Sentences with phrase «title of the exhibition refers»

The title of the exhibition refers to creating an altered state of reality through a narrative visualized by light, line, dimension and color.

The title of the exhibition refers to the error message that appears when a DVD malfunctions and the player skips over the unreadable section of the disc.

The title of the exhibition refers not only to Walker's record of his experiences, but also to the antiquarian text on which he draws — a 17th century document of the Dutch Colonial empire of Brazil — which in turn becomes the theater in which the Afro - Brazilian women Walker befriended emerge from and dominate within the history of colonization and enslavement.

The title of the exhibition refers to the very small and incidental things that make up larger and seemingly more significant things.»

The title of the exhibition refers to evolution and change, assigning life to things normally without life.

The title of the exhibition refers to Carson McCullers» novel, The Heart is a Lonely Hunter, and the poem that inspired it, The Lonely Hunter, written by Fiona MacLeod (aka William Sharp).

The title of the exhibition refers to the eponymous work «Berlin Circle», dating from 1996, which features in the Sammlung Marx.

The title of the exhibition refers to the French word rehercier, meaning going over something with the intention of a better understanding of it.

The title of the exhibition refers to Abdu'Allah's new photo tapestries, The Duppy Conqueror (2017), presented at Autograph ABP for the first time.

The title of the exhibition refers to Powhida's recent solo exhibition at the Aldrich Contemporary Museum of Art where the artist created a fictional retrospective look back from the year 2050 at the Contemporary period of art history.

The title of the exhibition refers to the philosophical ethos of Mingei which champions the everyday, ordinary and utilitarian objects created by nameless and unknown craftsmen.

Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books... «The title of the exhibition refers to a theory that there may be a small percentage of people — for genetic reasons, only women — who have a fourth type of colour receptor on their retinas.

The title of the exhibition refers to a Turkish saying, from when an apprentice starts training with a master — the pupil is under the master's tutelage.

The title of the exhibition refers to the state of economic emergency progressively becoming a new rule and a new norm today.

The title of the exhibition refers to the «unknown territory» of a fictitious relationship between two great masters, Edgar Degas and Marcel Duchamp, whom Sarmento refers to as «giants of art history.»

These tableaus incorporate a wide range of images and objects from modern life, with the title of the exhibition referring to the shoelaces which feature compositionally in a number of the new paintings.

The title of the exhibition refers to a painting by René Daniëls.

The title of the exhibition refers to Shonibare's use of colourful patterned fabrics in his art; fabrics that are associated with Africa, but which have their origin in Holland and were intended for the Indonesian market, and which, typically for Shonibare, illustrate that things are rarely what they seem at first glance.

The title of the exhibition refers to Bick's concern with dialogue, which he describes as a desire to visually contain uncommunicable elements in his art and its influences.

The title of the exhibition refers to American sociologist and civil rights activist W.E.B. Du Bois» seminal work The Souls of Black Folk.

The title of the exhibition refers to both the provisional nature of time and, more literally, to a short period of time.

The title of the exhibition refers to a 1911 speech by Rose Schneiderman, activist for women workers» rights in the US, and the genesis of the famous union song «Bread and Roses» in the 1970s: «the worker must have bread, but she must have roses too.»

The title of the exhibition refers to the seasons that form a connecting thread throughout the exhibition, in which trees in full bloom are shown alongside those in the depths of winter.

The title of the exhibition refers to the movement in the 1960's art world in which artists moved away from strict Minimalist philosophies and became interested in materiality, process and the element of chance.

The title of the exhibition refers to the fallout from the moment in an artist's life when, having become so fluent in visual language, their life and practice have become indistinguishable.

The title of this exhibition refers to the artist's unique awareness and perspective towards objects in his daily life, which invites the audience to consider an unexpected yet beautiful relationship between the objects and the human life.

The title of the exhibition refers to Powhida's recent solo exhibition at the Aldrich, for which he presented a fictional retrospective from the year 2050, looking back at the Contemporary period of art history, which he posits will have been over for about 25 years by then.

The title of the exhibition refers to a painting made...

The title of the exhibition refers not only to the moving of the «picture» from one side of the canvas to the other, but to the cinema, with which Piffaretti has long been fascinated.

«The title of the exhibition refers to a visual phenomenon, which occurs when the image of an object seems to linger in the eyes even after the original object is absent — much like when looking directly into a light source and then looking away.

The title of the exhibition refers to Walker Evans's American Photographs, one of the most powerful photography books ever produced, originally conceived as a catalogue to accompany Evans's solo show at the Museum of Modern Art, New York, in 1938.

The title of the exhibition refers to the extraordinary ability that some have to look beyond our five senses.

The title of the exhibition refers to a work by Kati Heck and perfectly sums up the philosophy of the gallery.

The title of the exhibition refers to specific moves within gymnastics where action, stasis and the ability to push oneself manifests through composed performance.

The title of the exhibition refers to the window as a framing device, a boundary between a space which is occupied by a viewer from a space which is viewed, and the Windows operating system, first released nearly thirty years ago around the same time when these artists were born.

Not exact matches

The title for the exhibition, Lost & Found, refers to Joe's creative process — finding long - lost images and reinventing them as often politically charged artworks — and his reinvention from the commercial world of work to finding his way as an artist.

The «Sliced Units» of the exhibition title refers to the different positions represented in each film, from layering and interweaving different images and film styles to scripted performance.

Entitled Introjection, the exhibition title refers to the phenomenon of adopting other people's behaviors and characteristics.

DIE WELT ALS LABYRINTH, the title of MAMCO's current exhibition on the Letterist and Situationist International movements, refers to an «unfulfilled project for a Situationist exhibition at the Stedelijk Museum in Amsterdam in 1960»: «How to exhibit in a museum people who were systematically opposed to cultural institutions?

The exhibition title refers to an intuitive moment Strong - Cuevas had decades before the idea of studying art entered her mind.

The exhibition title Between the Devil and the Deep Sea refers to the time between the students art education and the initiation of their professional careers.

The exhibition title N O C T U R A M A refers to the presentation of darkness as a source for light and color.

The title of the present exhibition refers to the 1968 and 1977 short documentary films Powers of Ten by Charles and Ray Eames, which examine the universe on its most macro and atomic levels.

Titled after the photographic term «nearest neighbor», referring to the type of sampling used when resizing a digital image, the exhibition also alludes to the personal nature of Ethridge's work, evident beneath the commercial façade.

Guagnini was a founding member of the cooperative gallery Orchard, where, among other projects, he organized the exhibition September 11, 1973 (the title referring to the date of Augusto Pinochet's coup d'etat in Chile).

The title of the exhibition, «The message of the flower is the flower», refers to the age - old use of flowers to convey subtle or secretive messages.

The title of this exhibition, «Transport Medium» refers to a typeface designed in 1961 that is used exclusively for all road signs in Britain.

Sonoma Corners, 1971, the title of which refers to Wilmarth's birthplace in California, is the single wall piece featured in the exhibition.

The exhibition title Island Highway refers to the road that follows the eastern coastline of Vancouver Island, Canada.

The title of the exhibition, Euphoria Now, refers to a stroboscopic device called Dreamachine (or dream machine) by Beatnik - artists Brion Gysin und Ian Sommerville.