Sentences with phrase «titles in full color»

There is plenty of content available for you to download, with over 1,000 children's and comic book titles in full color now available on the Kindle for iPad and Kindle Cloud Reader.

NBM plans to publish the title in full color and as a hardcover and e-book.

Not exact matches

I think she may be referring to an option to «print» which would exclude all the blue hyperlinked article titles in the right margin, all the comments here, and maybe even the full - color photo at the top of the article.

The full - color Blu - ray and plain silver DVD take opposite sides of an eco-friendly Blu - ray case, the latter topped by an insert holding coupons for $ 2 off the DVD and Blu - ray editions of Killing Them Softly, and three other semi-recent Anchor Bay action titles (Seeking Justice, One in the Chamber, and The Son of No One).

PAX West 2016 is in full swing, and one of the Nintendo titles streamed during the event was none other than Paper Mario: Color Splash and what with many of us missing out on what got shown the first time round, you can find the footage below and watch it to your heart's content:

20 full - color, decodable, and engaging Little Book titles are provided to help students transfer the skills they are learning to connected text in order to facilitate fluent reading and proficient comprehension.

1978 Pontiac Trans Am T - tops WS6 automatic with build sheet one year only color of Martinique blue interior is complete but needs redone a large portion of the body work has been done was taken down to bare metal car is now in primer trunk is good needs floor pans and a new Full floor pan goes with car A new bird for the hood goes with car good title has snowflake Wheels car is in primer runs nice

While Amazon Publishing is focused on traditional print publishing, specific mention was made in the press release of the options for digital editions of these children's titles, especially now that the full - color and family - friendly priced Kindle Fire tablet has debuted.

Companies like iStoryTime, Electric Type, and Oceanhouse Media have always favored publishing interactive titles for young readers, but now the full - color devices are allowing the major players in digital content are getting in the game.

Those books tend to do well in print because readers largely purchase the titles for their full - color photos, images that often don't come through well on an e-reader.

The quality of the finished product, especially with full color titles like children's books, photography books, and more, was identical to books sold elsewhere in that same store.

Not only have the good folks on the team been releasing a steady stream of classic titles on the Switch; they've also been including a little piece of my childhood in every case, in the form of physical, full - color manuals, stickers, maps and more.

Fans of Japanese shoot»em up artwork, particularly those of Cave, Softbank Creative has put out a new 160 - page, full - color art book featuring illustrations from the manic shooter publisher's recent titles in Japan this week.

A fine game, and one of my favorites, but when engaged in a battle for technological supremacy, a black - and - white (or «creamed spinach color,» as SEGA was keen to point out) title with a slower pace than normal wasn't the first thing you wanted to go to on the playground when arguing over which side was better, particularly against a full - fledged console title.

Mr. Sharif was best known as a Conceptual artist, but his command of color is on full view in a large - scale work made with pieces of painted cotton rope, titled simply «Colours» (2016).

We are proud to present our newest title: What A Time To Be Alive by Joakim Ojanen — a full color, 60 page, perfect bound, glossy book published by & Pens Press in conjunction with Ojanen's exhibition «New Paintings and Ceramic Work» at Richard Heller Gallery.

HELEN FRANKENTHALER (1928 - 2011) Variation I on «Mauve Corner» lithograph in colors, on Chatham British paper, 1969, signed, titled and dated in pencil, numbered 2/8 (there were also 2 artist's proofs), published by ULAE, West Islip, New York, with their blindstamp, with full margins, the orange attenuated, a foxmark in the right margin, framed Image: 16 7/8 x 13 3/4 in (429 x 349 mm.)

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER What Red Lines Can Do, New York, Multiples, Inc., 1970 (H. 22 - 6) the complete set of five signed, dated, numbered and inscribed screenprints in colors, title / justification, on Arches handmade coldpress, copy 7 of 24 (the edition was 75), the full sheets, loose (as issued), (H. 22) with foxing, (H. 24 - 5) with minor foxing, (H. 26) with soiling on the reverse, the title / justification with a 2 - in.

The book title, named after the artwork «For Heaven's Sake» (2008), includes full - color plates of the skull, including fabrication shots and installation shots at the Hong Kong exhibition where this life - size human baby skull cast in platinum and covered in 8,128 pavé - set perfect diamonds: 7,105 natural fancy pink diamonds and 1,023 white diamonds on the fontanel was shown for the first time.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 22 - 26) the complete set of five signed and dated screenprints in colors, 1970, on Arches handmade, each numbered 45/75 (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheets, occasional minute foxmarks, pale time staining, otherwise in good condition, each framed, lacking the original Plexiglas box, title page and justification Each S. 38 1/2 x 26 1/8 in.

Helen Frankenthaler (b. 1928)-RRB- Aerie Silkscreen printed in colors, 2009, signed in pencil, numbered 79/128, after the acrylic of the same title, published by Brand X Editions, New York, on wove paper, with full margins, in very good condition.

Helen Frankenthaler MONOPRINT II (HARRISON 77) Color monotype, 1981, on Japan, signed, titled, dated 11 Feb 81 and inscribed 2 White / Black C - Mix D / Black D - Mix B in pencil, published by Tyler Graphics, Mount Kisco and with their blindstamp, some rippling, two pinholes at top sheet corners (one with an associated 1/4 inch tear), a 1/8 tear at top right sheet edge, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame).

HELEN FRANKENTHALER William Carlos Williams, Valentine for Mr. Wonderful, Mount Kisco, New York, Tyler Graphics, Ltd., 1995 the complete set of seven aquatints with embossing in colors, hors - texte, text and colophon / justification, on TGL handmade, signed and dated on the justification in pencil, copy 34 of 35 (there were also 10 artist's proofs), with full margins or the full sheet, loose (as issued), in excellent condition, original paper wrappers with aquatint and embossing in colors on the front, burgundy cloth - covered portfolio box with gilt - embossed title, artist and publisher's names on the front.

The only full - color botanical in the show, and the genesis for most of the works, is the fittingly titled Mutant Generate (Lester's titling is on point, recalling the synthetic nature of her subjects, just as her choice of surfaces, translucent drafting film, is purely manmade).

2013 each hardcover volume 72 pages, full color on extra heavy paper, cased in raw book board and quarter bound in cloth with debossed titles, all housed in a cloth covered slipcase 11.81 x 13.98 x 2.17 inches (overall) 30 x 35.5 x 5.5 cm

Richard Lindzen was a signatory to a full page color advertisement in The New York Times titled «Abuse of Power» (PDF) sponsored by The Competitive Enterprise Institute (CEI).

Paul Driessen was a signatory to a full page color advertisement in The New York Times titled «Abuse of Power» (PDF) sponsored by The Competitive Enterprise Institute (CEI).

William Happer was a signatory to a full page color advertisement in The New York Times titled «Abuse of Power» (PDF) sponsored by The Competitive Enterprise Institute (CEI).

The Competitive Enterprise Institute (CEI) placed a full page color advertisement in The New York Times titled «Abuse of Power» (PDF).

Craig Rucker was a signatory to a full page color advertisement in The New York Times titled «Abuse of Power» (PDF) sponsored by The Competitive Enterprise Institute (CEI).

Myron Ebell was a signatory to a full page color advertisement in The New York Times titled «Abuse of Power» (PDF) sponsored by The Competitive Enterprise Institute (CEI).