Guest contributor Laurie Fendrich / During the two and a half decades I was a full -
time painting professor before retiring in 2014, followed by the year and a half I spent as a visiting artist at two prominent art schools, I observed dramatic shifts in ideas about teaching painting.
Not exact matches
In his 2010 manifesto Renting the Dream: Housing in America after the Great Reset, University of Toronto
professor Richard Florida goes so far as to
paint home ownership as a relic of a different
time.
John Lord, sports marketing
professor / director at Saint Joseph's University (Pennsylvania): You're never going to lose the person who shows up at the Wells Fargo Center wearing a Flyers jersey and
painting his face orange and going crazy every
time Claude Giroux scores a goal.
«For the first
time, we've been able to take a can of spray
paint and put a touch screen on almost anything,» said Chris Harrison, assistant
professor in the Human - Computer Interaction Institute (HCII) and head of the Future Interfaces Group.
«We have demonstrated, for the first
time, through OCT and our image analysis approach, we are able to quantitatively and automatically measure the size, number and orientation of metal flakes in industrially applied car
paint,» said Yaochun Shen, lead researcher on the project and
professor at the University of Liverpool, UK.
A January 2013 Cap
Times Q&A with
professor Gloria Ladson - Billings, of the University of Wisconsin - Madison School of Education,
paints the issue with a different brush: it's not an «achievement gap,» Ladson - Billings said.
Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great
Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York
Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American
Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT
Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.
She has taught art at many south Florida Colleges and was a full
time,
painting professor at Savannah College of Art and Design.
Over nearly thirty years the New York artist, a long -
time professor of
painting and printmaking at Yale University, has created a body of work that reveals itself as politically caustic yet densely humorous.
Grass, a full -
time Assistant
Professor of Art at St. Petersburg College in Clearwater, Florida,
paints representational landscape and surrealistic figure
paintings.
Now living in Michigan, Andrea
paints full -
time, and serves as an adjunct
professor at the College for Creative Studies.
If you get the full
painting education at the San Francisco Art Institute, most of your
professors are going to criticize what you're doing at one
time or another as «too decorative.»
She also remembers her first crit with
Painting Professor Dennis Congdon 75 PT, who remained «completely silent for a very long
time» while studying her
paintings.
TEACHING EXPERIENCE 2014 - PRESENT Lead Faculty, Paris Course Elective, OTIS College of Art and Design, Los Angeles, CA 2013 - PRESENT Part
Time Faculty, OTIS College of Art and Design, Los Angeles, CA 2010 Visiting Artist, OTIS College of Art and Design, Los Angeles, CA 2007 Visiting Artist / Graduate Student Reviewer, Cranbrook Academy of Art, Bloomfield Hills, MI 2006 Visiting Artist in Residence —
Painting Department, Cranbrook Academy of Art, Bloomfield Hills, MI 2004 - 05 Adjunct
Professor of Digital Imaging and Design, Gilbert / Chandler Community College, Gilbert, AZ 2001 - 02 Head Teaching Assistant to Beverly Fishman, Cranbrook Academy of Art
Painting Department 1999 Adjunct Instructor of Digital Imagery, Mesa Community College, Mesa, AZ
Presently
professor emeritus at the University of Maryland, College Park, Dr. Driskell once worked as an assistant at the pioneering Washington, D.C., gallery from 1952 - 1955; served as its director from 1961 - 1963; and exhibited his
paintings there many
times.
The exhibition catalog features an essay by Mark A. Cheetham, a
professor of art history at the University of Toronto titled «Glacial Urgency: The
Time of Diane Burko's
Paintings in the Cryosphere».
Michelle Grabner is a Chicago - based artist, curator, art writer,
Professor and Chair of
Painting and Drawing at the School of the Art Institute of Chicago, senior critic for Yale University in painting and printmaking, and a curator of the 2014 Whitney Biennial — is a dynamic force who has been at the fore of the art world with her ambitious and varied initiatives for so
Painting and Drawing at the School of the Art Institute of Chicago, senior critic for Yale University in
painting and printmaking, and a curator of the 2014 Whitney Biennial — is a dynamic force who has been at the fore of the art world with her ambitious and varied initiatives for so
painting and printmaking, and a curator of the 2014 Whitney Biennial — is a dynamic force who has been at the fore of the art world with her ambitious and varied initiatives for some
time.