Sentences with phrase «time on a film set»

Not exact matches

In his time, Whyte set up cameras and filmed people congregating in public, taking notes along the way on how they behaved, where they migrated to, how long their conversations lasted, and so on.

Set in 1959, the narrator reflects back on the events from the present, highlighting the novelty of the encounter in the film's opening line: «I was twelve going on thirteen the first time I saw a dead human being.»

The outstanding performance of the films minimises product waste, reduces set - up times and significantly cuts down on the amount of line supervision and adjustments required,» enthused Juan Jesús Losada, General Manager and Owner of Caramelos La Pájara.

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

The couple, who met in July 2014 while working on their film, Rock The Casbah, are set to become parents for the first time this Spring.

Just at the comfort of fingertips a cub or a sugar momma could find somebody to spend a good time with The celebrities popular and famous women in the film industry have set the precedence for the ordinary ladies to take on the dating of cubs.

American Pie Presents The Naked Mile's latter half, as a result, moves along at a plodding pace that's compounded by an episodic structure, as the movie lurches from one ill - conceived set - piece to the next with little thought towards momentum or consistency - which inevitably does confirm the film's place as just another interminable waste of time designed to cash in on the original trilogy's success.

Also included, Anderson's American Express commercial that remains a fun homage to Truffaut, a loving speech by Oakley Friedberg, the young son of set designer Mark Frienberg, who spent time on location with his family raising funds for charity organizations, a silly trophy case application making fun of the film's lack of critical awards, deleted and alternate scenes, a stills gallery, and the theatrical trailer.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

The film, which cast her as a small - town girl whose best friend makes the big time by becoming a celebrated opera singer, provided McAdams with her breakout role, and she soon set her sights on Hollywood.

In place of the emotional stage - setting another film might waste its time on, there is instead a lengthy getting - ready montage, with drooling close - ups of Anastasia (Dakota Johnson) slipping into her lacy gown while her husband - to - be Christian (Jamie Dornan) fastens his cufflinks, which look like two enormous platinum Chewits.

As the film's shooting schedule wears on, Fairbanks becomes romantically involved with her leading man, Jake Fields (Jeremy Sisto), but Fields and his friends on the production staff begin to question her stability when she starts wearing her costumes at all times, living on the sets, and tries to live as the character of Guinness.

A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent - screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the «handkerchief» bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger).

While the beginning of the film feels like it's setting the audience up for a somewhat boring lesson on drone warfare (I'm looking at you, Good Kill), Hood — still wiping the sting of X-Men Origins: Wolverine off with Ender's Game and now this — excellently threads the needle of tension and, before you know it, the thriller aspect of the film becomes abundantly clear as the series of events play out in semi-real time over the course of one day.

Based on a series of novels by Philip Reeves, the film is being written by Jackson and his long - time writing partners, Fran Walsh and Philippa Boyens, with Lord Of The Rings visuals vet Christian Rivers set to direct.

Normally, we'd dock a point any time a Criterion set doesn't include a commentary track, but it seems clear here that a conscious decision was made to ensure the disc containing the main feature had as little else on it as possible, to devote every available byte to presenting the film's images alone.

After filling in for Orson Welles on reshoots for The Magnificent Ambersons (1942), Wise became a director, and soon gained a reputation as a reliable studio hand with films such as The Curse of the Cat People (1944), The Body Snatcher (1945) and the seminal real - time boxing drama The Set - Up (1949).

It also seems he was dying to make a film set in the»70s (focusing a lot on the music of the time) and this was the best excuse / subject he could find.

Arriving May 22, the film stars George Clooney as a jaded former boy - genius named Frank who sets off with the optimistic Casey (Britt Robertson) on a danger - filled mission to uncover the secrets of an enigmatic place somewhere in time and space.

A new version of the project comes together, this time with a comeback - minded Nicolas Cage as Lake and Schrader himself directing on a $ 5 million budget (of which $ 1 million is Cage's salary) and a location shoot in Romania (where much of the film is set) and Australia (doubling for Kenya).

Captain America: civil War is set to be one of the highest grossing films of all time because a) it's almost an Avengers film, b) it introduces Black Panther and Tom Holland's perfect take on Spider - Man, and c) it's just that good.

I've worked with him [on films set] in the»20s,»30s,»40s,»50s and now the»70s, and so we're referencing those cinematic language of the time.

Claimed to be «one of the scariest movies of all time», the film captivates audiences through its style of «found footage», on a camera the couple sets up by their bed to determine what is haunting them.

Jason Bateman, Charlie Day, and Jason Sudeikis reprise their roles from the first film, and this time around they decide to be their own bosses by setting out on...

I've been enjoying a lot of the Trailblazing Women programming myself but since we're in the middle of Schocktober, I thought I'd set aside some time to highlight some of my favorite horror films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female friendly.

The first - time director, Frank Marshall, has said that he modeled the film on The Birds, and the structure of Arachnophobia does follow the pattern set up by Hitchcock.

The excitable adverbs in the film's opening text set the desperate, straining tone: «Based on irony free, wildly contradictory, totally true interviews with Tonya Harding and Jeff Gillooly,» the latter the skater's ex-husband, who would serve jail time for his plotting of the Kerrigan leg - clubbing.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

Not only is Netflix's reimagined «One Day at a Time» a joy to watch, it's also the first time in many years that a multicamera sitcom (the kind filmed on a set with studio - audience laughter) has seemed so instinctively comfortable in its own sTime» a joy to watch, it's also the first time in many years that a multicamera sitcom (the kind filmed on a set with studio - audience laughter) has seemed so instinctively comfortable in its own stime in many years that a multicamera sitcom (the kind filmed on a set with studio - audience laughter) has seemed so instinctively comfortable in its own skin.

Set in 1998 and derived from a news story of that time, the film starts out by focusing on twenty - four - year - old tomboy Ilana (a strikingly charismatic debut by Darya Zhovnar), who works in the garage of her mechanic father.

Tropper spent a lot of time on set during the 32 - day shoot on Long Island (while also filming his Cinemax series «Banshee»), answering questions from Levy or the actors, or reworking lines when circumstances on set shifted.

Hugh Jackman is currently in theaters playing Marvel fan favorite Wolverine for a record - setting ninth and final time in the R - rated Logan, and during his recent press junket to promote the film, the Van Helsing star talked about taking his son trick - or - treating on Halloween while dressed up as has signature comic book character.

New York Times bestselling children's author Tony DiTerlizzi (The Spiderwick Chronicles) details the precedent - setting augmented reality used in his new Simon & Schuster novel The Search for Wondla; LAIKA president / CEO Travis Knight (lead animator on the Oscar - nominated stop - motion movie Coraline) explains how his studio will continue to take bold chances in the animated feature film world; and graphic novelist and Comic - Con special guest Douglas TenNapel (Earthworm Jim) describes exactly how a blank page comes to be inhabited with his compelling imagery.

Stars James McAvoy, Michael Fassbender, Hugh Jackman, Patrick Stewart, Ellen Page and Peter Dinklage open up about their experiences working on set and explain the themes of time - travel and how it plays a major role in the film.

Carey embraces the film's R rating with some pretty raunchy humor, but it feels like it's trying too hard at times, and the overdependence on its 90s period setting for laughs gets old quick.

Featuring a memorable ensemble cast of both British and American actors, the film centers on a group of reckless criminals that inadvertently become involved in a labyrinth - like plot full of two - timing back stabbers set to the tone of Ritchie's trademark comic violence and tongue in cheek humor.

The award - winning director behind such fare as Her and Being John Malkovich tried his hand at creating a «live dance film» for the first time, on the set of The Tonight Show With Jimmy Fallon.

To prepare for working on a film set in the»70s, aside from learning how to use cameras from that era, Gerwig says it was «more about trying to place more what it would feel like to encounter it for the first time.»

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

Being on a film set, and doing SFX skin work, involves A LOT of waiting and down time.

After reporting that the third and final season had finished filming back in mid-July, it's felt like a long time since we've seen anything new but today it's finally here, and it's set for a 9th November date on HBO in the USA.

It's not the first time that a studio has released a Frank Sinatra movie collection in conjunction with his birthday, but Warner Bros.» five - disc set — which spans two decades in the singer - turned - actor's film career — is the first one to ever be released on Blu - ray.

When they haven't been busy wrangling 732 characters on screen for the two new Avengers films, Joe and Anthony Russo have spent time setting up a production company and striking deals with other filmmakers for new movies.

Although we've seen plenty of official photos, this is only the second one to show Woody Allen himself on set, this time with the two biggest stars of the film — Cate Blanchett and Alec Baldwin.

Steven Spielberg passed on the opportunity to direct, setting the stage for French director Szwarc (Somewhere in Time, Supergirl), a relative unknown at the time, to try to hold the difficult shoot together and deliver an entertaining film for fans of the mega-smash first enTime, Supergirl), a relative unknown at the time, to try to hold the difficult shoot together and deliver an entertaining film for fans of the mega-smash first entime, to try to hold the difficult shoot together and deliver an entertaining film for fans of the mega-smash first entry.

Ava DuVernay, the director behind the Oscar - nominated Martin Luther King Jr. biopic «Selma,» will write, produce, and direct a feature film set in the time of Hurricane Katrina, the company backing the film said on Monday.

I was actually filming another movie, at the time, north of England, and had to travel down on a train, get in and do the meeting, and then go back on set and film.

Then it's time for «American Fable,» a film that set social media on fire when it premiered at the South by Southwest Film Festival and was shot mostly in the heartland of Illinois.

The Wave is a powerful and at times horrifying film that uses the natural advantage of its setting to make comment on the preconceptions and prejudices that must exist in a country still coming to terms with its past.

Honorable Mentions: As usual, some good films have to fall just outside the top 10 list including: Tommy Lee Jones «feature - length directorial debut, «The Three Burials Of Melquiades Estrada ``; Christopher Nolan «s excellent, in - between - Batman - movies cum rival magician film, «The Prestige,» starring Hugh Jackman and Christian Bale; Guillermo del Toro «s fantastical fairy tale, «Pan's Labyrinth ``; Sofia Coppola «s anachronistic teen alienation set in the 16th century, «Marie Antoinette ``; Martin Campbell «s superb rebooting of the Bond franchise with «Casino Royale ``; Martin Scorsese «s «Infernal Affairs» remake «The Departed» (which has been on TV so many bloody times, its power has worn off); Oliver Assayas ««Clean» which featured a Cannes - winning performance by Maggie Cheung as a struggling addict; and Park Chan - Wook «s final installment of his vengeance trilogy, the beautifully haunting, «Lady Vengeance.»