Sentences with phrase «times in a contemporary style»

Finn's cracks do evoke laughs, but at times in a contemporary style that stands out in a not - so - good way in the Star Wars universe.

Not exact matches

Such a commitment places Volf at odds with two formidable rivals in the contemporary world: (a) those ecclesial traditions (Roman Catholic and Orthodox) that insist that the «constitutive presence of Christ is given only with the presence of the bishop standing in communjo with all bishops in time and space» and (b) those postmodern cultural and social standards that are grounded in individualistic and consumer - driven life styles and that simultaneously relegate all religious experience to the nether regions of the privatized soul.

He chose a secular profession but remained active in his local Christian community, volunteering with youth at the contemporary - style Celebration Church in Harare and eventually becoming its full - time minister in 2003.

We have seen in an earlier chapter that in our concern for rethinking, reconceiving, restating, we must be aware of and concerned with contemporary ideas; yet we are never to regard the patterns of thought (or what, following Professor Alexander, we styled the «ordinary knowledge» of our time), as if these gave us the last word, the final criterion, the absolute standard.

A crumb so moist, chocolaty, and deep in flavor, is cloaked in a rich chocolate glaze taking this old school - style cake in the form of a classic Bundt straight into contemporary times.

In addition, judge Henry Chang, beverage manager of the eclectic private restaurant China Club, noted the fruity and more contemporary style of Pinot Noir would be a good match for time - constrained diners at high - end establishments and suggested a riper style of Pinot might find a measure of popularity in markets like Hong KonIn addition, judge Henry Chang, beverage manager of the eclectic private restaurant China Club, noted the fruity and more contemporary style of Pinot Noir would be a good match for time - constrained diners at high - end establishments and suggested a riper style of Pinot might find a measure of popularity in markets like Hong Konin markets like Hong Kong.

Even back in 1993, by television production standards, it had been a long time since the late 1970s, and this series put its then - contemporary artistic and technical sensibilties to good use, crafting this world with plenty of artistic grace and style.

Releasing in May 2018, Paul Schrader's seminal text Transcendental Style in Film: Ozu, Bresson, Dreyer will be reissued with a substantial new introduction representing his experiences and ideas as a filmmaker that have evolved over time, giving the original work both new clarity and a contemporary lens.

Releasing in May 2018, Schrader's seminal text Transcendental Style in Film: Ozu, Bresson, Dreyer will be reissued with a substantial new introduction representing Schrader's experiences and ideas as a filmmaker that have evolved over time, giving the original work both new clarity and a contemporary lens.

Probably partly for that reason, his style eschews the most prevalent annoying tic of contemporary directors (let's call it the Zack Snyder effect), who've gotten in the habit of ramping frame rates up and down within action scenes — sometimes within a single shot — to exploit admittedly - beautiful combat - porn imagery at the expense of any sense of timing and rhythm.

Contrary to contemporary pedagogical thinking, we find that students score higher on standardized tests in the subject in which their teachers spent more time on lecture - style presentations than in the subject in which the teacher devoted more time to problem - solving activities.

Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the Mercedes - Benz GLS The entertainment package featured in this vehicle will easily provide an memorable experience every time you ride in the Mercedes - Benz GLS GLS 450.

Inside, the Merc's dash styling is painted in contemporary, angular strokes that find a happy middle ground between conservatism and actual flair... a little boring for some, but it should stand the test of time.

Shangri - La's Boracay Resort & Spa will bring new dimensions in luxury and leisure to this fabulous tropical destination, with a classic yet contemporary architectural style infused with local cultural influences.Shangri - La's Boracay Resort & Spa is a 5 - Star resort - hotel located in the northern part of Boracay Island, the resort's secluded setting enjoys 350 meters of prestine beachfront and 12 hestares of grounds that are home to a number of interesting and rare wildlife species.Boracay is a short 45 - minute flight south of Manila, with a further 30 - minute combined land - and - sea transfer time between Caticlan airport and the resort.

Beginning with the roots of migration to the Kahiko, then finally the more contemporary style Hula.At the time of booking Maui's Old Lahaina Luau, please choose between traditional seating on the grass with cushions directly in front of the stage or at regular tables and chairs..

All of our guest rooms have a contemporary style and ambiance which your guests will find distinctive during their time in New York.

When it's time to unwind, relax in spacious San Diego hotel suites boasting contemporary style, free high - speed Wi - Fi, LCD TVs and full kitchens - perfect for longer stays.

Enjoy time with the whole family in one room in this 30 - 34 sq. m. / 323 - 366 sq. ft. room, decorated in a contemporary style, in soft, warm colors.

A long time ago, I wrote about how games like Demon's Souls deserved to have sequels since they introduced an old - school style of gameplay wrapped up in an appealing — but none too forgiving — contemporary package.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

On this occasion the artist has chose three different styles of frames (baroque, art déco and contemporary) to sign the passage of time in our lives and in history of art.

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

Friedman uses the term in a temporal context — as in generated or «engendered anew» over time in a «conversation» (of both materials and styles) that reference and reach back through history and through historical styles and sources as well as contemporary experience.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

According to a recent piece in T: The New York Times Style Magazine, the artist is experiencing a «London moment,» as she prepares for a major exhibition at the Institute of Contemporary Arts (featuring sculpture, photography, painting, and more) on the heels of debuting costumes and backdrops in a ballet at London's Royal Opera House.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

Moving between and manipulating various styles — primitivism, cubism, expressionism, minimalism — Prata's encyclopedic use of symbols and patterns grows into a language rooted in the history of visual art; however, in borrowing across time and style, Prata's distortion of form — hieroglyphs in symbolic space — proposes a reflection on how representations are read within a contemporary context.

The young men from the «favelas» of the so - called Marvelous City, in their contemporary Brazilian style, appear at once completely unrelated to their staged circumstances — the old - world postures, the props that they hold, and the floral backdrops that intertwine with their bodies — and at the same time seem to embrace the roles that their director has asked them to undertake.

Contemporary artists from our time are looking back to the art vault, borrowing and revamping classical techniques and styles.The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.The artists whose works are represented throughout the exhibition created pieces that grasp the viewers in their own ways with the use of a range of styles and medium.Interactive is one of them, provided by Colombian artist Oscar Murillo.

For most of the 1990s he had used magazines, particularly the street - style magazine i - D, as one of the outlets for his pictures, at the same time as he was exhibiting them in contemporary art galleries in London, New York and Cologne and in museums round the world.

AWARDS / GRANTS / MENTIONS 2018 — Triangle Artist Residency 2017 — Forbes 30 Under 30 Arts & Style 2017 — Pioneer Works Visual Artist Residency (July - Jan) 2017 — Trestle Gallery Visiting Visual Artist Residency (Jan - June) 2016 — MacDowell Visual Artist Residency 2016 — BRIC visual artist in residency summer 2016 2015 — IPA — International Photography Awards — Honorable Mention Professional Fine Art Collage 2015 — International Contemporary African Photography awards: POPCAP» 2015 / Jua Kali 2015 — Candidate at The New York Times Portfolio Review 2015 — Editor's Choice Selection for GuatePhoto 2015 / Displaced 2014 — Kuona Trust Conceptual Exhibit Grant for «Jua Kali» 2014 — Kuona Trust Conceptual Exhibit Grant for «Value»

Aljira, a Center for Contemporary Art is pleased to present Bending the Grid: Pat Lay: Myth, Memory and Android Dreams.This major survey exhibition presents for the first time a broadened view of Lay's expansive vocabulary, in two and three dimensions, in a range of various media and styles, influenced by her extensive travels and informed by her overlapping art and non-art interests.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

His Collection was included in volume eight of the book «International Contemporary Masters», an annual juried collection featuring the most prominent master artists of the world, and distributed in museums, galleries and the most important libraries in the world; He has been interviewed by the magazine LUXE Interiors + Design US and in December of 2014 by The New York Times, in the Style section.

Over the years, you have reinvented your style many times: early in your career, you combined contemporary motifs with allusions to art history, and in the 1980s you drew inspiration from the masks of popular culture.

Alex Katz has style, evidenced by his ability to simplify the image of a painting through the constancy of his touch, harmonizing contemporary visual specifics with classic physiognomies in unexpected scales, endlessly refreshing our perception every time we confront either an old or new work.

Because of their contemporary dress, valley girl - style gesticulations and 19th century language mixed with their alternatively rudimentary and campy props, it wasn't clear in what time or place the performance was set.

Yet, due to the visual superimpositions of present times, artists have started to shy away from the rigid limitations of - isms related to the «non-objective» or «reductive» and have embedded existing ideas, confluence of styles and approaches into the contemporary world, the here and now, mingling with popular culture as well as branching out of the studio practice inherent in painting as we know it and as the majority still likes to understand it.

By reanimating historical styles or recreating a contemporary version of them, sampling motifs from across the timeline of 20th - century art in a single painting, these artist manage to, both incarnate and annul the fabric of time.

Utilizing video, animation, prints, digital art, illustrations and architectural stylings, «In time / Out of Place» takes new media and contemporary topics to new levels in an urgent and coherent exhibitioIn time / Out of Place» takes new media and contemporary topics to new levels in an urgent and coherent exhibitioin an urgent and coherent exhibition.

È il progetto di David Horvitz», Artribune «One Frieze Artist's Special Relationship With His Retainers», by Emily Spivack, The New York Times Style Magazine «Frieze Hired a Pickpocket to Roam Their Art Fair — Here's Why», by Ryan Steadman, Observer 2015 «7 Questions to David Horvitz» by Transparencies blog, December 2015 «After the Hookup, the App», by Paul Soulellis on Rhizome online, December 2015 «How this artist's internationally cliche self - portrait was spread across the internet» by Eugene Reznikon, American Photo Mag online, June 2015 «I send you this California Readwood: An interview on Mail Art with Zanna Gilbert and David Horvitz», by Alison Burstein, MoMA learning blog, January 2015 2014 «Contemporary Art and Online Popular Culture», by Domenico Quaranta, ARTPULSE Magazine, December 2014 «David Horvitz at Blum & Poe», by Natilee Harren, ARTFORUM, November 2014 «David Horvitz at Blum & Poe», by Andrew Berardini, Art Agenda, July 2014 «Sounds of All but Silence», by Roberta Smith, New York Times, May 23, 2014 «Artist's diary», by Matteo Mottin, ATP Diary, April 2014 2013 «In Conversation with David Horvitz», by Rachel Peddersen, Andreview «Local Colour?»

Contemporary, on the other hand, simply refers to those styles in vogue at that time, and so «contemporary» is a fluid, ever - changContemporary, on the other hand, simply refers to those styles in vogue at that time, and so «contemporary» is a fluid, ever - changcontemporary» is a fluid, ever - changing concept.

The Imperial Highgate, with its pretty curves and fixings concealed for a professional look is also a traditional style, while the Imperial Rondine features ceramic capping in its traditional chrome wall mounts, really capturing the spirit of bygone times, yet retaining a modern and contemporary feel.