The only thing worse than the kernel of an idea at the centre of Suicide Squad is its unlikely choice of writer-director to
bring it to life, Ayer, perhaps the most vile, pessimistic filmmaker in the United States, whom Warner Bros. has given the task of appealing broadly somehow with this material: a little softening here, an extra scene/hero moment there after gauging the breakout star from the reaction to early teaser trailers.
MOVIES & TV