They were selected not as the only artists of distinction
making abstract painting today, but as exemplary, representing the range and complexity, the vitality and potential of abstract painting today.
When I start a painting it initially goes through a transitional state where it is essentially abstract in form, although I have no intention
of making an abstract painting.
This might have seemed understandable in the period when Abstract Expressionism had lost its lustre, but it might also be a good reason
for making abstract paintings now.
Incidentally, before I came to the «postcard» paintings I was
making abstract paintings in landscape color palettes, but they were made by applying paint with spatula swipes and scraping into informal grids about touch and color.
I feel even the work that is more visually what a person might call an abstract painting, I always think of myself as making a picture of an abstract painting and
not making an abstract painting per se.
This 45 - year - old Brazilian
artist makes abstract paintings by first painting shapes on a piece of plastic and then pressing the paint side of the plastic onto a canvas, thus transferring the images.
After numerous public exhibitions of works that directly referenced or quoted from other artists» practices, Levine began
making abstract paintings without specific source material in 1985.
JS: You transitioned
into making abstract paintings, which is what you do now, but there is often some kind of text or writing embedded in your painting.
Now, returned to his home and studio in Hoosick, New York, he is continuing his project of
making abstract paintings about fraught and endangered landscapes.
So, I as a joke did a show called «Abstraction» and
just made abstract paintings, I just set up to make really good paintings that meant something to me in an abstract format.»
BP: I also heard a story that when John Currin was a grad student at Yale, you went as a visiting artist and, during the studio critiques, you told him that his work (he was
making abstract paintings at the time) had something hard to find in painting: they had poverty.
Made abstract paintings withBaroque arabesques of punched holes or fragments of coloured glass, and later with vertical cuts; spent the summers at Albisola Marina making ceramics.
According to Griffin, «No matter where these adventures in paint take me, it's the journey into the unknown that
makes abstract painting so exciting.»
One of the more difficult tasks for younger artists is to
make abstract painting genuinely new — that is, sincerely and intelligently felt instead of performed (as with too much geometric work) or blurted out (as with too much AbEx - redux brushwork) like a rant in a family argument.
The central installation looks like a series of kites painted,
thus making abstract painting much more immersive than it could be placed on walls.
Gabriele
Evertz makes abstract paintings, composed of vertical bands, that investigate how color areas situate in space and project forward (or backward) in relation to neighboring areas.
I can't personally get enough intellectual perspective on what an abstract painting is in order to think of it only in those terms... you have to be engaged with a more polemical discussion about what painting is in order to
really make abstract paintings now.
For Guston the lack of struggle he felt in
making abstract paintings signified more than a personal creative impasse: It stood for contemporary painters» craven refusal to confront the world in which they worked.
While his contemporaries prioritized the exploration of materiality, abstraction, and in some cases the social and political climate of the time, Binion's works are intensely personal investigations of the multiple ways to
make an abstract painting comprised of layers of line, color, and personal and historical narratives.
Pollock — whom Guston went to high school with in Los Angeles (the two were expelled for designing satirical leaflets) and who urged Guston to move to New York in 1935 — had been
making abstract paintings since 1939.
One of America's finest abstract painters, Chris Martin (born 1954) explores the fertile areas between sophisticated formalism and the visionary joy of outsider art,
making abstract painting look enviably effortless.
While Holland used representational elements, they referred to nothing in particular and their atypical presentation left them open to a variety of interpretations thus,
making his abstract paintings as fresh and appealing forty years later.
But I began to feel that I had no right to be
making abstract paintings until I had grasped the real world in the way that Mondrian, de Kooning, Pollock, and others had done before me.