Sentences with phrase «time such dialogues»

Not exact matches

MacIntyre, however, has too carefully laid out the hidden connections between war, genocide, racism, and modern emotivist morality to give liberals much time for self - congratulation (it is in fact this self - congratulation that constitutes such a barrier to dialogue).

In dialogue with physicists such as David Bohm and Ilya Prigogine, process thought maintains that its view of time is more adequate, does not violate the fundamental tenets of physics, and upholds the concept and experience of freedom.

Second, what kind of structure of the church will facilitate such dialogue and struggle which will at the same time strengthen the central elements of the church's being as the sacramental sign and interpreter of God's universal gift of salvation in Christ?

At the same time, he wants to abandon the supernaturalist dimensions of Christianity so that we can more easily resonate to the naturalist impulses present in our material life and engage in a closer dialogue with the world religions such as Buddhism that do not have a focus on a transcendent God.

They spend more time with their children, set clear rules and consequences, talk with their children more often and engage them in back - and - forth dialogue, and provide experiences for them (such as high - quality child care) that are likely to boost their development.

«I do understand why Time chose this picture because... it did create such a media craze to get the dialogue talking.»

Such an eventuality is possible at a time when the Indo - Pak dialogue has achieved noticeable progress in the long - neglected area of bilateral trade.

You like dialogue such as «We didn't sign up for this,» and «If man were meant to fly he'd grow wings,» and — after a would - be-partner shows up just in time to save the hero — «You miss me?»

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

The big lebowski is one of the best films of all time the characters have a likability that most films cant capture, the dialogue is one of the funniest and most natural I have ever seen and the film has a lot of things to uncover such as

The big lebowski is one of the best films of all time the characters have a likability that most films cant capture, the dialogue is one of the funniest and most natural I have ever seen and the film has a lot of things to uncover such as theories that are not directly told but in a subtle way so multiple viewings is beneficial and a lot of fun.

The big lebowski is one of the best films of all time the characters have a likability that most films cant capture, the dialogue is one of the funniest and most natural I have ever seen and the film has a lot of things to uncover such as theories that are not directly told but in a subtle

The running time desperately needs to be trimmed, as there's just not enough story here to carry the load of a nearly two - hour film, especially one that has such a barebones plot with minimal dialogue.

And while I question a lot of Tarantino's ideas personally, there is some commentary which I found at least interesting and at times truly thought - provoking... until they just keep repeating the same things over and over and over again, losing the larger message in the flood of Tarantino dialogue which now seems to be the crutch of an indulgent filmmaker... not the original voice who made such an impact on Hollywood 20 years ago.

I think the directing here could have been better, and once again, with more time, you could have developed characters more and not forced important dialogue into such a compact time.

It was a WB drama before those were respected, dismissed as the TV version of a chick flick before complicated female relationships were appreciated regardless of gender, and delivered dizzying, referential dialogue at a time when such writing was routinely scoffed at as merely cute, instead of hailed as «sharp» as it is today.

She mixes beautiful comedic timing with utter rage - fuelled despair and delivers some of the best film dialogue I have heard in a very long time with such class that certain moments got a round of applause.

The picture is compacted and truncated in such a way that the passage of time is hazy, the relationships between the major players is tenuous and built on stereotype, and the dialogue is the sort of stuff that plays like the awkward rip - off of The Man Who Would Be King that it is.

But the film has aged remarkably well over twenty years, perhaps because it was even something of a throwback at the time: the imprint of conversation - driven French auteurs like Eric Rohmer is borne proudly by this sharp, sexy and nastily funny comedy of manners, whose dialogue crackles with such cutting truth and wit one wonders why Soderbergh doesn't write more these days.

Some of the dialogue is clever and witty, but lines such as the one Marlon Wayans repeats three times in the diner scene (which someone clearly wanted to be the line you remembered when you got home) feel very forced.

With such high profile slices of movie beefcake determined to make their mark as auteurs as well as deliverers of dialogue, now is a good time to look back at some other aesthetically - pleasing performers who put their necks on the line as bona fide film directors...

Khan adds that freed up class time allows teachers to focus on more important things such as «interventions, simulations, Socratic dialogue, and projects.»

Students watch the film three to four times, each time observing and analyzing different aspects of the film, such as lighting, music, scenery, dialogue, etc..

Joyfully, these permutations change the timing (or even the existence) of fights, dialogue, and locations such that the outcome is truly unknown until you get there.

You'll still split your time between choosing dialogue that shapes the story and mashing buttons for action events, just as in Telltale's take on other comics, such as

He did such a good job that after finishing the game I picked up a Deadpool comic and found myself hearing Nolan North's voice in my head every time Deadpool had a line of dialogue.

It builds on the mechanics and storyline established by it's predecessors, and adds a few surprises into the mix for long time fans, such as the touch screen controls for accessing the menus and important dialogue choices.

at the end of a match followed by a taunting dialogue such as «Hardly worth my time» stated by the winner of the match as well as grunts, groans and humorous reactions to being hit by the ball from those participating during matches.

The whole thing is played from a first person perspective from which you select objects and talk with people by choosing dialogue from a tilt wheel that is often time - limited to such a heavy degree that it's nearly impossible to absorb your options and make a deliberate choice.

There was about an hour of gameplay including story bits and long cutscenes, and the length of these cutscenes can't be understated, since they all last several minutes and have tons of dialogue about classic Kingdom Hearts tropes such as parallel worlds, time travel, and finding your friends.

This gritty, gruesome and twisted cyberpunk RPG takes inspiration from classic titles such as Planescape: Torment, seeing the player take the control of both real - time dialogue and real - time combat, both of which can end in death!

She re-settled permanently in France in 1963, where her continued exploration of new materials such as polyester and polyurethane brought her into dialogue with the contemporary art scene of her time.

Alex Gartenfeld, Deputy Director and Chief Curator of ICA Miami, said, «The Everywhere Studio marks the first time ICA Miami has mounted such a far - reaching historical survey, placing the next generation of artists in dialogue with their predecessors and within an art historical framework.

So I think that takes time and the galleries play a pivotal role in helping educate, pushing the dialogue, and then, 20 years later, people will realize, «Oh wow, this is such an important artist.»

In order to open a critical dialogue on how political ideas relate to biography, text in relation to form, and identity in relation to subject, crucial works will be placed in close dialogue with peers at the time such as David Hammons, Louise Lawler and Julia Scher as well as with historical works from Helmar Lerski.

Each floor is conceived as a cross section of our times, where works of artists from the 1960s (Alighiero Boetti, Daniel Buren, Lawrence Weiner, Enzo Mari, Cy Twombly, Rémy Zaugg and many others) are juxtaposed with those of some of the most rigorous interpreters of the current international scene (Walid Raad, Zoe Leonard, Ryan Gander, Thomas Hirschhorn, Philippe Parreno, Francesco Vezzoli, etc.) in a dialogue on various themes, such as architecture, performance, the body and the void.

Rothko / Sugimoto extends Pace's ongoing series of two - artist exhibitions that initiate dialogues between artists working across time periods, geography, and mediums, following such significant exhibitions as de Kooning / Dubuffet: The Women (1990); Mondrian / Reinhardt: Influence and Affinity (1997); Bonnard / Rothko: Color and Light (1997); Willem de Kooning and John Chamberlain: Influence and Transformation (2001); Dubuffet and Basquiat: Personal Histories (2006); Josef Albers / Donald Judd: Color and Form (2007); and Ad Reinhardt and Tony Smith: A Dialogue (2008 — 9).

Exposure to these works — with which many Chinese artists might be familiar only in reproduction or online — is seen by Tinari as a means of fostering creative dialogue between the two artistic traditions and diminishing the «time - lag» that hindered domestic art for so long after the Reform and Opening Up period that followed Mao's death in 1976, traditionally taken as the «starting point» of contemporary Chinese art (Tinari concedes that this is a useful marker, but suggests that a new generation of art historians should «complicate» such simplified narratives).

She was the curator of exhibitions such as Pictures on the Earth — Photograph by Wim Wenders, Unfinished - Architectures by ISOZAKI Arata, Architectures in Post-plan Time - Dialogue with ISOZAKI Arata Seminar, Dijon - Shanghai - Guangzhou: Solo Exhibition of Yan Peiming, Liu Xiaodong: Painting from Life (Solo Exhibition of Liu Xiaodong), City - Net Asia (China Pavilion) in Seoul Museum of Art.

The new Goss - Michael is four times the size of its original location, and hopes to inspire a provocative dialogue around such issues as mortality, death, and sexuality through their exhibited works of famed British artists.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

Such artists as Charles Ray and Paul McCarthy, both widely collected by the Rubell family, largely determined much of the debate and dialogue around art making in L.A. at the time.

If only we'd seen one press release this year or last from any of the major publishers even vaguely alluding to the fact that they have to work within various strictures and that there is a desire, however minimal, over time to develop a dialogue with China's authorities to talk about legal issues such as human rights environmental rights issues and a myriad of other social rights concerns, as well as other issues in the PRC, from housing law to dealing with the fallout of local government mismanagement after disasters such as the earthquake in Sichuan.

The Council is not paid to undertake such dialogue or engagement outside of its meeting times and each member of the Council has their own occupation, to which membership of the Council is ancillary.

Other activities at the Annual Meeting and Conference include: topic - focused plenary sessions; addresses by distinguished speakers from family therapy and allied fields; concurrent presentations; open forums for broad issues such as family policy, diversity, ethics, and credentialing; group dialogue sessions on gender and diversity issues; awards to outstanding professionals within the family therapy field; business and Board meetings; and social time for building networks with peers from across the country.