Sentences with phrase «time with other artists»

Having said that, we DO like to spend time with other artists and talk shop.

Artists often spend time with other artists.

She also spent time with other artist - organizers who share her interest in finding a balance between studio and community, and who are also navigating smaller «art cities» that operate outside the national spotlight.

Not exact matches

Con artists are motivated both by a desire to be the center of attention and the power that comes with that ability to manipulate others, psychologist Maria Konnikova, author of «The Confidence Game: Why We Fall for It... Every Time,» explained to me earlier this year.

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.

Do you know of any other artists who struggled with the kind of «six months behind the times» issues that seem to prevalent in Christian music?

I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.

Here's a few Mormon factoids (dem darn facts is really painful) 1) J. Smith was a convicted con - artist on numerous times (non-post Mormon cult creation) 2) He said God is 6» 2» living on the planet Kalob on the other side of the galaxy (at the time the extent of The Universe was believed to be the Milky Way Galaxy — and oh, how convienient it could not be proven otherwise at the time) 3) Science proved since E. Hubble there are billions of galaxies (did Smith's personal conversations with Jesus and God limit to a narrow Universe?)

An offshoot of a project with performance artist Marina Abramovic, the Mutual Wave Machine invites two people at a time to sit in a dome - like structure and gaze at each other while seeing a simplified visualization of their brain activity with lights all around them.

I can't tell you how many times I've sat down with other wellness professionals, social entrepreneurs, and artists of all sorts who appear to be...

I can't tell you how many times I've sat down with other wellness professionals, social entrepreneurs, and artists of all sorts who appear to be living their dream life.

I'm a martial artist wanting to insert a routine like this into my mornings before work, but making a little bit of time every morning is so much easier to be consistent with than wrenching an early - morning wakeup time back an hour every other day.

I've been working in the natural beauty space and as a makeup artist and wellness expert for more than 10 years, so getting to spend some quality time with other wellness trailblazers is a real treat.

Staples has mostly shown up to support other artists such as Earl Sweatshirt and Flume, but after time spent with Kanye's mentor No I.D. last year, Staples released one of the most critically acclaimed LPs of 2015, Summertime «06.

The Disaster Artist is the first time James has worked with his brother, Dave, on a film, after the younger Franco intentionally took roles in other projects in an effort to make a name for himself.

(Hav is engaged to a famous rap artist who neglects her, spends time with other women, and has other plans for the weekend.)

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

* «I find Maugham to be skillful without being an artist» — Harold (Dustin Hoffman), The Meyerowitz Stories (New and Selected)... * Film Stars Don't Die in Liverpool: sister (Frances Barber) finishing mother's (Vanessa Redgrave's) Shakespeare lines... * Knife aimed at poking finger beyond tape, Mom and Dad... * Gardner (Matt Damon) retrieving a poker, Suburbicon... * The Other Side of Hope: tape - measuring Khaled (Sherwan Haji) while he vacuums... * Good Time: In mid-scam, Connie (Robert Pattinson) shares juice with sick old lady in hospital....

• Make it a «non-negotiable» • Recruit and hire teachers who buy - in from the get - go • Provide them with hands - on professional development and plenty of examples • Share and celebrate «best practices» • Identify teachers who do it well and have others visit their classrooms • Give instructional teams time to collaborate and to develop quality prompts • Stockpile successful A.R.T. plans and incorporate them into the school's curriculum map • Hire and / or bring in practicing artists to participate • And, most importantly, get excited - as though you had just seen a narwhal tusk for the first time!

And refers many times to the two important wives in his life and to the many painter - trips he made together with Renoir, Bazille, Boudin, Jongkind and other Impressionist artists.

«Richard P. Grossenheider: The Artist,» is a biography that takes readers on a journey with an American ornithologists to see the great wildlife artists of his time, the art he created, and the animals he encountered in their native state while he suffered the usual travails other soldiers met in the Pacific during World War 2.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

By the time I started my research, I already had over 50 cover artists bookmarked and several more posts with links to other artists.

In the meantime, after getting involved in the Author community, Andrew started to work as a Cover Artist for other Authors.Today, Andrew mainly splits his time between writing his own books, and his Book Cover work, with plans for many books and series to come.

The Koplin / Levin Studio is open to the public at whatever random times and days the artists happen to be there, as well as by appointment (always welcome: 805 450-6989) and at specific events coordinated with other Funk Zone happenings.

Whether it was the history, the weather, or other elements of site, each participating artist responded to this location with work intended for that place and time, and created a multi-faceted and innovative experience.

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

The FX artist at the studio I was with at the time left to pursue other options.

We share a coworking space with about 20 other local virtual reality developers, artists, game makers, and web designers - so needing to push our build out to the side of the room at the end of every dev session added to our overall setup time.

Long time readers already know that we offer hundreds of blog posts, podcasts, and other free content on making a living as an artist, including interviews with successful artists and art professionals.

It seems to me that the artists of the world are spending so much time commiserating with other artists about how hard it is to make it as an artist, that we fail to see the opportunity to play a bigger game.

But I DO know that it takes multiple «touches» for a client to buy an artist's work, and nurturing an ongoing relationship with a collector over time is hands down the BEST way to have a patron for life — somebody who will not only snatch up your work still wet, but happily tell others about it, too.

I have been showcasing my art on Facebook, Google, Twitter, Pinterest, Tumblr, YouTube and other social networks for years, but with little success — I guess the overall amount of artworks and artists on the net is so large, that it has become very difficult to get noticed at all, and even harder to make sales at all... I have changed my artworks and my gallery appearance several times over the years, adjusting to the latest SEO trends, but the big success is still waiting... http://www.artprintsposter.com/

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

In the 2015 edition of MoMA PS1's signature survey, Gordon Matta - Clark and other artists associated with a grittier time in the city's history highlight the difficulties of making art in present - day New York.

«For 25 years, the L.A. artist has been creating immersive video installations that appear to breach the contours of the gallery, transporting viewers into other realities: swimming with dolphins, interacting with wolves or exploring the contaminated ruins of the Chernobyl nuclear power plant,» wrote art critic Sharon Mizota in the Los Angeles Times.

With film recordings and photographs as well as correspondence, invitations, posters, and other ephemera, Joan Mitchell's vibrant personality and her various relationships to artists, authors, and other figures from the cultural world of her time are illuminated.

They might easily have rubbed shoulders with each other at exhibitions and in the bars and cafes favoured by artists at a time when the art world was much smaller.

In this sense, her work is more aligned with artists who prioritized sensorial experience, like James Turrell, Mary Corse, and others of the Light and Space movement of the 1960s, than with film or other such time / media - based art.

Others are emerging American artists with whom Atlas will be collaborating for the first time, such as choreographers Laurie Berg, the Illustrious Blacks (May 3 — 5 only), Imma Asher (May 10 — 12 only) and Solo Termite, with more to be announced!

In 1935 Rothko joined with eight other artists, including Adolph Gottlieb, to form a group called The Ten (although there were only nine), who, influenced by Impressionism, formed in protest to the art that was typically being exhibited at the time.

The Exhibition itself will run for ten weeks (opening times below) and five other artists will be exhibiting for two week periods with Griffin — bookmark this page for further details about these exhibitions and further events.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Laing's Lincoln Convertible (1964), on the other hand, is imbued with a sombre finitude, as the artist uses multi-coloured dots for the first (and last) time, to commemorate President John F. Kennedy's assassination.

In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othwith founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othWith Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

His diverse interests and methods have led him to undertake a varied range of projects, which at times have included long - term collaborative efforts with other artists, musicians, and writers resulting in ambitious traveling shows and exhibition catalogues.

Although the project's various pieces have included collaboration with dozens of other artists and assistants, a key participant has been Barney's long - time partner, the singer Björk, who has acted in the films and provided the soundtrack.

In contrast to other prominent midcentury art critics — like the New York Times's John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance — Sandler purposefully immersed himself in his subjects» milieu, first in his days as a young reviewer for Artnews and later as an art historian.