There are moments where he captures true instants between the men but at the same
time the film feels a bit claustrophobic.
Yet while the recipe sounds delicious on paper, at
times the film feels as if it's missing a crucial ingredient that would have taken it from good to great.
At
times the film feels a bit rushed.
Ramsay doesn't offer the viewer much for free, and at
times the film feels as if it's been cut too close to the bone, leaving you to unpick what you can from the brief clues that flash past intermittently.
It's the one
time the film feels like its characters actually want something.
At
times the film feels rushed, and at others like it isn't long enough.
Not exact matches
«As we have been saying for some
time, we
feel the recent box office has been typical in nature and the result of weaker
film product,» said Jacob.
One of the
film's strengths is that it doesn't
feel the need to waste a ton of
time on a backstory many already know.
«I think my movie, personally, is one of the most important
films that have ever been made in America... I don't know if anyone is going to see it, but I
feel the
film is going to take care of itself in
time and be around as long as there are
films.»
Like every entrepreneur, I'm pulled in way too many directions, and I often
feel like a puppet on somebody else's string, jockeying my
time between family obligations, helping the entrepreneurs I've invested in,
filming Shark Tank, and flying to motivational speeches in multiple cities.
There are so many hopes and expectations pinned on the new
film version of «A Wrinkle in
Time,» I
feel like it should be projected on giant bulletin boards instead of movie screens.
Philomena isn't exactly a
feel - good
film (you'll probably want to keep some tissues handy), but it's well worth your
time.
The novel is built like a missionary biography, one with the at -
times brutal
feel of a Scorsese
film.
A project of A Wrinkle in
Time's scope would be a big deal for any
film director, but DuVernay is
feeling the spotlight in a unique way.
In truth, there are
times when the
film feels less like an addition to the franchise than it does a remake of the original movie.
Whatever one's personal
feelings about the
film, it seems clear that Mel Gibson was trying to deliver a cardiac shock to the imagination, Christian and non-Christian, of our
times; saying in effect, «Look in graphic detail at what God's Son did for you.
There's something organic about shooting
film that
feels like a pleasant match to me with
time spent in the quiet, slow, and calm of nature.
At
times her memoirs
feel like a list of rebuttals against the negative images,
films and news stories which «hounded» Ms Blair.
At
times the Labour leadership race has
felt like one of those
films where you work out the ending after just five minutes but still
feel obliged to watch the rest.
They are used to evoke
feelings of tension and fear in audiences, to drive the plot of a
film, or to create a sense of another
time or place.
But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short
film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to
feel more, well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the
time.
We had such a good
time filming these - they are real conversations that we've been having off camera, so they really are authentic to how we
feel and how we actually speak about these things.
I really love your inside sweater it is gorgeous It isn't
feeling warmer her yet (thank goodness haha) We are suppose to be getting 30 + cm of snow coming up for the next couple days Also I wont be going to see that movie I might be the only female not interested in this
film lol hope you have a good
time though
If you spend your
time surfing, practicing yoga, reading or watching independent
films, then
feel free to shout it from the rooftops.
Appreciate anything that elevates a soul - literature,
film, art, theatre, music, life, volunteering... I have amazing friends and family who love me even as I
feel a misfit at
times.
But the truth is that like those «80s
films many of us grew up on, and which we watched a million
times over on home video and cable television, «Real Steel»
feels destined to become a staple in the libraries of kids in this generation.
However, I
felt that the
film at
times was a tad too silly.
But Rees isn't content simply to diagnose a punishing, self - perpetuating cycle: This is a
film buoyed by humanism that
feels chastening, liberating and healing, all at the same
time.
Of particular note (to me, at least) is Leland Orser, if just because every
time I see him I think of Seven (do you get the
feeling I'm rather fond of that
film?).
The previous three
films felt at
times like extended prologues for this one, but what it delivers considerably makes up for that.
Though in an entirely different
time period (1910), the
film shares that
feeling of dread for the smallest citizens, unable to change what has gone on between their own kindred for generations.
Despite being the shortest
film in the series, at 138 minutes, the
film still
feels drawn out in places, with Yates taking a long
time to cover aspects which could just as adequately be explained in half the
time.
A lot funnier than you remember it, Carol Reed's immortal 1949
film noir seems to exist in the space between two worlds: an earlier
time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments
felt passé.
Also, the way in which the
film goes from serious tones to tongue in cheek moments is not really handled well either — from the knife wielding belly dancer to one of Samuel L. Jackson's trademark monologue, it
feels rather forced at
times.
It's clear almost immediately that filmmaker Shawn Levy just doesn't have the right sensibility for this material, as the director, known for his fluffy, decidedly comedic offerings, has infused This Is Where I Leave You with a terminally lightweight
feel that grows more and more problematic as
time progresses - as the absence of authentically heartfelt moments ultimately proves disastrous (ie the
film possesses the
feel of a glorified sitcom, for the most part).
It's the kind of
film that takes its sweet
time, and whenever it
feels like it, it goes off on surreal tangents.
Manages to deliver a decent
film with some strong scares, yet certain moments will
feel like a haunted trip you've already taken one too many
times before.
It had an epic
feeling, but not like it's fantastic predecessors, the lord of the rings trilogy, which are some of my favorite
films of all
time.
I actually loved watching this
film at
times, given the terrific performances all around and a story that is worth exploring, but it is without question that the
film feels about 20 - 30 minutes too long.
Thankfully, the voice talent gives it their all with Hill and Cross being particular standouts, but they are really livening up a script that at
times feel like a draft or a number of plots from different
films, piecemealed together.
For Shawn Levy and Real Steel, I
felt like I had seen the
film countless
times before, just with other sports at the center of it all.
Her
films bring with them a
feeling of the relentless and heavy push of
time itself.
Many people complain about sitting in a theatre for a long period of
time, and while this
film is not long in the slightest, it can
feel it.
It could work on the stage where movement and place and
time are necessarily compressed, but on
film it
feels artificial, not fully worked out.
It was crazy at
times, there wasn't much talking and sometimes I
felt it wasn't really trying too hard to not be what it was supposed to - an art - house
film.
I just saw the
film a second
time, and still
feel the same way about the
film; I must admit that I am lowering my rating a bit, but I still thoroughly enjoyed this
film.
And yet, although the
film is only marginally better than the average
feel - good sports drama, it hits the right notes almost every
time.
The
film's underdeveloped characters and thin — though busy — story are forced into the foreground, and its 88 - minute running
time feels far longer.
The
film works as supernatural horror at the same
time as you
feel the chaos and fear in everyday life during the Iran - Iraq War as experienced by people like the rest of us and not by presidents and kings.
It's unlikely anyone who hasn't seen Wiseau's
film will
feel lost as the players are all well established over the course of the movie (not to mention that intro), and the surprise of how the
film's story unfolds is certainly enjoyable the first
time you hear it (no matter the medium).