciFi creature feature scares to create maybe the greatest alien horror of all time.

I guess I have a weakness for ghosts and haunted houses, but this movie blew me away when I saw it and it is still one of my favorite haunted house movies of all time.

Apart from the terrifying cat above, House includes many mind - altering images, like the disembodied heads of Japanese school girls floating around a haunted house that eats them, one at a House includes many mind - altering images, like the disembodied heads of Japanese school girls floating around a haunted house that eats them, one at a house that eats them, one at a time.

With the Wayans Brothers returning to theaters this January with «A Haunted House», this is a great time to revisit this great spoofs from the creators of «Scary Movie».

It reminded me of being a young lad seeing Vincent Price's House on Haunted Hill for the first time in the way that the film mesmerized me from the get go and the score captures the atmospheric intensity to draw the viewer in and never let them go.

Colloborating with writer Matthew Robbins for the third time, officially — after Mimic (1997) and Don't Be Afraid of the Dark (2010)-- del Toro has devised a framework that allows him and his production team to create a sumptuous environment that is wonderfully, darkly beautiful, its main setting a clever twist on a haunting house, its environs more vertical than horizontal, allowing the sky and the ground to bleed into it.

Once upon a time, a monster hit like The Conjuring, James Wan's dubiously fact - based but highly effective spin on the haunted - house movie, would have inspired a series of lesser sequels and nothing more.

First - time feature writer / director Todd Lincoln manages to establish a gripping atmosphere derivative of other haunted house movies.

Project Zero 2: Wii Edition is a remake of one of the scariest games of all time, with souped - up graphics, additional endings for the story, a whole new Haunted House mode, and more.

It's a gorgeous looking film far beyond anything we've seen out of the genre in a very long time, and with Guillermo del Toro behind it all, I'd say we should be rightfully excited for his epic haunted house of horrors.

The Amityville Horror is a film so awful that it begs the question, «Which group is more asinine — families that stay in an overtly horrific haunted house as long as they can or movie studio execs that keep mining from the same empty shaft of ideas for ways to bombard us with abhorrent, unsavory schlock we've all seen dozens of times before?»

It is also time for some of the best haunted houses near Cleveland, OH to open their doors for the season and start scarring visitors.

Ethan has been lured to an apparently haunted house where a family by the name of the Bakers went missing the same time as Ethan's wife Mia.

It'll take a lot of patience and time to create a good map, especially one matching the prowess of Ubisoft's own user - created levels, which include a gravity - defying haunted house and a port with desaturated colors.

Hands down one of the best horror novels of all time is Shirley Jackson's The Haunting of Hill House.

The Colony Room: Masterpieces from Pallant House Gallery, is a major new exhibition, chronicling the life and times of the legendary Colony Room, haunt for artists, musicians, and street - life.

Organized by Creative Time, the «political house of horrors» was an immersive exhibition marking the confluence of two events haunting the American cultural imagination at the time: Halloween and the 2016 presidential electTime, the «political house of horrors» was an immersive exhibition marking the confluence of two events haunting the American cultural imagination at the time: Halloween and the 2016 presidential electtime: Halloween and the 2016 presidential election.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

From hypnotic meditations to haunted houses, this exhibition, aptly titled In the Face of Overwhelming Forces, shows that while the body and mind may appear to be in blissful harmony with the space and time they inhabit, Koester's disturbing suggestion is that the latter exerts exacting control over the former.

Organ1zed by Creative Time, the «political house of horrors» was an immersive exhibition marking the confluence of two events haunting the American cultural imagination at the time: Halloween and the 2016 presidential electTime, the «political house of horrors» was an immersive exhibition marking the confluence of two events haunting the American cultural imagination at the time: Halloween and the 2016 presidential electtime: Halloween and the 2016 presidential election.

That's why we've created a hauntability index — a ranking of the best states to spend your time haunting, based on actual U.S. Census housing and family characteristics as well as the number of cemeteries and crematories open for business.

As the scariest of all holidays, Halloween is the best time of year for haunted houses, pumpkin festivals, horror movies, trick or treating, jack - o - lanterns, and of course costumes too.

PERFORMANCE HIGHLIGHTS • Singlehandedly generated 571leads out of which 350 were converted into business giving clients • Created and implemented a series of base policies for generating presentations, based on «effective marketing practices» • Reorganized the clients record systems, resulting in increased efficiency in determining highest business providing clients in the shortest possible time • Successfully averted a «haunted» taboo from a newly constructed house and sold it without incident