Sentences with phrase «times the film fades»

However, PROTOTYPE's 63 minute running time does feel quite long, which only feels longer by the amount of times the film fades to black.

And by the time the film fades out, you find yourself eagerly awaiting not the next chapter so much as his next trilogy, the one he gets to construct from the Lucasfilm - approved ground up.

Not exact matches

In a time when most movies are little more than filmed deals that can spend millions of dollars on elaborate special effects sequences that fade from the mind almost as soon as they play out, he has created some of the most bizarre, hilarious, haunting and memorable imagery that I have ever seen in a film — who could forget the sight of beer baroness Isabella Rossellini standing upon artificial legs filled with her own product in «The Saddest Music in the World,» or the horses stuck in the middle of a frozen river in «My Winnipeg»?

For all of the Farrelly shtick, it's Carrey that provides the right tone and timing for the film, with every other character seeming to fade into nothingness around him.

The film spans an extensive 12 years of time, and uses cuts and slow fades to transition from years to year, with title cards ranging from «2 Years Later» to «4 Years Later».

Last Night fades in on 6 p.m. of what we soon discover will be the last day before the complete obliteration of the planet (a specific reason is never given though the film does draw attention to the fact that night has not existed for some time).

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Such flourishes soon fade in favor of a fairly straightforward, tense film spending time both inside and outside the diner.

But often times, it's but a snapshot of the adolescent moments that will ultimately inform a character later on, and the film often fades out long before the transition from childhood to adulthood.

Visually stunning, well acted, but altogether too silly and far - fetched to really resonate, the film lacks the emotional heft, enormous sense of personal loss or sense of time from Reiner's film, and for a film so preoccupied with its central character's inability to forget or escape the past, it fades into memory all too quickly.

Sort of interesting to see a consensus develop on these films (though I think with more time, the «magic» of Slumdog will fade), especially The Lives of Others, which I feared would be unjustly known as «the movie that stole Pan's Labyrinth's Oscar.»

This leaves us feeling warm and thoughtful, even if the film ultimately fades from memory in about the time it takes for the lights to come up in the cinema.

Every time I've revisited A Perfect World since (and I've been compelled to revisit it at least once every few years), as Costner's star has faded and Eastwood's elder statesmanhood behind the camera has somehow dwarfed his iconhood in front of it, I feel the melancholy nostalgia of the film more and more.

A pastiche of action - movie pyrotechnics (film the explosion from three angles and use all of them — in fact, show the explosion blossom and fade from the front, then again in from the side, and then again from behind), this style creates a hyperbolic effect of maximum impact, all the time.

With abrupt cuts in music, jumpy editing that includes needless insertions of old images and footage, and random fading to black, the film feels a bit all over the place at times.

One of the strangest facts about In the Fade, Germany's submission for Best Foreign Language Film, is that it's the first time German actress Diane Kruger starred in a film made entirely in the German language.

Moonrise Kingdom is the kind of witty, original script that has often fared well in this category (e.g. Juno, Midnight in Paris) and Wes Anderson is over ten years due for an Oscar, but again the timing is against this, as all the film's buzz seems to have faded by now.

Regardless over how many days, weeks, or months they take place, these are films that move in historical time; their grand subject is the fading of epochs, the birth of nations, and the passage of entire generations from innocence to disillusionment.

It is another film that will fade into obscurity by the time the summer blockbusters begin their battle for predominance at the box office.

Whether seeking remembrance of a city's fading past or reflecting on nature's fugitive atmospheric effects, Hutton sculpts with time; each film unfolds in silent reverie, with a series of extended single shots taken from a fixed position, harking back to cinema's origins and to traditions of painting and still photography.

Jonas Mekas (selected by writer, artist, and publisher Phong Bui) with his time - faded, poignant diaristic films.