Sentences with phrase «tiny objects more»

But to verify that, they need to study the distant and tiny objects more closely, which is nearly impossible from Earth, as the New Horizons team showed when they tried to learn their target's size and shape.
The heat from light can cook cells, and the tinier the object the more light scientists need to see it (or to «interrogate» it).

Not exact matches

To properly describe these extreme objects, physicists need a more profound theory that can deal with strong gravity on tiny scales — a quantum theory of gravity.
Because the plasmons are confined to the tiny gap, they are more sensitive than light is for sensing the motion of small objects like the gold nanoparticle.
Something comparable is likely to happen with RFID: Embedding billions of tiny chips in an entire universe of commercial objects might well end up empowering consumers more than snoops and marketers.
«I find it remarkable that Hubble's cameras enabled us to see such a tiny object so clearly from a distance of more than 3 billion miles [5 billion kilometres],» says Mark Showalter of the SETI Institute in Mountain View, California, who led the observing team.
But if you wait for the sunset, the sun looks red because the blue and ultraviolet light is scattered away by tiny particles.The new study suggests the objects causing the long - period dimming of Tabby's Star can be no more than a few micrometers in diameter (about one ten - thousandth of an inch).
In some shots, objects and costumes appear to have a tiny bit more detail to them, but only incrementally.
Bringing Tiny Brains to the PS4, we of course took advantage of the awesome power of the console by having more physics - based objects, more destructibles, and more legions of evil baby chickens.
As someone who spent more time in college designing, printing, cutting and folding tiny paper objects than drinking and going to parties, Tearaway excites me a whole lot.
There is humor in the irony of this piece, but the curiosity of purpose still bothers me more — the precise care and elaborate configuration of the objects coupled with futility of the tiny lights seemed to be telling the story of some ominous future.
Installed by the artist in a response to the gallery spaces, many of the works were tiny sculptural objects no more than 2 inches in size.
Like the collage artist who takes objects from the world, combines them with paint, and sets them inside a frame in order to show the viewer that «the tiniest authentic fragment of daily life says more than a painting,» Genzken uses the gallery space itself as a kind of frame, setting objects within and then adding her own version of a paint stroke.
Group Exhibitions 2016 Object Type, UCSD SME Gallery, San Diego (Curated by Monique van Genderen and Kim MacConnel) 2015 Creative Nights, Lux Art Institute, Encinitas, California (Curated by Mike Whiting) 2014 Cherry on Topless, Topless Gallery, Rockaway, New York (Curated by Brent Birnbaum and Jenni Crain) Fun for Summer, Entwine, New York (Curated by Alison Kuo and CoWorker projects) 2013 Tragic Songs From The Grassy Knoll, Dallas (Curated by Bruce Lee Webb) Fall Risk, Eleven Seventeen Garland, Austin (Lance Letscher, Joshua Saunders) 2012 Juvenile Intention Center, Conduit Gallery, Dallas (Fahamu Pecou / Stephen Lapthisophon / Joshua Saunders) More Awkward Then Heavy, Up Collective, Austin (Curated by INK Tank Collective) Teenage Wasteland, CoLab, Austin (Curated by Julia Hungerford) 2011 Monster Show # 6, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo, Travis Kent) Swallow, 1400 Cedar, Austin (Curated by Jen Daly) Gun and Knife Show, Cental Trak, University of Texas, Dallas (Curated by Heyd Fontenot) 2010 Monster Show # 5, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Texas Crude, CoLab, Austin (Curated by Matt Winters) Pretend You Are Rich, Austin (Curated by J. Haley) Up to Something, Bay Six Gallery, Austin 2009 Silent Night, Birdhouse Gallery, Austin (Curated by Kevin Foote) Monster Show # 4, Domy Books, Austin (Curated by Russell Etchen, Alison Kuo) Teeny Tiny Diorama Zoo, CoLab, Austin (Curated by Amanda Jones) Death Is Not The End, Holly Street Compound, Austin (Curated by Bill Jeffery)
The collection of more than 100 objects is a treasure trove of delights: a miniature iron man with moving joints; a robotic swan that enthralled Mark Twain; a tiny metal woman with a wager cup who is propelled by a mechanism hidden up her skirt.
Tides follow an inverse cube law (to a first approximation for systems experiencing tides due to masses relatively far away compared to the system's size; for systems that are not small relative to the distance to the object producing the tidal acceleration, I think it's more complicated), and so the inner planets gain in importance relative to the outer planets, although mass is still important (and nonetheless, tides raised on the Sun by the planets are so tiny it's hard to imagine they could be of any such significance).
Dolby's Atmos technology is built to be more engrossing than standard surround sound, allowing you to hear objects above you and rendering the tiniest sounds in rich detail.
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