Sentences with phrase «times in nail art»

I have used this polish two more times in nail art since I swatched it and ya'll know that this nail polish addict has a crapload of nail polish and multiple uses out of one polish just doesn't happen all that often.

Not exact matches

So its time for another one of the nail art techniques that I recently fell in love with and couldn't wait to share!

In line with valentine's day, i've posted a nail art design to my blog, check it out if you have time.

I feel like this nail art is aptly timed, in the nail community I spend a lot of time in there have been quite a few nail breaks going on, some serious n. I feel like we should take the evil eye talisman to ward off all the evil going on that is causing all these nails to break!

The longest night of the year is coming closer and it is time to put on your shiniest dresses and wear the most glittery nail art to celebrate the coming of the New Year in style.

Meaning the summer months are the best time to wear holos, but they are a bit «diva» when it comes to using them in nail art.

Crowned «Nail Guru» by The New York Times Magazine, Jin Soon Choi is a rising name in the world of nail art and design with a fabulous eponymous collectNail Guru» by The New York Times Magazine, Jin Soon Choi is a rising name in the world of nail art and design with a fabulous eponymous collectnail art and design with a fabulous eponymous collection.

However, if you don't have the time or patience (like I usually don't) to invest in some nail art, Julep makes a beautiful polish called «America the Beautiful» that is perfect for these types of holidays!

Easy to forget that it was in the 60s that staircases first climbed to nowhere; that posters blown up to avatars took on the mantle of art; that subversions as diverse as the optics of Jo Baer and the combines of Joseph Beuys coincided; that Latin American artists from three nations had nailed disruption by mid-century; that the satirist Robert Crumb was already his fully irreverent self, and that Henri Cartier - Bresson's street photography, consigned in memory to an earlier time, was even more actively influential at the decade's closing.

39, No. 250, October Rosler, Martha and Hirschhorn, Thomas, War, Wrong Times Hirschhorn, Thomas, Power of Brazil, edition of work on paper for Porno, Texte Zur Kunst, December Hirschhorn, Thomas, Nail & Wire insert, Hors d'œuvre, no. 17 Herzberg, Nathaniel, Quand l'art agite la cité, Le Monde, 11 January de Llano, Pedro, The show must go on, La Vanguardia, Culturas, 18 January Bran, Xosé M. Buxán, A arte insubmisa de Thomas Hirschhorn na Serralves, Cultura, 19 January Shock and Awe, Time Out New York, 26 January Saltz, Jerry, Killing Fields, Artnet, 27 January Douglas, Sara, The AI interview: Thomas Hirschhorn, Artinfo, January Duenas, Issa Ma Benitez, In conversation with Thomas Hirschhorn, Dardo, no. 1, January Yablonsky, Linda, Hirschhorn's Dead Bombers, War Headlines, Nailed Mannequins, Bloomberg News, 1 February Schmitz, Rudolf, Sein Altar kommt aus dem Baumarkt, Faz, 1 February Hénard, Jacqueline, Was Hirschhorn in die Banlieue bringt, Tages - Anzeiger, 6 February Johnson, Ken, A Vivid Potpourri With Carnage at Its Core and an Aside of Transcendentalism, The New York Times, 7 February Bishop, Claire, The social turn: collaboration and its discontents, Artforum, no. 6, February Ramirez, Nicollette, Thomas Hirschhorn, The New York Art World, February Wolinski, Nathacha, Dur droit de cité, Beaux Arts magazine, February Zerbib, David, Surface de résistance, Les lettres françaises (supplement with l'Humanité), 28 February Berwik, Carly, Peace, Love, and Misunderstanding, Artnews, voIn conversation with Thomas Hirschhorn, Dardo, no. 1, January Yablonsky, Linda, Hirschhorn's Dead Bombers, War Headlines, Nailed Mannequins, Bloomberg News, 1 February Schmitz, Rudolf, Sein Altar kommt aus dem Baumarkt, Faz, 1 February Hénard, Jacqueline, Was Hirschhorn in die Banlieue bringt, Tages - Anzeiger, 6 February Johnson, Ken, A Vivid Potpourri With Carnage at Its Core and an Aside of Transcendentalism, The New York Times, 7 February Bishop, Claire, The social turn: collaboration and its discontents, Artforum, no. 6, February Ramirez, Nicollette, Thomas Hirschhorn, The New York Art World, February Wolinski, Nathacha, Dur droit de cité, Beaux Arts magazine, February Zerbib, David, Surface de résistance, Les lettres françaises (supplement with l'Humanité), 28 February Berwik, Carly, Peace, Love, and Misunderstanding, Artnews, voin die Banlieue bringt, Tages - Anzeiger, 6 February Johnson, Ken, A Vivid Potpourri With Carnage at Its Core and an Aside of Transcendentalism, The New York Times, 7 February Bishop, Claire, The social turn: collaboration and its discontents, Artforum, no. 6, February Ramirez, Nicollette, Thomas Hirschhorn, The New York Art World, February Wolinski, Nathacha, Dur droit de cité, Beaux Arts magazine, February Zerbib, David, Surface de résistance, Les lettres françaises (supplement with l'Humanité), 28 February Berwik, Carly, Peace, Love, and Misunderstanding, Artnews, vol.

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork