It is part of artist Neri Oxman's collection of nature - inspired human augmentations
titled Imaginary Beings: Mythologies of the Not Yet.
Not exact matches
The «Servant» of the
title is an
imaginary character attracting centuries of debate and even a papal condemnation: the employee of a would -
be rapist who
is asked to hold a ladder while his master climbs in a window.
Each flavour
is named after the book
title about fictional characters that exist within an
imaginary online location called Ten Acre Village.
The story
is, like the
title says - imaginative, so much in fact, that they should cut all the «arty» pretense and just call it - «Fur - An
Imaginary Take on Beauty and the Beast».
The
title refers to a 19 - year - old (Lewis Pullman) who has
imaginary friends who
are celebrities.
But one thing
is for certain: it
was a hell of a marketing campaign, because EA and Activisions bickering helped to draw attention to both
titles and the
imaginary war between them, as well as helping to spark even more fanboy fueled forum arguments.
This
title is taken from Jonathan Swift's novel Gulliver's Travels in which the
imaginary country of Lilliput
is home to gnome - sized people no bigger than six inches.
The
title is an excerpt from Spicer's poem «
Imaginary Elegies, I - VI (For Robin Blaser).»
Titled «Impossible Catwalk Shows», the exhibition
is based around a series of model sets that echo real and
imaginary places where a different fashion show could
be held, from a cupboard fore...
Likewise, dedications, proper names, and other literary references in
titles are used to evoke a narrative
imaginary that runs through Schnabel's oeuvre.
* Living Truthfully Under
Imaginary Circumstances
is the
title of a video installation by Anja Kirschner and David Panos, exploring the acting exercises developed by renowned actor and teacher Sanford Meisner.
In 1992, An exhibition of drawings
titled «The
Imaginary Life of Claude Monet» opened at Nuages Gallery, Italy, and in 1995, an adapted version of this show
was exhibited in Japan's Creation Gallery.
The
title The Encyclopedic Palace (Il Palazzo Enciclopedico) refers to a project by Italo - American self - taught artist Marino Auriti who in 1955 filed a design with the US Patent office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), an
imaginary museum that
was meant to house all worldly knowledge.
The
title was chosen by curator Massimiliano Gioni, who presented this year's theme by evoking the Italo - American self - taught artist Marino Auriti who «on November 16, 1955 filed a design with the US Patent office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), an
imaginary museum that
was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite.
Ingrid Calame's intricate drawing and painting of tracings along the Los Angeles River bank, Richard Long's fingerprint Avon River mud works, and Hiraki Sawa's video,
titled Record, of places in transition — both real and
imaginary (and to
be viewed inside a small antique game box)-- brings to mind different ways in which artists record memory and the passage of time.
It seems as if Dakis Joannou
was merely subletting three floors and the lobby of the building, under the
title «The
Imaginary Museum,» as the institution has announced a series of shows devoted to private collections.
The artist's essay
titled «Towards a Spatial
Imaginary: Walking Cabbages and Watermelons»
was published on Ibraaz.
Longhouse Projects
is very pleased to present Mitsuko Miwa's second solo exhibition at the gallery
titled «
Imaginary Number.»