Sentences with phrase «time of his retrospective exhibition»

When originally exhibited, the painting was titled «Composition» and the artist has confirmed that its current title stems from the time of his retrospective exhibition, held at the Tate Gallery in 1963.

Not exact matches

During my time as a student in London there were a number of major retrospective exhibitions that were important to me: Richard Hamilton, Edwardo Palozzi, Edward Burra at the Tate, Lucian Freud and Michael Sandle at the Hayward.

The exhibition has been described as «the most remarkable exhibition of the year» (Laura Cumming, Observer), a «magnificent display of 60 paintings from across Neel's career» (Robin Blake, Financial Times), «an eye - peeling, heart - wrenching triumph» (Rachel Campbell - Johnston, Times), «a revelation - exhilarating, touching, tender and a little bit wild» (Adrian Searle, Guardian), and a «punchy retrospective» (Richard Dorment, Daily Telegraph).

This retrospective takes place on the heels of the critically acclaimed show Anni Albers: Touching Vision at the Guggenheim Museum Bilbao in Spain and, as both The Wall Street Journal and the Financial Times have noted, is among a slew of international exhibitions focused on the work of Anni Albers and her husband, Josef Albers.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

At the time of writing the content of Huyghe's exhibition — the French conceptualist's first in the UK since his 2006 Tate retrospective — is under wraps.

Since that time, his work has been the subject of innumerable exhibitions throughout the world, including major museum traveling retrospectives.

This touring exhibition will be a kind of «survey» of my work, but it will be structured around a series of new works that each rebound off some of my work to date, thus attempting to critique the usual static nature of institutionalized surveys or retrospectives, while at the same time allowing some rethinking to take place about conditions and the sound of my own making.

Highlights from his numerous exhibitions include Portraits of Our Time (1978) at the Photographers Gallery, London; Brian Griffin (1984) at the Olympus Gallery, Tokyo; 20 for Today (1986) at the National Portrait Gallery, London; Createurs d'Images Createurs de Mode (1988) at the Museé des Arts de la Mode, Paris; Towards a Bigger Picture (1988) at the Victoria & Albert Museum; Work (1988) at the National Portrait Gallery, London; Beyond the Portrait (1992) at Derby City Art Museum; Seeing Things (1992) at the Victoria and Albert Museum; People and the City (2003) at Birmingham Art Gallery & Museum; a retrospective: Influences (2005) at the Art Museum, Reykjavik, Iceland; and A Question of Identity (2005) at the National Portrait Gallery, London.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

The 1974 exhibition publicized rare and hardly known Russian Avant - garde sculptural work for the first time in the West and the 1988 retrospective presented a comprehensive selection of 20th century masters from Arp and Brancusi, Gonzalez and Matisse to the Stenberg brothers and Torres - Garcia in an innovative curatorial setting.

Significant exhibitions include Andy Warhol's Campbell's Soup Boxes in December 1986, which opened just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman which brought together — for the first time — two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010).

In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was staged at that venue in Geneva, with further exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first time since 1980.

For the first time in Australia and to commemorate the 20th anniversary of the artist's death, the Art Gallery of New South Wales in Sydney will host a retrospective exhibition of over 50 paintings by the great British modern master as well as some source material from the artist's studio at 7 Reece Mews now relocated at the Dublin City Gallery, The Hugh Lane.

Matta's first one - artist exhibition was held at the Julian Levy Gallery, New York in 1940, and since that time, nearly 400 solo exhibitions of his work have been mounted, including MoMA's 1957 retrospective, which traveled to the Walker Art Center, Minneapolis (1957) and the Institute of Contemporary Art, Boston (1958).

Even the Guerrilla Girls, lauded in the New York Times for the collective's 30th anniversary, celebrated a retrospective exhibition this spring — not at any major institution, but with a small exhibition, mostly of posters, at the Abrons Art Center in the Lower East Side.

Having seen this painting in the landmark 1905 Van Gogh retrospective at the Stedelijk Museum in Amsterdam, Paul Cassirer, the leading German gallerist of the time, placed it immediately afterwards in his own traveling exhibition, which alerted the German public, art critics, historians, and contemporary painters alike to the achievement of an artist who was rapidly achieving legendary status.

18th Street Arts Center presents a solo retrospective exhibition featuring the work of the long - time 18th Street Arts Center resident artist.

Since 2017, YBCA has been focusing on monographic, retrospective exhibitions of some of the most important female artists of our time.

Her solo museum exhibitions include the 2005 retrospective at the Lehman College Art Gallery / CUNY, Five Rivers, reviewed in The New York Times, as well as Sustenazo, commissioned by the CCA Zamek Ujazdowski, Warsaw / Poland (2010), and later shown at Museum of Memory & Human Rights, Santiago / Chile (2012 - 2013) and Patricia & Phillip Frost Art Museum, Miami (2014).

In 1969, he was a recipient of the Order of Canada and was given a traveling retrospective exhibition by the National Gallery of Canada, what was an unusual honour for a living artist at the time.

Since 2017, YBCA has focused on monographic, retrospective exhibitions of some of the most important female artists of our time.

Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.

Bought for the nation by the Chantrey Bequest in 1930, and in the possession of Tate Britain, where it was on display in February this year for the first time in 30 years, but for only about a week, prior to its going to Manchester Art Gallery, where it is currently on show as part of a major retrospective exhibition of the work of Annie Swynnerton, the first woman to be elected an associate of the Royal Academy.

Smith had a retrospective exhibition at the Whitechapel Gallery in 1966, while still in his thirties, and participated in some of the most important exhibitions of his time, such as Place at the ICA in 1959; Situation at RBA Galleries in 1960; and Painting and Sculpture of a Decade at Tate in 1964.

This small but telling retrospective at Tate St Ives is one of a number of Hoyland exhibitions timed to coincide or overlap this summer.

These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.

«Every time he went, [Jackson] Pollock would ask him who he was and what he was doing there,» says Achim Borchardt - Hume, director of exhibitions at Tate Modern and co-curator of the new retrospective.

Abramović's Royal Academy exhibition will be the first time a woman has been recognized with a retrospective in the institution's 250 years of existence.

As Deborah Solomon queried for the New York Times, as a preview to the exhibition's opening at the Whitney Museum of American Art last fall, «What does it mean that Frank Stella, 79, the champion of abstract art, has been tapped for the inaugural retrospective at the new building?»

Garcia has curated a wide range of notable exhibitions and projects including Joel Kyack's Superclogger (2010); artist Marcos Ramirez ERRE's retrospective at the Carrillo Gil Museum in Mexico City (with Kevin Power, 2011); a re-staging of Mark di Suvero's Artists Tower of Protest for the Getty's Pacific Standard Time Performance and Public Art Festival (2012); the US museum premier of Egyptian artist Wael Shawky's Cabaret Crusades at the Hammer Museum (2013); and artist Eduardo Sarabia's mid-career survey at the Instituto Cabañas in Guadalajara, Mexico, and the Museum of Contemporary Art of Oaxaca (2014) amongst others.

THE ORGANIZERS of the elegant Blinky Palermo retrospective at the Kunsthalle Düsseldorf and the Kunstverein für die Rheinlande und Westfalen wasted no time in announcing their bold, materially focused agenda: At the entrance to the exhibition, visitors were greeted by a sequence of short videos featuring Palermo, whose own statements about abstraction introduced, in effect, the daring curatorial program within the galleries.

A veritable feast of exhibitions showcasing Brazilian artists has materialized in major museums around the world in recent months, most prominently the important retrospective of Mira Schendel at Tate Modern (running through January), where over 250 artworks spanning the arc of her career are on view, many for the first time.

Honors: Guggenheim Fellowship Two National Endowment for the Arts grants, among other commendations Public collections Solomon R. Guggenheim Museum, New York, New York Los Angeles County Museum of Art, California The Museum of Modern Art, New York, New York National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Modern Art, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York, New York Retrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a tRetrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a tretrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a thrilling way.

The occasion of this retrospective marked the first time a living artist was the subject of a one - person exhibition in the museum's new space and, perhaps as importantly, it was the first full - scale exhibition devoted to a female artist at the Museum since Helen Frankenthaler's retrospective in 1989.

His work first came to the public's attention in the 1967 landmark exhibition curated by John Szarkowski, New Documents, at The Museum of Modern Art, New York, alongside that of Diane Arbus and Garry Winogrand.The many exhibitions devoted to his photographs since that time include a major traveling retrospective organized by The Museum of Modern Art in 2005.

His first major one - person museum show was in 1949 at the DeYoung Memorial Museum, San Francisco and he was given a retrospective exhibition at the Guggenheim Museum in 1986, at which time the Guggenheim Museum acquired more than twenty of his paintings.

The catalog is by Karen K. Butler in collaboration with Renée Maurer and includes contributions by Karen K. Butler, Patricia Favero, Uwe Fleckner, Gordon Hughes, Narayan Khandekar, Renée Maurer, Erin Mysak, and Éric Trudel, as well as first - time English translations of Jean Paulhan's Braque le Patron (1945) and Carl Einstein's introduction to Braque's 1933 retrospective exhibition at the Kunsthalle Basel.

Louise Bourgeois (1911 - 2010) is one of the most respected artists of our time, and this retrospective exhibition focuses thematically on birth, growing up, family and motherhood — issues that Bourgeois explored for decades.

As suggested by the title, the exhibition Time Line is configured as a small retrospective of the US - based Argentinian artist Liliana Porter (b. 1941), presenting from historical pieces from the 1970s to her most recent works.

Unlike a traditional museum retrospective, the works are rotated three times over the course of the exhibition: Schnabel's rare wax paintings from the 1970s are currently on view through June 5; works made after 2000 from June 8 to July 10; while the final rotation, from July 13 to August 14, features paintings from the 1980s and «90s.

In the retrospective exhibition held at Tate Modern in 2008, these luxurious images contrasted starkly with the simpler blood - red Bacchus canvases, painted at the time of the Iraq war, in the following room.

The physicality of the work has been associated with the tempestuous relationship the artist once shared with then former lover Peter Lacy, who passed away on the opening day of Bacon's first major retrospective at the Tate gallery in London, an exhibition this painting was completed just in time for.

He refused more glamorous postings in order to continue his classes and to ensure that he could spend time at the important exhibitions of the period, notably the Mondrian retrospective and the Tate Gallery's 1956 Modern Art in the United States, at which he saw the work of Edward Hopper and Stuart Davis for the first time.

At Bennington, he organized many historic exhibitions including the first retrospectives of his friends Jackson Pollock, David Smith, and Hans Hoffmann, exposing his students — Helen Frankenthaler among them — to many of the most significant artists of the time.

During his time at the Walker, he organised or co-organised numerous exhibitions including House of Oracles: A Huang Yong Ping Retrospective; Brave New Worlds; Tetsumi Kudo: Garden of Metamorphosis; and Haegue Yang: Integrity of the Insider, just to name a few.

Since that time, Ryman's work has been the subject of over 85 solo exhibitions in 11 countries including a 1993 - 94 international, traveling retrospective jointly organized by the Tate Gallery, London, and The Museum of Modern Art, New York, whose venues also included the Museo Nacional Centro de Arte Reina Sofia, Madrid; the San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis.

His first solo exhibition, Habeas Corpus, was held at the now legendary Gallery Sur in 1982, one of the few contemporary art spaces in Santiago at that time; more recently the MAVI (Museo de Artes Visuales), Santiago, held a retrospective of his work titled Reflejo Involuntario (Involuntary Reflex) in 2017.

A new retrospective exhibition at the Tate Modern sheds light on the work of Marlene Dumas, one of the most important female painters of all times.

Scores of scholars, curators, and critics have published copiously illustrated books and exhibition catalogues devoted to retrospective looks at the French artist's five - decade - long career, as well as his use of color, textiles, and ornament, his portraits and still lifes, his penchant for making two versions of the same subject from time to time, his visits to Morocco, the Nice period of the 1920s, his late cutouts, the chapel in Vence, France, and even his collectors.