Sentences with phrase «time swordplay»

[Platform: PS4 ™ system; Release: Summer 2015]-- The latest iteration of the Onechanbara sexy zombie slayer series ups the ante with two sets of buxom vampire sisters and over a dozen stages of high - octane real - time swordplay featuring hordes of zombies — not to mention wildly inventive methods for dispatching these undead opponents.

This latest iteration of the Onechanbara sexy zombie slayer series ups the ante with two sets of buxom vampire sisters and over a dozen stages of high - octane real - time swordplay featuring hordes of undead creatures — not to mention wildly inventive methods of dispatching these fearsome opponents.

With two sets of buxom vampire sisters at the player's disposal, over a dozen stages of high - octane real - time swordplay await, each characterized by the hordes of zombies infesting the land and the over-the-top methods our heroes employ to kill them.

Not exact matches

Every time I enter focus mode, I either notice something new about it or figure out new ways to fiddle around with Afro's swordplay.

VIOLENCE / GORE 6 - People are shot with pistols and we see lots of swordplay, sometimes resulting in a bit of blood (at various times a man and woman have blood on their faces and / or torsos and bruises and scratches).

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

His final film for Shaw, Come Drink With Me (66) revolutionized the industry, and gave Hong Kong not only one of its first period swordplay films shot in a new, modern style (inspired by Japanese swordplay films of the time), but also its first female action lead.

The focus on epic battles involving arrows, swordplay and midair dogfights as well as scores of characters, allows little time for character or script development.

The advanced techniques of the Hong Kong action cinema translated from the period kung fu and wuxia film to the modern world of cops and robbers, from swordplay to gunplay, not for the first time (it was preceded into the present by Jackie Chan's Police Story from the previous year, as well as Cinema City's highly profitable Aces Go Places series of comic adventures and a whole host of films from the Hong Kong New Wave like Tsui Hark's own Dangerous Encounters - First Kind, not to mention earlier films like Chang Cheh's Ti Lung - starring Dead End, from 1969), but better than anything before it.

The first of these is heaven, where the recently deceased Nightcrawler is having a tough time settling in, at least until Azazel and a band of pirates turns up for some swordplay.

Things are still a bit spastic and dicey when combat devolves into swordplay, and we struggled with the timing of parrying blows.

After a few cutscenes, the story gives way to a battle, which replaces the turn - based strategy combat of previous Valkyria games with real - time hack and slash swordplay, with occasional gun and magic usage.

Amidst free - running acrobatics, lurking - in - shadows stealth and swordplay + gunplay combat, the games in the series have had aspirations of imparting a sense of the political and cultural upheaval of the time periods they're set in.