Taking up her post in 2010 after a long and successful tenure as curator of the Henry Moore Institute in Leeds, Curtis embarked on the formidable task of overseeing the # 45 million redevelopment and rehang of the entire gallery while at the same
time staging exhibitions such as Picasso and Modern British Art, Pre-Raphaelites, and LS Lowry.
Not exact matches
This annual Art of Motion Picture Costume Design
exhibition, now in its 19th year, features costumes from 20 films of 2010, including Leonardo DiCaprio as Cobb's leather jacket and cargo slacks from Inception (designed by Jeffrey Kurland), Jake Gyllenhaal as Dastan's body armour in Prince of Persia: The Sands of
Time (Penny Rose), Michael Douglas as Gordon Gekko's «shark suit» from Wall Street: Money Never Sleeps (Ellen Mirojnick) and Michael Kaplan's pearl studded and sequin
stage wear from Burlesque.
rst
time since 1969, while the Victoria & Albert Museum is
staging a blockbuster David Bowie
exhibition.
ATM moved to Bahrain International
Exhibition Centre - this was the only
time the show was
staged outside Dubai.
The conception of each artist's work is in direct response to the others» during the planning
stages of the project, and the resulting
exhibition is a lively thoughtful interplay unfolding in the galleries in real
time.
Over the course of three months, the
exhibitions and texts will change six
times, each episode in the room, each chapter in a pamphlet, and each set on the
stage will be on view for two weeks.
Opening to the public on September 12th, artists Jonah Freeman, Justin Lowe and Jennifer Herrema will
stage a sprawling sonic, filmic and architectural
exhibition this
time taking over Red Bull Arts New York with Scenario In The Shade.
For the first
time since its move to Brussels, Office Baroque will
stage an
exhibition that runs simultaneously at our downtown and midtown gallery spaces on Bloemenhofplein 5 Place du Jardin aux Fleurs and Ravensteinstraat 44 Rue Ravenstein.
In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was
staged at that venue in Geneva, with further
exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first
time since 1980.
Though not an official participating country — Mike Nelson represents the UK in the Biennale proper, eligible to win the Golden Lion for the best national
exhibition — this is the fifth
time Scotland has
staged its own «collateral» show, an increasingly important platform for the nation's artists.
MILAN — For more than 20 years, the Prada Foundation has been
staging contemporary art
exhibitions in abandoned warehouses and disused churches here, bringing contemporary artists like Anish Kapoor and Michael Heizer to Italian audiences, often for the first
time.
«After more than 20 years of
staging exhibitions around the world, my husband said he thought it was about
time we do something permanent in Milan,» Miuccia Prada said on a recent afternoon, sipping tea in a conference room at her office near the new site, a spare space with just one artwork, Gerhard Richter's «Five Doors,» dramatically consuming an entire wall.
At the same
time as his cavernous industrial container eats up the light in Tate Modern's Turbine Hall, Modern Art Oxford is
staging Topography, an
exhibition of his lesser - known video art.
In the Georgian age it was a
stage for artists to both shine and shock and for a long
time it was the only place people could see major
exhibitions of quality.
Her recent
exhibitions include One Step Forward, Two Steps Back,
Times Museum, Guangzhou, 2013; Alternatives to Ritual Goethe Open Space, Shanghai, 2012; Institution for the Future as part of the Asia Triennial, Manchester, 2011; Taking the
Stage OVER, a one - year
exhibition engaging aspects of live art, Shanghai, 2011.
Just in
time for the College Art Association conference, the Los Angeles pop up gallery, Artists Curated Projects, will
stage an
exhibition of Hammond's work from February 15th — March 30th.
Over
time and space, the works of art will in turn be removed from this densely packed
exhibition space to take on different roles in the three acts that will be
staged in the grand middle floor gallery of this Moscow aristocratic mansion.
This year, for the first
time in the
exhibition's history, artists submitted digital photographs of their work online for the preliminary
stage of judging.
The
exhibition allowed her to «reimport» abstraction into France with greater success, so that, in 1955, she was able to
stage Le Mouvement, a defining
exhibition which displayed for the first
time her artists, including Vasarely, alongside established masters such as Alexander Calder and Marcel Duchamp.
Sean Kelly is pleased to announce The
Time Vivarium, an
exhibition in two
stages by Chinese artist Sun Xun.
Previously, David choreographed his figurative works to imply dramatic narratives, at
times using the
exhibition space as a
stage.
I worked with her for the last 20 years of her life — I wish it had been longer — and we
staged seven
exhibitions of her paintings, works on paper and prints during that
time.
Curated by Anja Henckel and Nadim Samman, Humeau's solo
exhibition loops between the aesthetics of prehistory and occult biology and those of science fiction and the Information Age, producing works across multiple mediums that
stage «the crossing of great distances in
time and space, transitions between animal and mineral, and encounters between personal desires and natural forces».
In Laurie Simmons» third solo
exhibition at Salon 94 titled 2017: The Mess and Some New, plastic takes center
stage, becoming the subject of a new monumental photograph — a portrait or momento mori of our
times.
This is the work of New York - based choreographer Maria Hassabi, entitled
STAGING (2017), commissioned by the Walker Art Center to premiere throughout the
exhibition Merce Cunningham: Common
Time, concurrently on view at the Museum of Contemporary Art Chicago.
At the
time, photography was starting to be regarded as a fine art, thanks in large part to «The Family of Man,» a groundbreaking
exhibition staged in 1955 at the Museum of Modern Art in New York.
As an emerging artist, she has experienced a lot of group
exhibitions and three -
time solo
exhibitions on international
stages.
This summer, Somerset House in London will
stage a unique
exhibition which explores the impact of one of the most innovative and influential filmmakers of all
time — Stanley Kubrick — through some of today's most talented artists.
Tiravanija — who was born in 1961 to Thai parents in Buenos Aires, attended high school in Bangkok, and now spreads his
time between New York, Berlin, and Chiang Mai, Thailand — originally
staged this pungent artwork in 1992, when he moved all contents from the back office of New York's 303 Gallery into the
exhibition space.
This career survey, spanning four decades of work, is probably best summed up by the
exhibition's subtitle, as the conceptual artist will
stage several off - site installations, including at the Broadway - Lafayette subway station and in
Times Square, where he'll present a newly commissioned augmented - reality piece.
Even the equipment and fittings of the show itself are «vintage» and enable visitors to undertake a journey back in
time to the 1960s and 1970s: the
staged «living room» in the
exhibition space invites visitors to enjoy the videos at their full length and to cast themselves back to the 1960s.
DK: In your
exhibition at Bridget Donahue, your paintings are installed to form a sort of
stage, where performances intermittently take place, yet most of the
time the paintings very clearly constitute an
exhibition.
With this
exhibition, the theme of the sketchbook will for the first
time take centre
stage in a comprehensive museum display.
The «
stage - set» or rather the
exhibition space, site, or geographical location is itself an important factor in the development of his ideas which respond to both
time and place.
Solo
exhibitions have recently been
staged at Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); Kunstmuseum Luzern, Switzerland (2016); Pirelli HangarBicocca, Milan, Italy (2016); Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); Red Brick Art Museum, Beijing, China (2016); Haus Der Kunst, Munich, Germany (2015); New Museum, New York, NY, USA (2014); Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and Flat
Time House, London, UK (2011).
The MCA Cunningham Event was arranged and
staged by Andrea Weber expressly for the MCA's Common
Time exhibition.
By examining contemporary critical responses to each
exhibition, it also highlights common issues that prevented these
exhibitions from being viewed as successes at the
time they were
staged.
That's one of the reasons Temkin and her colleagues decided to
stage the
exhibition: to remind the public of a
time when artists sought to reinvent a shattered world, and art - making assumed a heroic, mythic stature.
In 2000 they
staged The Real Turner Prize Show at the same
time as the Tate Gallery's Turner Prize
exhibition.
The advertisement that ran for the
exhibition in the New York
Times quoted a statement by no less an authority on contemporary art than the influential critic Clement Greenberg, describing Kline as the «Most striking new painter in the last 3 years» (fig. 3).6 In Kline's case, not only did these artistic and professional breakthroughs appear to occur at once but they also coincided with a series of group
exhibitions staged in New York around this
time.
Appearing on
stage with her baby daughter Celeste, Prouvost also thanked visitors to the
exhibition for «giving their energy and
time», as well as the UK for «adopting» her.
Since joining Tate in 2002, Jessica Morgan has curated numerous group and solo
exhibitions including John Baldessari (2009) and The World as a
Stage (2007), Martin Kippenberger (2006),
Time Zones (2004) and Common Wealth (2003).
This
time, the museum presents the Triennial 2015, an unique international
exhibition of young artists from all over the world that are in early
stage of their careers.
With this young generation facing the international
stage for the first
time, this
exhibition tells the incredible processes of collecting Chinese contemporary art through the artists» connections to the dslcollection.
In that year, the first major
exhibitions of art from the continent were
staged in London; the Mexican Government mounted an
Exhibition of Mexican Art: from Pre-Columbian
times to the present day organised by the innovative and influential curator Fernando Gamboa and presented at the Tate Gallery.
She's had recent work showcased at Club Pro in Los Angeles, as well as in «Stray,» a refreshingly offbeat pop - up
exhibition curated by Tiffany Zabludowicz and
staged in vacant office space in a
Times Square high - rise.
Group
exhibitions in 2008 include Biennale's in Jerusalem, Bucharest and Sydney; in 2007 group
exhibitions include Performa 07, New York; The World as a
Stage, Tate Modern, London; Against
Time, Bonniers Konsthall, Stockholm; 3rd Prague Biennial, Prague, and Pale Carnage, Arnolfini Gallery, Bristol.
The 56th Venice Biennale brings together 89 national pavilions — including, for the first
time this year,
exhibitions staged by Mongolia, Mozambique, Ecuador and the Philippines.
During the period 1910 - 1914, Chagall exhibited several
times in the Spring and Autumn Salon of the French Academy and in the Salon des Independants, and in 1914 Herwarth Walden - the owner of the famous periodical and picture - gallery Der Sturm (The Storm) and a central figure within the expressionist movement -
staged Chagall's first solo
exhibition in Berlin which was both well - received and financially successful.
Later, in 1964, Jules Langsner
staged a second
exhibition, this
time in Newport Beach, CA, which he called California Hard - Edge Painting.