Sentences with phrase «timed dialogue choices»

The developers have also added timed dialogue choices when you meet NPC's which does dictate how the conversation may go, including any repercussions, not to mention encounters!

While hiking through the woods on lookout duty (yes, the game is primarily a «walking simulator»), Henry's supervisor Delilah becomes the best video game friend you'll ever make (or not, depending on how you decide to play) exclusively through walkie - talkie conversations structured around timed dialogue choices.

Not exact matches

Selcher went on to explain how the company's privacy dialogue centres around clarity, choice and control: «making sure that at any time, any member of LinkedIn understands how they're data is being used, if they want that data to be used and to what extent.»

The narrative is clearly more important than the game's mechanics, and that shows at times, but the combination of mechanics, dialogue choice and acting help to push the message about how devastating depression can be for an individual suffering from it.

Likewise, offbeat choices in the film's look and sound add edge from time to time: In a scene set in a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian Americana.

As well as a truly sinister edge at times, the film is also laced with the snappy dialogue so often associated with Smith, and there's even a few choice and impressive monologues for the always - stunning Michael Parks.

Krasinski sets himself up to fail, but I couldn't even feel that good about saying, «Well, at least you tried,» because he makes so many choices I found excruciating: A Greek chorus made up of two guys talking about the female psyche drift in and out of the pastiches; a powerful monologue by Frankie Faison about the humiliating life of his father (a restroom attendant) is intercut with images of the father as a young man standing in the latrine, proudly standing stock - still in his white ice cream suit, while a dialogue ensues between the father of the past and the boy of the present that folds time in the most obvious, theatrical way you could think of.

The chance to dialogue across cities is a unique opportunity and is well timed in light of recent proposals to create an all - choice zone in East Nashville.

Bill to limit Amazon's advantage moves forward in France; Reading Group Choices» 2014 guide out now; National survey details reading habits; NRF predicts modest growth during holidays; Consumers use smartphones, tablets to shop; California Bookstore Day website live; NCAC in New York Times Sunday Dialogue; Thurber Prize goes to Dan Zevin; Penguin Random House merges audio; HarperCollins joins Scribd's e-book subscription service; Chronicle Books goes green; BISG announces new mission statement, industry award winners, F+W Media partnership

Sometimes making what seems like an indifferent comment will suddenly drop your morality rating, while another time genuinely offensive or brash dialogue choices don't.

Many times I made what seemed like fairly neutral dialogue choices, only to see my morality rating drop.

Dialogue choices give you the chance to tailor Vulcan's responses during conversations, but these are actually not particularly common nor are the options very varied, and long stretches of time pass between them.

It builds on the mechanics and storyline established by it's predecessors, and adds a few surprises into the mix for long time fans, such as the touch screen controls for accessing the menus and important dialogue choices.

Its dialogue choices and quick - time events feel like something that came out of Telltale Games, while its star - studded cast (Mahershala Ali, Scott Porter) and touching small - town story could help deliver a Madden that anyone can enjoy.

The story is now split up between you making dialogue choices during the boss fight and travelling back in time, through your memories as you relive the events which impact you in the present.

This time Square Enix has revealed details about Final Fantasy XV dialogue choices, various shops which players will visit and more.

At the time, games were pushing aside challenge and difficulty for story, narrative and dialogue choices.

Video games also enable some things that are simply not possible in movies, like dialogue choices (for example, you might stop to talk to a character simply to learn more about the game's world or to hear a story) and the freedom to explore and examine the environment at your own pace, and they also lack the time constraints of movies.

You will encounter the same FTL - style random events several times, often even showing you unavailable choices and dialogue options that require ship modules belonging to a ship you don't even have yet.

With great dialogues, emotional and meaningful choices, impressive settings and much much more Life is Strange has become one of my favorite games of all time, and trust me I have played plenty.

Since this is a Telltale title, the game is centered around dialogue choices and Quick Time Event sequences.

There were a couple small fights, a couple dialogue choices, and a lot of characters to meet in a very short period of time.

Players are given dialogue choices during each episode with only a small amount of time to decide which route to take, all your choices change the game slightly, whether it is just a reaction from another person or a longer standing choice that could make a difference further into the game.

Evil dialogue choices are almost too wicked to pass up at times, but if talking gives way to fighting, there are always satisfying ways to bring about someone's bloody, bloody death.

The whole thing is played from a first person perspective from which you select objects and talk with people by choosing dialogue from a tilt wheel that is often time - limited to such a heavy degree that it's nearly impossible to absorb your options and make a deliberate choice.

From time to time in your dialogue options you will get the option to make a Light (white icon) or Dark (red icon) dialogue choice.

You'll make dialogue choices along the way, press buttons in time with prompts onscreen and, if you aren't careful, kill a handful of the teenagers by botching said button prompts in the heat of the moment.

With any modern Telltale game, quick - time events, light puzzle - solving and dialogue choices are prevalent.

It features: — 3D real - time sandbox game built with Unity game engine — metallic shader, lighting, particle effects, lens flare, explosions, fx — space combat RPG with extensive skill tree — open and living universe where 600 + ships fly around autonomously — epic story with dialogue system that allows real choices — recruit 6 wingmen and 2 can fly with you at a time — even discover romance with another wing pilot — recruit 5 corporate pilots who can fly trade routes on your behalf — trade, fight, mine, pirate, scan for derelict ships and wormholes — many mission types: epic, freelance, dynamic, wingman acquisition, faction loyalty — deep combat mechanics, AI, and faction standings — 20 + ships, 180 + modules, 33 solar systems with a unique follow - through - warp mechanic — 15 + factions to vie favor or destroy — cinematic camera shows you the action when it happens — fly manually with or without Newtonian physics or use autopilots exclusively — 22 track theatrical - quality award - winning soundtrack by renown composer, Sean Beeson — cloud save lets you continue your game at home or on the go MEMORY: Dangerous uses a lot of memory during play, so if you have an older device, please close extraneous programs and reboot prior to playing.

Gameplay: Basically a few quick time events and dialogue choices.

If you haven't played one of these games, at times they feel more like watching a show than playing a game, except you can truly guide the story in different directions by making dialogue choices and engage in some combat.

The gameplay is the same old situation, with dialogue choices and quick time events making up most of your time, but this is simply the formula which Ties That Bind weaves its compelling story around.

And the stretch of time I had available, insufferable as it could sometimes be, did allow me to immerse myself in this sheer possibility: exploring dialogue choices or narrative tangents, becoming entangled in side quests, wasting hours with reading material in virtual bookshelves, practicing augmented skills and character improvements, and piecing together the convoluted cyberpunk lore.

Something more on the lines of a chess - like mini game or dialogue choices that could fail missions instead of knowing you will succeed every time would make it less of a chore.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

LHL: They were combinations of things I did before, like performance (Roberta), hotel rooms (Dante), site specific pieces, but they combined time and interactivity and took into account a «user» (a term I invented then) and created a dialogue about choice change, and the politics of dialogue.