Until a couple of
tired romantic roundelays — Jasmine takes up with a wealthy widow played by Peter Sarsgaard, while Ginger strays with speaker - installation guru Louis C.K. — turn up in the last
act, as they do in most of Allen's weaker
comedies, this is an uncharacteristically focused work from the auteur.
With
tired gags, not - too - clever slapstick, and assumed identities that never really pan out to inspired laughs, Greif tries to achieve the semblance of
comedy through farcical pacing and progressively hammy
acting.