He retired in 1968 to become a full -
time portrait artist.
Not exact matches
But in addition to making me laugh, hard, at a
time when cathartic laughter is all but a medical necessity, this
portrait of the
artist as a not - so - young weirdo struck me as peculiarly moving.
As a lonely, elderly man who was once a successful
artist, Jenkins beautifully captures a
portrait of a man whose
time in the spotlight is long gone and who spends his days attempting to land drawing gigs and eat pies.
It's also an unsurprisingly bravura showcase for Day - Lewis, who, in what will reportedly be his final screen performance, has left us with something rich, indelible and at
times marvelously loathsome — a
portrait of the
artist as a fey, prickly, hyper - demanding middle - aged man.
An art writer, Lord (Armie Hammer) is coming towards the end of a stay in the French capital where he has spent
time with the sixtysomething Giacometti (Geoffrey Rush), his brother (Tony Shalhoub), wife (Sylvie Testud) and girlfriend (Clemence Poesy) when the
artist offers to do a
portrait of him.
Leaning Into the Wind: Andy Goldsworthy Sixteen years after Thomas Riedelsheimer's first
portrait of the visionary landscape
artist, «Rivers and Tides: Andy Goldsworthy Working with
Time,» became a national box - office hit through Roxie Releasing (and helped save the Roxie Theater in S.F.), the two reunite for an update.
Against this backdrop, director Sacha Gervasi depicts the
artist as a brilliant, shrewd, canny and compulsive man with no end of personal peccadilloes (overeating and obsessing over elegant blondes top the list) and renders a
portrait of a marriage that was at
times strained but resilient enough to last 54 years.
1916:
Portrait of the
Artist as a Young Man, by James Joyce «Once upon a
time and a very good
time it was there was a moocow coming down the road and this moocow that was coming down the road met a nicens little boy named baby tuckoo...»
Wendy spends her free
time as a professional
artist painting pet
portraits, and hanging out with her four dogs and three cats.
At
times, it is personal
portrait from loved one to loved one, emotionally close moments where he refers to the
artist as «Daughter».
The collection encompasses two subjects to which he has constantly returned — landscapes of London and
portraits of friends and relatives of the
artist who have sat for Auerbach for long periods of
time.
A group of
portraits by Nicole Eisenman, for example, came across as rather middling despite the
artist's otherwise sizeable intrigue, particularly because, at the
time, there was a much better painting by Eisenman up the road in a Seder - themed exhibition at the Jewish Museum.
Renowned for her
portraits of friends, family, acquaintances, fellow
artists and critics, Neel was among the most important American
artists of her
time.
During her
time in Tucson AZ, she was
artist in residence at Ventana Medical Systems Inc., where she developed a number of paintings of scientists at work and created a
portrait of the founder of the company, which now hangs permanently in the company headquarters.
Kehinde Wiley, the
Portrait Artist Who is «Transforming the Way African Americans are Seen,» Makes
Time 100 List
The superb «Van Dyck: The Anatomy of Portraiture,» at the Frick Collection, surveyed the short but intense career of one of the most gifted
portrait artists of all
time.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's
Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic
Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility,
Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This
Time?
2010 Schwager, Michael, Personal Identities / Contemporary
Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List
Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York
Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100
Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March
Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this
time at Annely Juda Fine Art, the
artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent
portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify -LSB-...]
Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential
portrait photography (Barack Obama, 2008), Karl Haendel's Theme
Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female
artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.
She has worked full
time as an
artist since 2010, exhibiting in many shows nationally and internationally including The BP
Portrait Award in 2015 and now 2018 for which she is shortlisted for the grand prize.
With his ongoing photographic self -
portraits, Sartorial Anarchy, dressed in varied costumes across geography and
time the work of Nigerian - born Iké Udé explores a world of dualities: photographer / performance
artist,
artist / spectator, African / postnationalist, mainstream / marginal, individual / everyman and fashion / art.
22, No. 1, pp. 54 - 56 Passariello, Micol, Gangsta E Gentiluomo, L'espresso, 17 July, p. 158 Fels, Sophie, Paint it Black,
Time Out New York, 10 - 16 July Jackson, Brian Keith, Native Son, Giant Magazine, June / July What's Up, The Studio Museum in Harlem Magazine, Summer, pp. 2 - 5 + cover Evans, Ali, A
Portrait of an
Artist by an
Artist, Studio: The Studio Museum in Harlem Magazine, Spring Fortune, Brandon, Brame, Frank H. Goodyear III and Jobyl A. Boone, Recognize: Hip Hop and Contemporary Portraiture, Washington D.C., Smithsonian Institute Claiborne, Barron, Black is Beautiful, Paper Magazine, March Fortune, Brandon, Hip Hop Baroque, Art World, February / March, p. 20 Bentley, Kyle, Previews: Kehinde Wiley, Studio Museum in Harlem, Artforum, May, p. 161 The Associated Press,
Portrait Gallery Opens First Hip - Hop exhibit with LL Cool J, Ice - T, International Herald Tribune, 8 February Stoilas, Helen, Toppling the Ivory Tower, The Art Newspaper, 7 February Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky), Kehinde Wiley: The World Stage - China, Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York, Deitch Project
TIME MAGAZINE RELEASED its Time 100 list for 2018 and it features three visual artists — Judy Chicago, JR, and Kehinde Wiley, who appears in the wake of painting his news making portrait of President Barack Obama, which was unveiled at the Smithsonian's National Portrait Gallery on Feb.
TIME MAGAZINE RELEASED its
Time 100 list for 2018 and it features three visual artists — Judy Chicago, JR, and Kehinde Wiley, who appears in the wake of painting his news making portrait of President Barack Obama, which was unveiled at the Smithsonian's National Portrait Gallery on Feb.
Time 100 list for 2018 and it features three visual
artists — Judy Chicago, JR, and Kehinde Wiley, who appears in the wake of painting his news making
portrait of President Barack Obama, which was unveiled at the Smithsonian's National Portrait Gallery on
portrait of President Barack Obama, which was unveiled at the Smithsonian's National
Portrait Gallery on
Portrait Gallery on Feb. 12.
The works are organized thematically into groups including self -
portraits,
portraits of fellow
artists and intimate scenes with family and friends, among other genres most practiced by women
artists at the
time.
Maureen Bray: It's not just a
portrait of an individual
artist, but really a
portrait of New York during this period of
time.
By the
time I became aware of her work she had become a minor celebrity — a relic of the depression era who had ignored Abstract Expressionism, Pop, Minimal and Conceptual art and was still painting traditional
portraits of her family and friends, as well as art historians, critics, curators and
artists.
2012 Schwendener, Martha, The Diaspora is Remixed, The New York
Times, 23 March Reilly, Andrew, Kehinde Wiley's «The World Stage: Israel, On View At The Jewish Museum, The Huffington Post, 5 March Kehinde's Israeli Initiative, The Art Newspaper, 17 January Lala, Kisa, Kehinde Wiley on The World Stage: A Conversation With the
Artist, The Huffington Post, 16 April Hassan, Sarah, The Head Must be Proud, Artwrit, April O'Rourke, Meghan, Kehinde Wiley, Wall Street Journal Magazine, May, pp. 25 - 28 Beam, Christopher, Outsource to China, New York Magazine, 30 April, pp. 48 - 50, 116 Malick, Courtney, Economics 101: Kehinde Wiley, V Magazine, 21 May Delos, Soline, Expo African Kings, Elle, 12 December, p. 48 Jeong, Sarah, Galerie Daniel Templon, Paris - L'histoire de l'art dans la rue, Beaux Arts Magazine, November, p. 170 Guilleminot, Adrien, Kehinde Wiley, Arts Magazine, November, p. 54 Rachline, Sonia,
Portraits prodigies, Vogue, October, p. 126
Known for her
portraits of family, friends, writers, poets,
artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at
times, humorous paintings that quietly engaged with political and social issues.
«His
portraits have always been people of the
time,» says Elisabeth Sann, a director at Jack Shainman Gallery who has worked closely with the
artist.
Ranging in date from the late nineteenth century to the present, and representing some forty
artists from Henry Ossawa Tanner (1859 — 1937) to Njideka Akunyili Crosby (b. 1983), the works present diverse and at
times unexpected methods of figuration, from the traditional (the
portrait bust) to the experimental, and show subjects who come from the realms of both the celebrated and the anonymous.
«This is the third
time in a number of years that I picked up a camera to take a
portrait,» says Lorna Simpson, the award - winning photographer and multimedia
artist who captured a series of
portraits of her female contemporaries for Vogue.
Opening: «Brassaï: Language of the Wall: The Tapestries, 1968» at Higher Pictures One of the important players in the modernist movement in Paris between WWI and WWII, the Hungarian photographer, sculptor, writer and filmmaker Brassaï (the pseudonym of Gyula Halász) is best known for his salacious photographs of Paris at night and his poignant
portraits of the famous
artists and writers of his
time.
Torbjørn Rødland at the Whitney 8 June The Whitney Museum of American Art is currently showcasing the latest addition to its series of public art installations by key
artists, this
time unravelling Blue
Portrait (Nokia N82) by renowned photographer Torbjørn Rødland.
National
Portrait Gallery, London
Artist, resistance fighter, gender warrior... Claude Cahun was a woman before her
time.
While portraiture is a traditional,
time - honoured genre, this exhibition offers a new perspective by bringing together iconic
portrait paintings by
artists such as Max Beckmann, Lucian Freud and Frank Auerbach with more unconventional works by
artists such as Lara Favaretto and John Bock.
Lucian Freud was a German - born British painter, known chiefly for his thickly impastoed
portrait and figure paintings, who was widely considered the pre-eminent British
artist of his
time.
Testifying to the breadth of the
artist's practice, the exhibition include landscapes,
portraits and still lifes, resplendent in references to history, myth and popular culture from across and through
time.
This exhibition brings together the
artist's iconic black and white self -
portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the
artist's estate, introduces a group of his photographs in a large - scale format for the first
time.
As the Rorschach paintings transform from beautiful abstracts to loose figurations of our own imaginations, we are simultaneously exploring the inner psyche of the
artist's mind during the
time of their creation — Warhol psychological self -
portrait.
At the
time of the
artist's birth — just under 50 years ago — his parents were not counted as Australian citizens, hence the defiant text - based installation «not an animal or a plant» in the ground floor gallery which showcases fine charcoal
portraits on paper of members of his family who lived under that regime.
Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this
time at Annely Juda Fine Art, the
artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition of his recent
portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the subject, with no technology to modify or mediate the
artist's immediate perception of what he is looking at.
Talk of Frieze Masters has been the story of a fake Frans Hals, following Sotheby's revelation that a
portrait by the Dutch
artist that was sold to a US buyer by private treaty for # 8.4 million in 2011 has been reassessed as a fake (as reported in the Financial
Times).
Alley, Ronald, «The Sebastian Ferranti Collection» in Studio International, January 1970 Alleyne, Sylvan, «John Hoyland» in Root, June 1983 Allthorpe - Guyton, Marjorie, «John Hoyland» in Arts Review, 13 May 1983 Bardo, Arthur, «
Portrait of the
Artist» in Montreal Star, 7 February 1970 Basham, Anna, «British Painting in the 1960s and «70s — Ramsgate Library Gallery» in Arts Review, 5 May 1989 Batchelor, David, «John Hoyland — Waddington» in Artscribe International, May 1987 Beaumont, Mary Rose, «The British Art Show» in Arts Review, 23 November 1984; «Waddington Galleries — John Hoyland, Kenneth Noland, David Tremlett» in Arts Review, 23 October 1981 Bell, Gavin, «Top award for casual printing» in The
Times, 11 February 1987 Bisson, Roderick, «Confused?
Neel (1900 — 1984) was a
portrait painter at a
time when this was traditionally the role of a male
artist.
Over
time,
artists of varying creative disciplines have originated self -
portraits as a way to connect their own experiences to their art and to reflect on culturally relevant experiences.
Chicago
artist Marla Friedman's recent
portrait sculpture of the legendary Apollo 13 astronaut Captain James A. Lovell, Jr. follows the historic and
time - honored realist tradition.
THE OFFICIAL PRESIDENTIAL
portrait began with George Washington, who was painted in 1796 by Gilbert Stuart, among the pre-eminent American
artists of his
time.
The first painting acquired was a rare self -
portrait by one of the most sought - after
artists of both her
time and ours.
At the
time, she made unique
portraits of left - wing writers,
artists, politicians, and trade unionists.