Not exact matches
It was indeed only in the early Renaissance, in the liturgical drama which influenced the
subject matter
of the newly recovered
art of painting — where the resurrection did get attention — that Magdalene was returned to prominence and became for the first
time an officially popular figure.
The essence
of things can be revealed only abstractly and expressionistically; however, the abstracted «lies»
of modern
art, the myths and symbols
of our
time, are, with few exceptions, devoid
of specific religious doctrine or even
subject matter.
Our method educates the whole child through a rich and meaningful, age - related curriculum devoting lots
of time to play, being out in nature, incorporating a vibrant
arts curriculum, and supporting core academics with integrated
subject classes.
When setting out to help children learn about
art, I think it's important to spend some
time thinking over the
subject first — what is the purpose
of art, and why should kids study it?
Both know a lot about the topic: it is the
subject of Ms. Onuch's recently completed PhD dissertation here at Oxford and her father is a long
time artist who also ran the Centre for Contemporary
Art (CCA) in Kiev, Ukraine until 2005 (formerly called the George Soros Centre for Contemporary
Arts).
As a date coach for women over 50 and an author who's been writing about the
subject for over a decade, I cover a variety
of issues, including getting back into dating, trying online dating for the first
time, and the
art of asking a baby boomer out.
More thoughts from the Criticwire Network: «Carol» Criticwire Average: A A.O. Scott, The New York
Times Mutual attraction may be central to our notion
of love, but it is a curiously rare occurrence in
art, which tends to split desire into
subject and object.
A 2006 national survey by the Center on Education Policy, an independent advocacy organization in Washington, DC, found that in the five years after enactment
of NCLB, 44 percent
of districts had increased instruction
time in elementary school English language
arts and math while decreasing
time spent on other
subjects.
However, in a recent blog post about his book at the Washington Post, Willingham pointed out that, by all available evidence, «most study
time in elementary grades is devoted to English Language
Arts and math, with other
subjects (science, civics, geography et al.) accounting for perhaps ten or fifteen percent
of instructional
time.»
• too much school
time is given over to test prep — and the pressure to lift scores leads to cheating and other unsavory practices; •
subjects and accomplishments that aren't tested —
art, creativity, leadership, independent thinking, etc. — are getting squeezed if not discarded; • teachers are losing their freedom to practice their craft, to make classes interesting and stimulating, and to act like professionals; • the curricular homogenizing that generally follows from standardized tests and state (or national) standards represents an undesirable usurpation
of school autonomy, teacher freedom, and local control by distant authorities; and • judging teachers and schools by pupil test scores is inaccurate and unfair, given the kids» different starting points and home circumstances, the variation in class sizes and school resources, and the many other services that schools and teachers are now expected to provide their students.
At Key Stage 3, 44 per cent
of art and design teachers across all school sectors reported a decrease in
time for the
subject over the last five years (four per cent reporting an increase).
Headlines from the Survey Report tell us that learning opportunities in
art craft and design have reduced significantly with at least 44 per cent
of teacher responses over all key stages indicating the
time allocated for the
subject had decreased with a mere seven per cent identifying an increase.
The aim
of the Arena Stage program, like that
of similar theater - education programs across the country, is to offer the benefits
of arts education at a
time when schools are increasingly putting the
subject on the back burner.
The theme is designed for cross-curricular teaching
of all
subjects — including literacy, reading, writing, spelling, role playing, science, geography, history,
art and technology, music, math, dance and movement, and Circle
Time.
At the
time, AQA was the only exam board to offer the
subject, but, in response to calls to save the
subject, Pearson has now confirmed plans to develop a new history
of art A-level ready for next September.
«It is now
time for language, media and
art teachers to take full responsibility for teaching the creative and graphical sides
of computing, for maths teachers to teach about spreadsheets and algorithms, and for all
subjects to include relevant aspects
of computing and data handling.»
Generally, teachers now expect children to come in knowing much more, spend more
of the day in literacy and math instruction, and devote less
time to nonacademic
subjects such as music and
art.
The Certain Crush
of Standards Campbell's Law (Campbell, 1976) predicts what will happen: The
subjects prescribed currently by the CCSS, language
arts and mathematics, and eventually science, will become the most important
subjects in terms
of time and resources allotted to teachers.
And so, many second graders will be taking literacy / English Language
Arts (ELA) exams 13
times this year, along with 10 numeracy / math exams, and an undetermined number
of REACH exams in other
subjects (
art, music, etc.).
HSTA also said 64 percent
of teachers used instructional
time to prepare students for tests, and 56 percent used
time they'd otherwise spend teaching
art, music and other
subjects.
Childhood was viewed as a positive
time for the
arts for most
of the beginning teachers; however, the teenage years appeared negative for the majority
of respondents because
of teacher criticism, negative school culture towards the
arts, and competing
subjects.
«Choices, Changes, and Challenges: Curriculum and Instruction in the NCLB Era» finds that since the enactment
of NCLB, 62 percent
of school districts increased the amount
of time spent in elementary schools on
subjects that are tested for accountability, while 44 percent
of school districts cut
time on science, social studies,
art and music, physical education, lunch, or recess.
To receive a grant, the school must institute a longer day that includes a combination
of core academic instruction, with longer periods devoted to
subjects like math, science and language
arts, enrichment opportunities, and
time for teacher collaboration and planning.
The opt - out movement is borne
of opposition to using the tests to measure teachers and schools, and the
time testing takes away from other
subjects, such as
art or science.
We are offer ing the services
of our
Art & Design Coordinator free
of charge as a
Subject Adviser and teacher for a half day or a full day every Friday during term
time from September 2017.
Stormont School is offering the services
of our
Art & Design Coordinator free
of charge as a
Subject Adviser and teacher for a half day or a full day every Friday during term
time from September 2017.
We are offer ing the services
of our
Art & Design Coordinator free
of charge as a
Subject Adviser and teacher for a half day or a full day every Friday during term
time from Sept...
Ideally, increasing learning
time by 30 percent would mean more individualized support; a more well - rounded education in a broader array
of subjects, from science and foreign languages to
arts and robotics; and less unsupervised after - school and summer
time.
For the legions
of children who have a special affinity for the visual
arts, theater, music, or sports, classes in these
subjects are golden
times for them to experience joy in school.
Maxey says that students were being tested nine
times a year in each
of three
subjects — reading, language
arts, and math — in addition to three other forms
of assessment for benchmark testing.
Unfortunately, many
of the most important features
of the plan, such as extended learning
time in core
subjects and a longer school day to include enrichment in
art, music, and academic tutoring, were never funded at adequate levels by the state.
At the same
time the state is requiring students to take end -
of - course (EoCs) exams in almost all
subject areas, including physical education, music,
art, social studies, government, and the like (e.g., x 10).
Some evidence suggests that this pressure, coupled with the reality
of operating a school or district on a limited budget, meant educators often began to focus more
time on those tested
subjects at the expense
of others, like social studies, science, and the
arts — a logical response to the incentives created by the accountability system and tough budget choices.
My dissertation project explores how Brazilian education policy - makers and corporate actors have framed youth free
time as a «gateway drug,» and how keeping youth busy through various interventions — vocational training, after - school
arts and sports, test prep and professionalizing programming — has become a widespread form
of risk prevention and
subject formation.
The promise
of Race to the Top is that billions more will be spent on more tests, and districts will reduce the
time available for
subjects (like the
arts and foreign languages) that aren't tested.
I really am interested in how a former undersecretary
of education has come to the point that he is so determined to attack teacher tenure, teacher unions and «restrictive work rules» for teachers — especially during a
time when public schools have been systematically defunded, forced to jump through hoops (Race to the Top) in order to get what remains
of federal funding for education, like some kind
of bizarre Hunger Games ritual for kids and teachers, and as curriculums have been narrowed to the point where only middle class and wealthier communities have schools that offer
subjects like music,
art, and physical education — much less recess
time, school nurses or psychologists, or guidance counselors.
Patricia's Calendar
of Events 2011 February 27 Westlake Village Reads Westlake Village's Community Room Oak Crest Drive Westlake Village, CA 2:00 p.m. Publishing Panel March 19 Ojai Wordfest Book Festival Matilija Street Ojai, CA 10:00 - 4:00 Patricia and SPAWN will have a booth March 22 Ojai Wordfest Ojai Library Ojai, California 3:00 - 5:00 p.m.
Subject: Simple Steps to Successful Authorship www.ojaiwordfest.com April 2 Carolinas Writer's Conference Anson County Writers» Club Lockhart - Taylor Center Wadesboro, NC
Subject: Take Charge
of Your Book's Success http://ansoncountywritersclub.org/carolinaswritersconference.html April 30 - May 1 Los Angeles
Times Festival
of Books University
of Southern California Los Angeles, CA 10:00 - 5:00 SPAWN will have 2 booths June 3 - 5, 2011 Ojai Writers Conference Ojai Center for the
Arts Ojai, CA http://www.ojaiwritersconference.com 3 to 4 p.m. Saturday (June 4) 3 to 4 p.m. Saturday (June 4) Self - Publishing Panel July 9, 2011 High Desert Branch California Writers» Club Apple Valley Library Apple Valley, CA http://www.hdcwc.org 10:00 a.m. to noon Topic: Two Steps to Successful Publishing August 6 Kern County Writers» Festival Book Festival - 11:30 to 4:00 Presentation: 1:15 Tehachapi Museum 310 S. Green St Tehachapi, CA http://www.kernfestivalofwriters.com Topic: Steps to Successful Publishing August 11 Casa Glendale Glendale, CA Topic: Fostering Creativity in Your Senior Years September 9 - 11, 2011 Alaska Writers Conference Coast International Inn Anchorage, AK http://www.alaskawritersguild.com Keynote Speaker: Opening the conference Saturday, September 10 talking on the theme
of «Publishing is not an Extension
of Your Writing.»
Instead
of literature, this
time Kostova's
subject is painting — and painters who struggle to balance love and
art.
Kintoki confirms that Toriyama's
art and
subject matter have frozen in
time since he finished Dragon Ball 15 years ago, although he still has a great sense
of color; I hope the forthcoming colorized Dragon Ball Z chapters look this good.
Perceiving the visual world as individual
subjects causes the strain
of trying to size everything up, place everything appropriately, struggle with dimension and basically have a heck
of a
time getting our
art to look like something.
In revealing the failure
of much academic
art history, and a great deal
of history in general, to take account
of the unacknowledged value system, the very presence
of an intruding
subject in historical investigation, the feminist critique at the same
time lays bare its conceptual smugness, its meta - historical naïveté.
London - based university, Birkbeck, is a champion
of the creative part -
time course, offering BA qualifications in
subjects such as History
of Art, Visual
Art and
Arts and Humanities to be taken during a four — six year stint.
The still life, or «nature morte», has been a constant
subject throughout the history
of art, its significance changing over
time.
His
art deals with history and temporal existence through a variety
of subject matter issues surrounding
time, empiricism, and metaphysics that bridge Eastern and Western ideologies while examining the nature
of time, perception, and the origins
of consciousness.
The documentary is impressive because
of its scholarly approach to the
subject, carefully presenting it in the context
of those tumultuous
times, and clarifying the relationship between Earth
Art and the myriad
of conceptual activities that were happening concurrently.
In contrast to other prominent midcentury
art critics — like the New York
Times's John Canaday, who warned him against fraternizing with artists for fear
of impairing his critical distance — Sandler purposefully immersed himself in his
subjects» milieu, first in his days as a young reviewer for Artnews and later as an
art historian.
In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics
of the Kitchen (1975), the tenets
of conceptual
art — with its integration
of language and image, its embrace
of photography and the video camera, and its unfolding over
time and space — are enmeshed with questions
of subjectivity, the body, and indeed, emotional affect,
subjects generally avoided by an earlier generation
of conceptual artists.
While his work bears similarities to that
of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac»
of Rothko's formalism and the erasure
of all self and
subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility
of the
art - making process and the conception
of a painting as the product
of an individual and a
time.
Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this
time at Annely Juda Fine
Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition
of his recent portraits seems determined to put forward, which is that nothing can match a figurative painting made when directly confronting the
subject, with no technology to modify -LSB-...]
Seeking to expand the scope
of traditional representation in
art, Baselitz has constantly revisited and reimagined his chosen
subjects over
time.