Sentences with phrase «times modern displays»
Many times modern displays that exhibit visible color shifting of any kind are due to the oleophobic coating on the glass, not the panel itself, and this panel exhibits far less than most modern phones do.
https://www.androidheadlines.com/ Not exact matches
Only later did it assume the steadfast rigidity that it then displayed until modern times.
A teenager or young adult might prefer the sleek lines and minimalist, Bauhaus aesthetic of the Lamy 2000, which, legend has it, was at one time displayed at the Museum of Modern Art.
Next we have the word «Modern» displayed using two fonts whose styles were created to represent different time periods.
Book Four of Robert A. Caro's monumental The Years of Lyndon Johnson displays all the narrative energy and illuminating insight that led the Times of London to acclaim it as «one of the truly great political biographies of the modern age.
Today, 443 guestrooms display the merging of historic past with modern present, offering old time charm with high - tech amenities and conveniences such as high speed Internet access, flat - screen televisions, and premium bedding.
The Museum's family - friendly exhibitions and displays explore life in the tropics from prehistoric times to modern day.
Featuring exhibits documenting the full spectrum of the country's history, visitors can see artifacts from the long millennia of Maya rule, items from the early days when Belize was a pirate haven, cats o» nine tails and chain balls from colonial times when the building was a prison, and special displays about the distinct cultures and peoples in modern Belize.
[Shovelstrike Quarry] For a limited time, you can get modern essence from the Shovelstrike Quarry (only when the icon is displayed on the map, though)(available until May 21st)
This time around the user interface has been updated for modern controllers (though you'll be able to play with classic controls if you want to) and the resolution of the game can be scaled for your display.
and on «modern technological society,» he displayed the restless curiosity and joie de vivre that have made his work — painting, drawing, and sculpture, the latter now showing in New York for the first time — such a marvel.
We will also be commissioning more artists to do projects outside and in time feature their work within the historic and modern displays
Bruguera has worked with Tate Modern multiple times before ---- her performance piece, Tatlin's Whisper # 5 (2008), was acquired by the museum in 2009, then staged in 2016, and she displayed the ongoing project, Immigrant Movement International, at the museum in 2012.
Alfred Stieglitz, Georgia O'Keeffe and their cohort spent time in the 1920s at Lake George, and David Smith holed up at a big farm in Bolton Landing, back when Modern sculptors needed massive acreage to make, store, and display their work.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
On display are early works that are on display at Tate Modern for the first time since the 1980s as well as later works such as the famous shark in formaldehyde and the diamond skull.
In Caochangdi Art District, C - Space displays the self titled exhibition of Woody Van Amen, facing the culture of East and West in modern times.
At the same time, as Chris Stephens (Head of Displays, and Lead Curator of Modern British Art, Tate) has acknowledged, his art «challenged and dispensed with the values at the heart of the American painting», reflecting a new spirit of engagement with popular culture and the mass media.
When he published The Sexuality of Christ in Renaissance Art and in Modern Oblivion, his 1983 classic on cultural and aesthetic repression, the New York Times summed up that «the book grew out of a question that had apparently occurred to no other modern scholar: Why is it that in so many Renaissance paintings of the Madonna and Child, the infant Jesus's genitals are actively displayed to viewers both within and without the picture?&Modern Oblivion, his 1983 classic on cultural and aesthetic repression, the New York Times summed up that «the book grew out of a question that had apparently occurred to no other modern scholar: Why is it that in so many Renaissance paintings of the Madonna and Child, the infant Jesus's genitals are actively displayed to viewers both within and without the picture?&modern scholar: Why is it that in so many Renaissance paintings of the Madonna and Child, the infant Jesus's genitals are actively displayed to viewers both within and without the picture?»
Michael Brenson, «Art: «Modern Masks,» An Assembly of Sculpture on Display,» The New York Times, December 28, 1984.
This museum - quality exhibition juxtaposes for the first time historical works by Japanese artists belonging to the original Mingei movement — whose techniques derive from traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.
Rychlak curated On Display in Orange County: Modern and Contemporary Sculpture as part of Pacific Standard Time project for Costa Mesa, California in 2011.
A tapestry of Marilyn Monroe by Andy Warhol is on display to the public for the first time in the UK as part of «Love Is Enough», an exhibition exploring the similarities between William Morris and Andy Warhol curated by Turner Prize - winning artist Jeremy Deller; at Modern Art Oxford from December 6th until 8th March -LSB-...]
We're accustomed to private grieving in modern times, but public displays of sincere mourning such as hairwork were not only Victorian custom, they were Victorian fashion.
Its 42,000 - item collection reflects the history of art from ancient times to the 21st century, with 20th / 21st century art being displayed in the Jubitz Center for Modern and Contemporary Art, the Gilkey Center for Graphic Arts, and the Northwest Film Center.
elles@centrepompidou: Women Artists in the Collections of the National Modern Art Museum For the first time in the world, a museum will be displaying the feminine side of its own collections.
In the post war years Lichtenhan once again organized a number of solo shows of international modern art: Piet Mondrian, Henri de Toulouse - Lautrec, Oskar Kokoschka, and Vincent van Gogh in 1947; Juan Gris, Georges Braque, and Pablo Picasso shown in a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside France.
A Study of Modern Japanese Sculpture displays nine sculptures from the Taisho and early Showa periods (1912 - 41), bringing work from this period to British audiences for the first time.
Kevin Beasley's sound and sculptural installation... for this moment, this moment is yours... will be displayed in the UK for the first time as part of a group exhibition at Modern Art Oxford.
«To see their work for the first time on display beside a venerated modern master, we are compelled to consider the many striking similarities in pictorial space and aesthetic sensibility, leading us to perhaps reevaluate the caliber of their genius, against the outsider stigma imposed upon this still - new art by bigoted minds.»
The Thannhauser acquisition enabled the museum for the first time to display the origins of modern art, from French Impressionism onwards.
A hippie with Christ - like looks, a modern Bosch in the East Village who deeply disliked the institutionalization of the art world, Thek created his own «Individual Mythology» (also the term used by curator Harald Szeemann for the section of Documenta 5 in which Thek participated), at times appropriating from those he thought of as his peers — meat shoes via René Magritte («Buzzard,» 1968); twin helix towers of Babel via Vladimir Tatlin; incongruent objects displayed in vitrines via Joseph Beuys; a Brillo Box (with meat) via Andy Warhol.
In the late 1960s and early 1970s, Ernest Trova was among the most widely acknowledged sculptors working in the United States, resulting in invitations to exhibit in three Whitney Annuals, three Venice Biennales, and Documenta 4 in Kassel, Germany.i In 1969 his work was heralded by the New York Times as «among the best of contemporary American sculpture,» and throughout those decades examples of his art were prominently displayed in dozens of major museums including the Museum of Modern Art, the Whitney Museum of American Art, and the Walker Art Center in Minneapolis.
In 1986 Fox Solomon had a solo exhibition at the Museum of Modern Art, and in 1988, at NYU's Grey Art Gallery she displayed her historic project, Portraits in the Time of AIDS.
The installation of «Stills» marks the first time that the complete series has been displayed in New York and is presented alongside other prominent works by the artist: her groundbreaking series «Modern History» (1977 — 79), which pioneered photographic appropriation; the alluring and exacting «Objects of Desire» (1983 — 88) and «Renaissance Paintings» (1991), which continued Charlesworth's trenchant approach to mining the language of photography; «Doubleworld» (1995), which probes the fetishism of vision in premodern art; and her radiant latest series, «Available Light» (2012).
Purchasing life insurance online is the quickest way to get the best plan for your money due to the fact that you can instantly compare all the best carriers displaying their plan designs side by side on a modern life insurance quote engine instead of one company at a time like we had to do years ago.
Google modernized the its normal - sized flagship for modern times with a slightly larger display, a faster processor and reversible USB charging method.
ASUS moves into the modern smartwatch age this time around with a fully round 1.39 - inch AMOLED display, which features a resolution of 400 x 400 pixels.