But to verify that, they need to study the distant and
tiny objects more closely, which is nearly impossible from Earth, as the New Horizons team showed when they tried to learn their target's size and shape.
The heat from light can cook cells, and
the tinier the object the more light scientists need to see it (or to «interrogate» it).
Not exact matches
To properly describe these extreme
objects, physicists need a
more profound theory that can deal with strong gravity on
tiny scales — a quantum theory of gravity.
Because the plasmons are confined to the
tiny gap, they are
more sensitive than light is for sensing the motion of small
objects like the gold nanoparticle.
Something comparable is likely to happen with RFID: Embedding billions of
tiny chips in an entire universe of commercial
objects might well end up empowering consumers
more than snoops and marketers.
«I find it remarkable that Hubble's cameras enabled us to see such a
tiny object so clearly from a distance of
more than 3 billion miles [5 billion kilometres],» says Mark Showalter of the SETI Institute in Mountain View, California, who led the observing team.
But if you wait for the sunset, the sun looks red because the blue and ultraviolet light is scattered away by
tiny particles.The new study suggests the
objects causing the long - period dimming of Tabby's Star can be no
more than a few micrometers in diameter (about one ten - thousandth of an inch).
In some shots,
objects and costumes appear to have a
tiny bit
more detail to them, but only incrementally.
Bringing
Tiny Brains to the PS4, we of course took advantage of the awesome power of the console by having
more physics - based
objects,
more destructibles, and
more legions of evil baby chickens.
As someone who spent
more time in college designing, printing, cutting and folding
tiny paper
objects than drinking and going to parties, Tearaway excites me a whole lot.
There is humor in the irony of this piece, but the curiosity of purpose still bothers me
more — the precise care and elaborate configuration of the
objects coupled with futility of the
tiny lights seemed to be telling the story of some ominous future.
Installed by the artist in a response to the gallery spaces, many of the works were
tiny sculptural
objects no
more than 2 inches in size.
Like the collage artist who takes
objects from the world, combines them with paint, and sets them inside a frame in order to show the viewer that «the
tiniest authentic fragment of daily life says
more than a painting,» Genzken uses the gallery space itself as a kind of frame, setting
objects within and then adding her own version of a paint stroke.
Group Exhibitions 2016
Object Type, UCSD SME Gallery, San Diego (Curated by Monique van Genderen and Kim MacConnel) 2015 Creative Nights, Lux Art Institute, Encinitas, California (Curated by Mike Whiting) 2014 Cherry on Topless, Topless Gallery, Rockaway, New York (Curated by Brent Birnbaum and Jenni Crain) Fun for Summer, Entwine, New York (Curated by Alison Kuo and CoWorker projects) 2013 Tragic Songs From The Grassy Knoll, Dallas (Curated by Bruce Lee Webb) Fall Risk, Eleven Seventeen Garland, Austin (Lance Letscher, Joshua Saunders) 2012 Juvenile Intention Center, Conduit Gallery, Dallas (Fahamu Pecou / Stephen Lapthisophon / Joshua Saunders)
More Awkward Then Heavy, Up Collective, Austin (Curated by INK Tank Collective) Teenage Wasteland, CoLab, Austin (Curated by Julia Hungerford) 2011 Monster Show # 6, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo, Travis Kent) Swallow, 1400 Cedar, Austin (Curated by Jen Daly) Gun and Knife Show, Cental Trak, University of Texas, Dallas (Curated by Heyd Fontenot) 2010 Monster Show # 5, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Texas Crude, CoLab, Austin (Curated by Matt Winters) Pretend You Are Rich, Austin (Curated by J. Haley) Up to Something, Bay Six Gallery, Austin 2009 Silent Night, Birdhouse Gallery, Austin (Curated by Kevin Foote) Monster Show # 4, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Teeny
Tiny Diorama Zoo, CoLab, Austin (Curated by Amanda Jones) Death Is Not The End, Holly Street Compound, Austin (Curated by Bill Jeffery)
The collection of
more than 100
objects is a treasure trove of delights: a miniature iron man with moving joints; a robotic swan that enthralled Mark Twain; a
tiny metal woman with a wager cup who is propelled by a mechanism hidden up her skirt.
Tides follow an inverse cube law (to a first approximation for systems experiencing tides due to masses relatively far away compared to the system's size; for systems that are not small relative to the distance to the
object producing the tidal acceleration, I think it's
more complicated), and so the inner planets gain in importance relative to the outer planets, although mass is still important (and nonetheless, tides raised on the Sun by the planets are so
tiny it's hard to imagine they could be of any such significance).
Dolby's Atmos technology is built to be
more engrossing than standard surround sound, allowing you to hear
objects above you and rendering the
tiniest sounds in rich detail.