Sentences with phrase «time playing to the gallery»

The EFCC, all the time playing to the gallery, is said to be carrying out plea bargain, which is the exclusive preserve of the courts and not part of its legitimate functions.

Not exact matches

Welbeck is our top scorer not coincidence, dide might not be d most prolific or d most talented, buh dude gives over 100 % single match, sanchez looks sooo unfit, uniterested, plays more to d gallery now and gives d ball away more time than I could imagine, its better to have a committed player who is ready to give his all to d team than having bunch of dudes who cares more about their weekly wages, vrry bad period to miss welbeck

Obviously you would feel terrible... There have been times when I think that members have gone too far and actually there's a tendency sometimes for members to play to the gallery and to use emotive language that in my view pushes it, and is not terribly helpful for getting information out of a witness.

According to him, a time will come when NPP members of will see him as someone without credibility because they have themselves pushed him to play to the galleries to endanger his political future.

Many couples Iâ $ ™ ve counseled fall into a rut of using food as their primary way of spending time together — going out to dinner, or for ice cream, ordering pizza, making brunchâ $ ¦ Try mixing things up and plan activities that don't revolve around food (go to a play, art gallery or museum, or do something active, like hiking, biking, or indoor rock climbing), or involve healthy eating (visit a farmerâ $ ™ s market instead of a food court).

Emerging from the fantasy of childhood is seen in the opening moments, where Sandrine Bonnaire's 16 - year - old coquette Suzanne takes time out from rehearsing a play at a teen summer camp to «perform» for a gallery of male on - lookers.

Obviously, you may set the number of laps (or, alternatively, a time duration) for the race, but also the date when the custom race takes place, the season (which plays an important role in Project CARS 2 due to LiveTrack 3.0), time progression (you can take a look at this in the gallery below — with a 25x multiplier, a race of five laps started in the afternoon and ended at nighttime), but also up to four different weather slots.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Back camera with a flashlight * Gravity Sensor: Yes * Multi-Touch: Yes, 5 points multi-touch * Flash: Support Flash 11.1 * Google Play: Yes, built in * Bluetooth: Yes, support bluetooth 2.1 version * Video: 1080P, AVI / MOV / MP4 / RMVB / FLV / MKV... * Music: MP3 / WMA / WAV / APE / AAC / FLAC / OGG * Ebook: UMD, TXT, PDF, HTML, RTF, FB2... * OTG: Yes, support ExFAT, NTFS, FAT32 * USB HOST: 2.0 * Email and Browser: Yes, built in * WIFI: Yes, 802.11 b / g / n * 3G: Not built in, support external 3G dongle: E1916, ZTE AC2736, HUAWEI E1750, HUAWEI EC122, HUAWEI EM770W * Earphone Interface: 3.5 mm * Work Time: Up to 7 hours for video, 5 hours for game * Battery: 5000 mAh, 3.7 V * Language: Dutch, Indonesian, Czech, Danish, German, English, Spanish, French, Croatian, Polish, Portuguese, Roman, Finnish, Swedish, Swahili, Russian, Serbian, Bulgarian, Arabic, Korean, Japanese * Other Applications: ES File Explorer, Google Search, Google Maps, Browser, Gallery, Clock, Market, Calculator, Calendar, Video, Email, Gmail... * Extend Port: 1 x TF card slot; 1 x MINI HDMI port; 1 x Micro USB port; 1 x 3.5 mm Earphone port * Package including: 1 x Charger; 1 x USB cable; 1 x Earphone

This may include things like a long hot bath and home facial, visiting your local free museum or art gallery, having a picnic in the park, a movie marathon at home, taking time out to play a board game or computer game, reading your favourite book, trying a new recipe, or allowing yourself to sleep in.

During my time playing, I mainly just took screenshots of hilarious quips I wanted to remember (check out my candy corn gallery below).

In truth, the roughly 6 - hours of play time feels no different to the usual roller coaster ride of high - intensity scripted sequences, bloody shooting galleries and Hollywood - style action cliché.

As an ex-CVG-er, I'm sure you'll remember the picture galleries that had one page per picture, or the «vote for your favourite games» articles that, for a long time, required you to hit «skip this» to get through the majority of the games — unless you're a mindless fanboy who will gladly downvote any game you haven't played.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MeTIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MeTime, Museo Jumex, Mexico City, Mexico

Raqs Media Collective returns to Frith Street Gallery with an exhibition featuring new and recent work which includes play with words, light and electricity, sign language, chiastic variations, archival traces, counting exercises and insurgent readings of time.

The artist Barbara Kruger told the New York Times that these shows are «playing catch - up after centuries of women's marginality and invisibility», explaining these galleries are sensing opportunity «to cultivate a new market.»

2006 Yinka Shonibare Installation, Speed Museum, Kentucky, USA Flower Time, Stephen Friedman Gallery, London, England 2005 Mobility, James Cohan Gallery, New York, USA Yinka Shonibare Selects: Works from the Permanent Collection, Cooper - Hewitt, National Design Museum of the Smithsonian Institution, New York, USA Collaborative film / dance project with the Royal Opera House and the Africa Centre, London, England 2004 Turner Prize, Tate Britain, London Yinka Shonibare, Double Dutch, Boijmans van Beuningen Museum, Rotterdam, The Netherlands; touring to Kunsthalle Vienna, Austria (catalogue) Vasa, Commission for the opening of Moderna Museet, Stockholm, Sweden Yinka Shonibare, The Fabric Workshop and Museum, Philadelphia, PA, USA 2003 Play with me, Stephen Friedman Gallery, London

Nina Beier (b. 1976, Aarhus, Denmark) Beier presents the work Performer Performing Performance: an understudy for a part in a play taking place at a theater nearby, comes to the gallery to perform his / her lines, in time with the play being performed at the theater.

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Fintimes or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness FinTimes, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

1987 1 +1 +1 in Documenta 8, Museum Fridericianum, Kassel, Germany Learning to Play in the 19e Bienal Internacional de Sao Paulo, Brazil Frame of Mind, Grey Art Gallery and Study Center, New York University, New York, USA A Logo for America, Spectacolor Lightboard, One Times Square, New York, USA

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

I can say w / confidence I improvised dialogue for the 1st time in Random Breakfast in 1963 @ the Judson Church & in 1975 in the same concert as Chair, Alternative 1 Through 5 @ Paula Cooper Gallery was One Act Play in which I asked Valda Setterfield to «tell me all about it» & I wrote 6 pages of monologue for her & I stood entirely & patiently still nodding & smiling every once in a while as she told me all about it.

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect».

2009 Mother and Father Worked Hard So I Can Play, Brooklyn Museum of Art, Brooklyn, NY, USA; Travelling to the St Louis Art Museum, USA 2009 Willy Loman: The Rise and Fall, Stephen Friedman Gallery, London, England 2009 Party Time: Re-Imagine America — A Centennial Commission by Yinka Shonibare MBE, Newark Museum, 1 July — 3 January 2010 2009 A Centenary Commission, 26 February — August 2009 2009 Dublin City Gallery The Hugh Lane, Ireland 2009 A Flying Machine for every Man, Woman and Child & other Astonishing Works, Santa Barbara Museum of Art, California, USA 2009 A Flying Machine for every Man, Woman and Child, Miami Art Museum, Miami, USA 2009 Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and National Museum of African Art Smithsonian Institution, Washington D.C, USA

The gallery serves as an all - access pass to integrate the acts of looking, seeing, understanding, and listening while the time - space continuum is placed on hold / pause / play / fast - forward / rewind.

The National Gallery of Art presents a special installation of three of Mark Rothko's paintings made for the so - called Seagram Mural Project, timed to coincide with the presentation of John Logan's play Red at Arena Stage at the Mead Center for American Theater (January 20 to March 4), which dramatizes Rothko's struggle with the commission.

The initial spark that inspired Stoschek to start collecting time - based media art with such enthusiasm was an encounter with Douglas Gordon's Play Dead; Real Time in a New York gallery in 2time - based media art with such enthusiasm was an encounter with Douglas Gordon's Play Dead; Real Time in a New York gallery in 2Time in a New York gallery in 2003.

www.kawsone.com Born 1974 Jersey City, New Jersey Lives and works in Brooklyn, New York Education 1996 BFA School of Visual Arts, New York, NY Grants 1998 Pernod Liquid Art Award Solo exhibitions 2018 Galerie Perrotin, Hong Kong 2017 WHERE THE END STARTS, Yuz Museum, Shanghai Contemporary Art Museum St. Louis, Missouri 2016 WHERE THE END STARTS, Modern Art Museum of Fort Worth, Fort Worth, Texas; Yuz Museum, Shanghai BFF, Central Embassy, Bangkok Galerie Perrotin, Seoul Yorkshire Sculpture Park, West Yorkshire 2015 Permanent Vacation II, Eden Rock St. Barths, St Jean Bay, St Barthélemy, French West Indies Along the Way, Brooklyn Museum, Nueva York Newcomb Art Gallery at Woldenburg Art Center, Tulane University, New Orleans, Louisiana Clean Slate, La Nave, Las Salinas, Ibiza Clean Slate, Shanghai Times Square, Shanghai 2014 Man's Best Fiend, Honor Fraser Gallery, Los Angeles, California Clean Slate, Harbour City, Hong Kong Final Days, CAC Málaga - Centro de Arte Contemporáneo, Málaga PLAY YOUR PART, Galería Javier López, Madrid 2013 Mary Boone Gallery, New York; in collaboration with Galerie Perrotin Pass the Blame, Galerie Perrotin, New York Ups and Downs, Nerman Museum of Contemporary Art, Overland Park, Kansas KAWS @ PAFA, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania KAWS: Giswil, More Gallery, Giswill, Switzerland Ohhh..., Kaikai Kiki Gallery, Tokyo 2012 Imaginary Friends, Galerie Perrotin, Paris Companion (Passing Through), The Modern Art Museum of Fort Worth, Fort Worth, Texas The Nature of Need, Galerie Perrotin, Hong Kong KAWS: Down Time, High Museum of Art, Atlanta, Georgia 2011 KAWS: Companion, High Museum of Art, Atlanta, Georgia Focus: KAWS, The Modern Art Museum of Fort Worth, Fort Worth, Texas Hold the Line, Honor Fraser Gallery, Los Angeles, California Companion (Passing Through), The Standard, New York; Aldrich Museum of Contemporary Art, Ridgefield, Connecticut 2010 Companion (Passing Through), Harbour City, Hong Kong KAWS, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut Pay the Debt to Nature, Galerie Perrotin, Paris KAWS, Galería Javier López, Madrid 2009 The Long Way Home, Honor Fraser Gallery, Los Angeles, California 2008 KAWS, Gering & López, New York Saturated, Galerie Emmanuel Perrotin, Miami, Florida; travelling, curated by Pharrell Williams 2003 Original Fake, BAPE Gallery, Tokyo 2002 # @!

Early examples of time - based media date back to the 1960s, in particular the art of Bruce Nauman, who would record happenings to be played back in the gallery.

Omer Fast's new exhibition at the Chinatown branch of James Cohan Gallery, August, revels in the power of the Western imagination to utilize non-white cultures as a way to role play and «time travel» into playgrounds for voyeuristic pleasure - seeking that reinforce Western modernity's sense of superiority.